Saudi Arabia's Camel Year 2024 Initiative Participates in 'Banan' Week

The year 2024 has been named the Year of the Camel in celebration of the cultural and civilizational significance of camels
The year 2024 has been named the Year of the Camel in celebration of the cultural and civilizational significance of camels
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Saudi Arabia's Camel Year 2024 Initiative Participates in 'Banan' Week

The year 2024 has been named the Year of the Camel in celebration of the cultural and civilizational significance of camels
The year 2024 has been named the Year of the Camel in celebration of the cultural and civilizational significance of camels

The Year of the Camel 2024 initiative, a Ministry of Culture project, participated in the Saudi International Handicrafts Week (Banan) Exhibition at Riyadh's Roshn Front with a pavilion informing the public about the initiative and celebrating camels as a key component of Saudi culture.
The pavilion at Banan presents educational content about camels through panels and a display screen. It also features prominent rock engravings scattered across the Kingdom, reflecting the importance of camels from pre-Islamic times, early Islamic periods, and subsequent eras.
The pavilion also showcases some camel-related products typically made by craftspeople, such as the "shaddad," a wooden seat placed on the camel's hump for the rider, and the "khirj," consisting of two attached bags placed over the shaddad and hanging down its sides to store the rider's personal belongings.
This participation is part of the activities and efforts of the Year of the Camel 2024 initiative, through which the Ministry of Culture aims to celebrate camels in both local and international forums and introduce visitors to camels as a historical source of pride for Saudis.
The year 2024 has been named the Year of the Camel in celebration of the cultural and civilizational significance of camels and in recognition of their esteemed status in Saudi society and their enduring connection with the people of the Arabian Peninsula throughout history.



Saudi Culture Minister Meets with Scholarship Students in Manga Production Program in Japan

The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
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Saudi Culture Minister Meets with Scholarship Students in Manga Production Program in Japan

The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA
The Saudi Minister of Culture met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday. SPA

Saudi Minister of Culture, Chairman of the Board of Directors of the Literature, Publishing, and Translation Commission (LPTC) Prince Badr bin Abdullah bin Farhan, met with Saudi scholarship students in the Manga Production Foundations Program at his residence in Tokyo on Saturday.

This specialized training program, organized in collaboration between the commission and Manga Productions, a subsidiary of the Mohammed bin Salman Foundation (Misk), aims to nurture talented manga artists through professional training rooted in Japanese techniques, the birthplace of this art form.

During the meeting, Prince Badr emphasized the Saudi leadership's unwavering support for developing human capabilities across all fields, highlighting the importance of academic and professional training in cultural disciplines.

The meeting was attended by CEO of LPTC Dr. Mohammed Hasan Alwan, CEO of Manga Productions Essam Amanullah Bukhari, and students studying manga art at Kadokawa Contents Academy (KCA), one of Japan’s leading institutions for training and recruiting talent in manga creation.

The program includes virtual workshops, an intensive training course, and overseas training in Japan. It has also launched competitions blending manga with Saudi cultural themes, such as "Munjanha," which transforms Arabic proverbs into manga stories; "Manga Al-Qaseed," which adapts Arabic poems into manga; and "Manga Al-Ibil," which celebrates the cultural symbolism of camels in Saudi Arabia.

The program has benefited over 1,850 participants through virtual workshops, with 115 advancing to the intensive training phase, resulting in the creation of 115 manga stories. Among these, 21 students were sent to Japan for advanced training. The competitions garnered significant engagement, receiving 133 submissions for "Munjanha," over 70 for "Manga Al-Qaseed," and more than 50 for "Manga Al-Ibil."