Rare Roman Coin Featuring Brutus Up for Auction in Geneva

The aureus currency was issued by Brutus and his friends a year or two after they assassinated Roman ruler Caesar in 44 BC. Fabrice COFFRINI / AFP
The aureus currency was issued by Brutus and his friends a year or two after they assassinated Roman ruler Caesar in 44 BC. Fabrice COFFRINI / AFP
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Rare Roman Coin Featuring Brutus Up for Auction in Geneva

The aureus currency was issued by Brutus and his friends a year or two after they assassinated Roman ruler Caesar in 44 BC. Fabrice COFFRINI / AFP
The aureus currency was issued by Brutus and his friends a year or two after they assassinated Roman ruler Caesar in 44 BC. Fabrice COFFRINI / AFP

A Roman gold coin bearing the image of Brutus, the assassin of Julius Caesar, will go to auction in Geneva on Monday, with bids set to start above $850,000.
"A numismatist's eyes light up when beholding a coin like this," because this is "a piece of history," said Frank Baldacci, head of the Numismatica Genevensis (NGSA) auction house behind the sale.
The aureus, the gold coin currency used in ancient Rome, was issued by Brutus and his friends a year or two after they assassinated Roman ruler Caesar in 44 BC, he said.
The coin, which weighs eight grams (0.3 ounces), is "of immense historical importance both artistically and politically", NGSA said.
Bidding will start at 750,000 Swiss francs ($852,000), but Baldacci said it would likely go for more than a million francs, AFP reported.
"This could go quite high," he told AFP, pointing out that the piece was a bit like "the Da Vinci of Roman coins".
This particular aureus features Brutus's profile framed with laurel leaves on one side. The other celebrates his recent military victories with warlike symbols.
It is one of only 17 known examples.
The coin was "cast not in Rome but in a mint that travelled with Brutus and his armies as he tried to seize power after the assassination of Julius Caesar", Baldacci said, adding that it had a "propaganda value".
The laurel wreath is clearly a sign of "someone who wants to promote himself as emperor", he said, pointing out that "IMP" -- for emperor -- was engraved next to Brutus's face, even though he did not hold that title.
'Exceptionally rare'
The coin was struck shortly before the fateful Battle of Philippi in 42 BC, which ended with Brutus killing himself after losing to Octavian and Mark Antony as they sought to avenge Caesar's death.
The aureus has since travelled discreetly through the centuries, with little known about its owners along the way.
"But we know that during the Renaissance, there were a lot of princes and lords who had Roman coin collections," Baldacci said.
The coin resurfaced in the 1950s when it was catalogued as part of a private collection.
It reappeared again in 2006, when it was put up for auction in Zurich, and sold to a private collector for 360,000 Swiss francs.
"This is a coin returning to market after a generation," Baldacci said.
"These are exceptionally rare coins and the possibility of acquiring them is also rare."
The coin is encased in an airtight box to prevent it from being altered, and to "guarantee its authenticity", Baldacci said.
Certification by specialists, he said, is done by among other things comparing a coin with other ancient coins and by examining the gold used.



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
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ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.