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Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
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Saudi Arabia's 'Art of the Kingdom' Exhibition Opens at Paço Imperial in Rio de Janeiro

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)
The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. (Saudi Museums Commission)

The first traveling group exhibition of Saudi contemporary art was inaugurated at the historic Paço Imperial in Rio de Janeiro, Brazil on Sunday.

Titled “Art of the Kingdom”, this landmark exhibition introduces the public to the works of leading contemporary artists from Saudi Arabia, fostering a deeper global understanding of the Kingdom’s evolving art landscape.

Debuting in Brazil, the exhibition will move on a global tour starting with 2025, reaching the National Museum of China in Beijing.

Titled “Poetic Illuminations”, the inaugural edition of this exhibition in Brazil is curated by Diana Wechsler and features 17 Saudi artists from different generations and of various artistic styles, showcasing a diverse collection of artworks ranging from paintings to installations and video works.

The exhibition sheds light on Saudi Arabia's history, memory, and cultural tradition. Woven artistically, it offers audiences in Brazil and beyond the unique opportunity to engage with Saudi Arabia’s cultural narratives and art practices.

“Art has the power to unite people and cultures, and Art of the Kingdom exemplifies this mission,” said Mona Khazindar, advisor at Saudi Arabia’s Ministry of Culture.

“This exhibition not only stands as a testament to the incredible talent of Saudi contemporary artists, it also creates a platform for Saudi artists to share their stories and perspectives with the world. By launching Art of the Kingdom in Rio de Janeiro, we aim to foster cross-cultural dialogue and understanding through art, while celebrating and nurturing Saudi artists’ creativity and empowering local talents to engage with the world,” she added.

On the concept of the exhibition, Wechsler said: “Is it possible to approach a culture through contemporary art? How do the visual arts contribute to reconfiguring the narratives we construct about society, memory, the past, and the present? These two questions are the starting point of the exhibition.”

“Through a curated selection of artists and works, the exhibition seeks to explore these themes, guided by the idea that the essence of art, in conceptual terms, is poetic illumination — its ability to symbolically shed light on the world we inhabit, revealing not only elements of our past but also our dreams, longings, and fantasies,” she emphasized.

Two main themes emerge from the exhibition’s repertoire. One is the desert as a definition of space, infinity, and life; the other is the singularity of cultural tradition, and the evolution of a unique visual culture, shaped by diverse pasts and presents.

The stunning setting of Paço Imperial, a cultural landmark in Rio de Janeiro, adds to the beauty and significance of this exhibition, as it creates an artistic conversation between the historical setup and the contemporary works on display.

As the Kingdom proceeds on an unprecedented journey of cultural transformation, the “Art of the Kingdom” exhibition offers a unique opportunity to explore the ways in which Saudi contemporary art contributes to shaping new cultural narratives.

 

 

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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
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Iran's Vast Collection of Western Art, Much Long Hidden, Re-Emerges Despite High Tensions With US

A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)
A woman walks past a portrait of the leader of the American Indian Movement Russell Means, right, by American artist Andy Warhol, as she visits an exhibition titled Eye to Eye which showcases over 120 works by modern world artists as well as Iranian painters at Tehran Museum of Contemporary Art, in Tehran, Thursday, Nov. 21, 2024. (AP Photo/Vahid Salemi)

As Iran faces increasing tensions with the West and turmoil at home, a new exhibition at the Tehran Museum of Contemporary Art is displaying Western artwork including pieces not seen by the public in at least a decade.
The unveiling of the exhibition “Eye to Eye” has drawn numerous women, their hair uncovered, to the underground galleries of the museum in Tehran's Laleh Park. Their presence, while unacknowledged by authorities, shows the way life has changed inside Iran just in the last few years even as the country's theocracy presses forward with enriching uranium to near-weapons grade levels and launching attacks on Israel during the ongoing Mideast wars, The Associated Press said.
“The first feeling that came to me, and I told my parents, was that I can’t believe I’m seeing these works, which have always been kept far from our eyes,” said Aida Zarrin, a young woman at the museum.
“If such events are held here and we can see artworks like the rest of the world, it’s enough. They are really precious.”
The government of Iran’s Western-backed shah, Mohammad Reza Pahlavi, and his wife, the former Empress Farah Pahlavi, built the museum and acquired the vast collection in the late 1970s, when oil boomed and Western economies stagnated. Upon opening, it showed sensational works by Pablo Picasso, Mark Rothko, Claude Monet, Jackson Pollock and other heavyweights, enhancing Iran’s cultural standing on the world stage.
But just two years later, in 1979, Shiite clerics ousted the shah and packed away the art in the museum’s vault. Some paintings — cubist, surrealist, impressionist and even pop art — sat untouched for decades to avoid offending Islamic values and the appearance of catering to Western sensibilities. Nearly everything is believed still to be there, though an Andy Warhol print of the empress was slashed during the revolution.
Today, the collection is likely worth billions of dollars. Even with Iran now cash-strapped under Western sanctions, officials with the museum have been able to advocate for keeping the collection, though there have been occasional trades in the past for items from Persian history. Those sanctions may increase under the next administration of US President-elect Donald Trump.
As Iranian politics have thawed, re-frozen and thawed again, the collection resurfaces along with those changes.
Among the over 120 works being shown are ones from Picasso, Andy Warhol and Francis Bacon, along with celebrated Iranian artists. One of the Warhols, “Jacqueline Kennedy II,” is a silkscreen double image of the former US first lady in mourning after the 1963 assassination of her husband, President John Kennedy. Another Warhol portrait of Rolling Stones frontman Mick Jagger also garnered attention from the cellphone photo snappers.
“A lot of these works are important works in the history of art, and that’s why this show distinguishes itself from others,” said Jamal Arabzadeh, the exhibition's curator. ”A lot of people with less exposure to art have discovered the museum for the first time. ... We are seeing a part of the community that are discovering art and the museum and see the potential of this place, and this is something to be proud of.”
The presence of Western art comes as Iran's government has long fought against items like Barbie dolls and depictions of cartoon characters from “The Simpsons.” Such Western influences have been deemed un-Islamic in the past and have been seen as part of a “soft” cultural war against Iran.
With a ticket costing the equivalent of 14 US cents, the exhibition offers a rare government-sanctioned event not involving the country's politics or Shiite religion.
Among the visitors were many women defying the country's mandatory headscarf, or hijab, law. Crackdowns over the hijab have slowed down after Iran's presidential election in July that elected reformist President Masoud Pezeshkian, though individual cases of arrest continue to draw anger.
And for many, the cost of tickets to travel abroad given Iran's collapsing rial currency keep foreign museums out of reach.
“This is very attractive for art enthusiasts because not everyone can go and see museums abroad. It’s extremely exciting to see the works here,” said a woman who only gave her last name, Dolatshahi. “I had no idea I could see works by van Gogh and Picasso here.”