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UAE’s Salem Al Qassimi Stresses Culture’s Role in Sustainable Development

UAE Minister of Culture Shaikh Salem bin Khalid Al Qassimi. WAM
UAE Minister of Culture Shaikh Salem bin Khalid Al Qassimi. WAM
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UAE’s Salem Al Qassimi Stresses Culture’s Role in Sustainable Development

UAE Minister of Culture Shaikh Salem bin Khalid Al Qassimi. WAM
UAE Minister of Culture Shaikh Salem bin Khalid Al Qassimi. WAM

UAE Minister of Culture Shaikh Salem bin Khalid Al Qassimi emphasized the UAE's commitment to integrating culture into sustainable development and climate action, Emirates News Agency (WAM) reported.

The Minister's remarks came during his participation at the G20 Culture Ministers' Meeting in Salvador, Di Bahia, Brazil, WAM said Wednesday.

Addressing the meeting, Al Qassimi said that the UAE has been galvanizing global cooperation to mainstream culture as a key enabler of sustainable development. He also stressed the UAE's leading role in promoting a culture of climate action and as a lever for inclusive and equitable economic growth.

"Culture not only preserves heritage but also provides innovative solutions to complex global issues, including climate change. As we face an evolving climate, culture strengthens our resilience against these challenges,” he said.

The Minister highlighted the UAE and Brazil's joint efforts in creating the Group of Friends for Culture-Based Climate Action (GFCBCA) and the support the group has received since its launch at COP28 last year.

"This coalition symbolizes our dedication to addressing climate challenges through a cultural lens, and we are grateful to the many partners who have joined this mission. We are especially proud that both the UAE Framework for Global Climate Resilience and the GFCBCA were included in the declaration, highlighting the importance of integrating cultural and resilient approaches to climate action on a global scale," he added.

The Minister also pointed out that measuring the contribution of the cultural and creative industries is of utmost importance as it is essential to tailor regulations and incentives that nurture the creative sector. "Data insights reveal emerging trends, consumer preferences, and areas for innovation."

"We are working with global partners to bolster mechanisms to collect data from the creative sector and leverage it to guide the future direction of CCI. Our dedication to nurturing creativity is not only about economic growth but about securing the legacy and identity of our communities for generations to come," WAM quoted him as saying.

A delegation from the Ministry of Culture actively participated in the fourth Culture Working Group (CWG) meeting. The UAE contributed to discussions on four priority areas: Protection and Restitution of Cultural Property, Harnessing Living Heritage for a Sustainable Future, Promotion of Cultural and Creative Industries, and Leveraging Digital Technologies for Culture, all of which informed the G20 Culture Ministers' Declaration.

By focusing discussions on culture in the four topics above, the countries gathered in the G20 Culture Working Group will be able to deepen their understanding of the challenges and possibilities of culture in a constantly changing world. The panels were designed to provide countries with the means to improve their public policies and national actions.

The CWG discussions are expected to foster new degrees of understanding and partnerships between countries, advancing principles such as promoting peace, sustainable and inclusive development, dialogue, and common understanding for the benefit of all.

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Culture

UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
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UNESCO Chair in Translating Cultures Hosts Lectures on Safeguarding Intangible Cultural Heritage

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA
The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application - SPA

The United Nations Educational, Scientific and Cultural Organization (UNESCO) Chair in Translating Cultures at the King Faisal Center for Research and Islamic Studies (KFCRIS), with support from the Literature, Publishing, and Translation Commission, organized a training course and a series of specialized lectures on the translation and safeguarding of intangible cultural heritage, SPA reported.

The program was presented as an advanced knowledge initiative that combined theoretical perspectives with practical application, opening space for in-depth discussion of the challenges of translating intangible heritage as a living, evolving form of culture closely tied to its cultural, social, and performative contexts.

The course and lectures adopted a comprehensive approach that views translation as a cultural tool for preserving oral memory and building bridges between local specificity and the global sphere.

This approach was reflected through applied models, field experiences, and contemporary conceptual frameworks.

Culture

Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
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Ancient Egyptian Pharaoh’s Boat Is Being Reassembled in Public at Grand Egyptian Museum

People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.
People walk next to King Khufu's boat gem, also known as the Solar Boat, as work to restore the second solar boat has started with wooden planks part of the 1,650-piece structure being installed on a metal frame through Egyptian-Japanese cooperation with two Japanese universities, marking the start of preparations for the second boat's public display at the Grand Egyptian Museum (GEM), near the Giza Pyramid Complex, in Giza, Egypt, December 23, 2025.

A boat belonging to an Egyptian pharaoh is being assembled in full view at the Grand Egyptian Museum’s exhibition hall.

Staff began piecing together the cedarwood boat, one of two that were found that belong to King Khufu, Tuesday morning as dozens of visitors watched.

The assembly of the 42-meter (137-foot) -long vessel, which sits next to its already-assembled twin that has been on display, is expected to take around four years, according to Issa Zeidan, head of restoration at the Grand Egyptian Museum. It contains 1,650 wooden pieces.

King Khufu ruled ancient Egypt more than 4,500 years ago and built the Great Pyramid of Giza.

“You’re witnessing today one of the most important restoration projects in the 21st century,” said Tourism and Antiquities Minister Sherif Fathy, who attended the event.

The $1 billion museum, also known as GEM, was touted as the world’s largest when it was lavishly inaugurated last month. It's home to nearly 50,000 artifacts, including the collection of treasures from the tomb of the famed King Tutankhamun, which was discovered in 1922. The museum, located near the pyramids at the edge of Cairo, is expected to boost Egypt’s tourism revenues and help bolster its economy.

The boat was one of two discovered in 1954, opposite the southern side of the Great Pyramid. The excavation of its wooden parts began in 2014, according to the museum’s website.

The exact purpose of the boats remains unclear, but experts believe they were either used to transport King Khufu’s body during his funeral or were meant to be used for his afterlife journey with the sun god Ra, according to the museum.

Culture

Louvre Museum Installs Security Bars on Balcony Used in October’s Heist

Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
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Louvre Museum Installs Security Bars on Balcony Used in October’s Heist

Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)
Workers install metal security bars over the window where thieves broke into the Louvre museum on Oct.19, Tuesday Dec.23, 2025 in Paris. (AP)

France's Louvre museum on Tuesday installed security bars on the balcony that burglars used to break in and steal some of the crown jewels.

Four people broke into the world's most visited museum on October 19 and escaped with jewels worth an estimated $102 million, exposing glaring security gaps and revealing its deteriorating state.

They parked a movers' lift outside the museum, jumped on the balcony of the Apollo gallery, smashed a window, cracked open display cases ‌with angle grinders ‌and fled on the ‌back ⁠of scooters driven by ‌accomplices in a heist lasting less than 7 minutes.

On Tuesday, a crane lifted the security grille into place to seal the glass door leading to the balcony.

"The Louvre is learning all the lessons from the theft of October 19 and is continuing its transformation ⁠and the strengthening of its security architecture," the museum said in a ‌post on X.

It also said a ‍mobile police squad was ‍now present at the roundabout in front of ‍the iconic glass pyramid, and 100 more cameras would be deployed around the museum next year.

Police have identified eight suspects in connection with the heist, though the jewels are still missing.

The break-in raised awkward questions about security at the Louvre, which is home to ⁠priceless artworks such as the Mona Lisa.

Louvre officials have admitted there was inadequate security camera coverage of the outside walls of the museum and no coverage of the balcony involved in the break-in.

The heist was one of several woes to hit the museum in recent weeks: another gallery, adjacent to the Apollo, was closed because of structural weakness, a water leak damaged books at the Egyptian antiquities department and the museum ‌was partly closed for several days after its staff went on strike.