Murakami Tells Alma Mater He Was a ‘Terrible Student'

This picture taken on June 29, 2024 shows Japanese author Haruki Murakami posing during a photo call following a performance entitled the “Haruki Murakami produce Murakami JAM vol.3 – A hot and gentle fusion night”, at the Sumida Triphony Hall in Tokyo. (AFP)
This picture taken on June 29, 2024 shows Japanese author Haruki Murakami posing during a photo call following a performance entitled the “Haruki Murakami produce Murakami JAM vol.3 – A hot and gentle fusion night”, at the Sumida Triphony Hall in Tokyo. (AFP)
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Murakami Tells Alma Mater He Was a ‘Terrible Student'

This picture taken on June 29, 2024 shows Japanese author Haruki Murakami posing during a photo call following a performance entitled the “Haruki Murakami produce Murakami JAM vol.3 – A hot and gentle fusion night”, at the Sumida Triphony Hall in Tokyo. (AFP)
This picture taken on June 29, 2024 shows Japanese author Haruki Murakami posing during a photo call following a performance entitled the “Haruki Murakami produce Murakami JAM vol.3 – A hot and gentle fusion night”, at the Sumida Triphony Hall in Tokyo. (AFP)

Publicity-shy Japanese author Haruki Murakami told his alma mater Tuesday that he was far from being a model scholar, as he collected an honorary degree in a rare public appearance.

"It feels kind of strange being given the award, considering what a terrible student I was," said Murakami to laughter from the audience at Waseda University.

"I would skip classes and forget about studying. I was just doing whatever I wanted and causing loads of trouble to the university," the 75-year-old said.

The degree is therefore a "pretty generous gesture on Waseda's part," the novelist, dressed in academic regalia, told the rapturous audience of hundreds of admiring fans and Waseda students.

Awarding the honorary doctorate, Tokyo's prestigious Waseda University hailed the "cosmopolitan atmosphere" of Murakami's work and his ability "freewheelingly to zigzag between the real and the surreal".

The author of "Norwegian Wood" and "Kafka on the Shore" is known for his intricate tales of the absurdity and loneliness of modern life, which have been translated into about 50 languages.

Perennially tipped for a Nobel prize, Murakami is a reclusive figure and famously media-shy.

Readers of his works are drawn into the "Murakami world" where giant frogs challenge office workers in battle and mackerel rain down from the sky.

"The City and Its Uncertain Walls", his first full-length novel in six years, hit shelves in Japan last year, and copies of its English translation were released in November.

In his short, self-deprecating speech, Murakami said he had "gained absolutely nothing" from his previous six honorary doctorates -- all awarded by universities abroad -- calling them "useless".

"It's not like they come with pension money... And just because you have honorary doctorates doesn't mean your books sell," he quipped to another bout of laughter.

This is not to say, he added, that he is not grateful to his alma mater.

"Had I not enrolled in Waseda, I might have not pursued the career as a novelist at all," Murakami said, calling the award a milestone in his "life cycle".

Typical of his taciturn style, Murakami offered no clue as to what his next project will be, but he ended his speech on a bright note.

"I want to keep writing good novels," he said.



Saudi Arabia's Ithra Launches iRead Marathon with Participation from 13 Arab Countries

The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)
The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)
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Saudi Arabia's Ithra Launches iRead Marathon with Participation from 13 Arab Countries

The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)
The fifth annual iRead Marathon is taking place from February 5 to 7. (SPA)

Saudi Arabia's King Abdulaziz Center for World Culture (Ithra) announced the launch of the fifth annual iRead Marathon, in collaboration with the Arab Federation for Libraries and Information (AFLI) and environmental partners, reported the Saudi Press Agency on Tuesday.

The event will witness the participation of 52 libraries from 13 Arab countries, including Saudi Arabia, the United Arab Emirates, Qatar, Oman, Egypt, Morocco, Tunisia, Algeria, Palestine, Jordan, Bahrain, Kuwait, and Iraq.

This year’s edition, taking place from February 5 to 7, has recorded a 235% increase in participation by Arab libraries compared to last year. It is an extension of a series of initiatives introduced by Ithra with aim of encouraging reading in society.

Ithra Library Head Abdullah Al Hawas explained that Ithra places great emphasis on reading and its promotion, adopting reading as a key priority for the next five years.

He noted its launch of the Arab Reading Index to monitor the state of reading across Arab countries. The iRead Marathon is in line with these efforts.


Trevi Fountain Fee Takes Effect as Rome Seeks to Manage Tourist Crowds

02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)
02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)
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Trevi Fountain Fee Takes Effect as Rome Seeks to Manage Tourist Crowds

02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)
02 February 2026, Italy, Rome: First day of paid admission to the Trevi Fountain basin for tourists and non-residents of Rome. (dpa)

Tourists hoping to get close to the Trevi Fountain had to pay 2 euros ($2.35) starting Monday as the city of Rome inaugurated a new fee structure to help raise money and control crowds at one of the world’s most celebrated waterworks.

The first tourists to pass through the new ticket check seemed unfazed by the tariff, noting it was a small price to pay for quality access to a fountain made famous by Federico Fellini’s movie “La Dolce Vita.”

“Before, there were problems accessing the fountain. There were a lot of people. Now, it’s very easy,” said Ilhan Musbah, a tourist from Morocco. “You can take photos, you feel good, you’re comfortable, and on top of that 2 euros is not much.”

The tourist fee was rolled out in conjunction with a new 5-euro (nearly $6) tourist ticket fee for some city museums. In both cases, Rome residents are exempt from the fees and the extra revenue will actually expand the number of city-run museums that are free for registered Roman residents.

It's all part of the Eternal City’s efforts to manage tourist flows in a particularly congested part of town, improve the experience and offset the maintenance costs of preserving all of Rome’s cultural heritage. Officials estimate it could net the city 6.5 million euros ($7.6 million) extra a year.

The city decided to impose the Trevi Fountain fee after seeing positive results already from a yearlong experiment to stagger and limit the number of visitors who can reach the front edge of the basin by imposing lines and pathways for entrance and exit.

“I think tourists were shocked by the fact that the city of Rome is only asking for 2 euros for a site of this level,” Alessandro Onorato, Rome’s assessor of tourism, said Monday. “I believe that if the Trevi Fountain were in New York, they would have charged at least $100.”

The fee follows a similar ticketing system at Rome’s Pantheon monument and the more complicated tourist day-tripper tax that the lagoon city of Venice imposed last year in a bid to ease overtourism and make the city more livable for residents.

The Italian fees still pale in comparison to the 45% price hike that French authorities announced for the Louvre Museum for most non-European visitors, where tickets can now run to 32 euros ($37) from 22 euros ($26).

The Trevi fee, which can be paid in advance online, enables tourists to get close to the fountain during prime-time daylight hours. The view for those admiring the late Baroque masterpiece from the piazza above remains free, as it is up close after hours.

The towering fountain features the Titan god Oceanus flanked by falls cascading down the travertine rocks into a shallow turquoise pool, where Marcello Mastroianni and Anita Ekberg famously took their nighttime dip in “La Dolce Vita.”

While bathing is prohibited nowadays, legend has it that visitors who toss a coin over their shoulders and make a wish will return to Rome.


Red Sea Museum Strengthens Community Connection to Cultural Heritage through Enriching Knowledge Experiences

The program featured interactive workshops for children - SPA
The program featured interactive workshops for children - SPA
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Red Sea Museum Strengthens Community Connection to Cultural Heritage through Enriching Knowledge Experiences

The program featured interactive workshops for children - SPA
The program featured interactive workshops for children - SPA

As part of its cultural program, the Red Sea Museum presented a series of high-quality activities. These included art workshops, cultural dialogues, performance showcases, and family-oriented programs.

Together, they offered an enriching knowledge experience that blends the Red Sea’s cultural heritage with contemporary creative practices. The interactive content targeted diverse segments of society through innovative educational approaches, SPA reported.

The program covered a wide range of themes, including traditional architecture, historical photography, music, travel literature, maritime history, and public health in the Red Sea region. Activities were held across the museum’s facilities and in Jeddah’s Historic District. They were presented within a cultural framework that reintroduces heritage as a living, evolving element and a source of inspiration.

The program also featured interactive workshops for children. These introduced participants to the fundamentals of cartography and navigation. In parallel, specialized workshops revived historical photographic printing techniques through a contemporary approach.
In addition, the program included intellectual talks on traditional architecture and its relationship to identity and modern transformations.

It also offered practical workshops tracing the evolution of navigation from past to present. These activities combined theoretical knowledge with hands-on experience.

Through these initiatives, the Red Sea Museum continues to strengthen its role as a cultural anchor for the community. It builds effective bridges of engagement with various audiences through diverse programs and guided tours for schools, universities, and associations.

This approach broadens opportunities for reflection and learning, enhances the museum’s standing as a knowledge destination, and strengthens connection to the region’s cultural identity.