Chinese Lion Dance Troupe Shrugs off Patriarchal Past 

This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)
This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)
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Chinese Lion Dance Troupe Shrugs off Patriarchal Past 

This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)
This photo taken on January 22, 2025 shows members of a lion dance troupe playing drums and percussions during a lion dance practice session in Shantou, in southern China's Guangdong province. (AFP)

Flinging her male teammate into the air, performer Lin Xinmeng practices China's world-famous lion dance with a troupe that is shrugging off centuries of patriarchal norms.

Mixing acrobatics, martial arts and theater, lion dancing is believed to bring prosperity and protection from evil spirits.

Performed across China and around the world, at weddings or during business openings, it is a mainstay of Lunar New Year celebrations, which begin on Wednesday.

"I discovered this dance one day by chance in the street. I found it super graceful," Lin, 18, told AFP in a courtyard in the southern Chinese city of Shantou, where her troupe trains.

"The tenacity of the dancers, their ability to perform these movements, impressed me. I wanted to become like them," she said.

Inside a costume consisting of a large, colorful lion head and a long, silky piece of fabric representing the body, dancers must work in tandem to bring the animal to life.

It can be tough on dancers' bodies, with one performer often required to lift the other by the waist to simulate the beast jumping on its hind legs.

That physical exertion, coupled with deep-rooted patriarchal attitudes, has long resulted in women being excluded from the tradition.

But Lin Likun -- the troupe's 31-year-old coach -- said the presence of women made the lion dancing show more "enjoyable" and means more people can pass on "this intangible heritage".

"We are constantly looking for ways to innovate, to breathe new vitality into lion dance," he said.

"It also allows us to reflect women's aspirations," he added, even if some give up along the way because of the physical demands.

- Rejecting patriarchy -

The troupe, called Lingdong, counts about 80 members aged between 13 to 33, most of them school students.

Around 20 of them are women.

While the presence of young women in the troupe elicits "mostly positive" feedback, Lin acknowledges that there has been some "mockery" and "negative reactions".

"Some old-timers think that women should stay at home and do housework. But our generation has a different view," he said.

"We believe in equality between men and women."

A growing number of Chinese women are rejecting the rigidity of traditional obligations imposed by their parents, who expect them to marry and have children young.

The cultural shift has been accompanied by the stardom of tennis player Zheng Qinwen, a champion at last year's Paris Olympics, and the critical success of the Chinese film "Her Story", which addresses gender inequality in contemporary society.

"Some say that a girl can't lead a lion. But it's my passion and it's up to me alone to take it on," said performer Lin Xinmeng.

"I want to surpass myself, to show that girls are not necessarily less good than boys," she explained.

- 'Masculine strength, feminine grace' -

Lin goes jogging, squats and weight trains to prepare herself for the most physically demanding parts of the dance.

She sees the participation of women and girls as a way "to combine masculine strength and feminine grace".

Another girl in the troupe, Dong Zidan, has 45,000 followers on the social network Douyin, China's version of TikTok, where she regularly shares content about lion dancing.

"I hope to encourage more girls to participate in our customs and pass on this intangible heritage," she said.

Coach Lin's next project is to have as many girls as boys in his team.

He will then try to create an all-women troupe -- a distant goal given the challenges that persist.

"The facts will prove that girls can assert themselves just as much as men," he insisted.

"Whether in lion dancing or in daily life."



Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
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Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA
The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures - SPA

The Red Sea Museum in Historic Jeddah is hosting a contemporary artistic exhibition that explores the Red Sea’s marine richness by connecting its geological origins, dating back to the Eocene epoch, with natural history and artistic expression.

Through a series of sculptures and installations, the exhibition showcases the region's vast biodiversity, from microorganisms to large mammals, SPA reported.

The works emphasize the Red Sea’s resilient coral reefs, thriving in warm, high-salinity waters, while delivering powerful environmental messages on the urgency of reef protection and ecological sustainability.

The collection features diverse media, including rare black coral crafts and textiles that evoke underwater textures.

These pieces complement the museum’s permanent collection of over 1,000 artifacts, reinforcing the Kingdom’s commitment to preserving its cultural and environmental heritage through modern, immersive displays.


Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
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Saudi Pavilion Highlights Cultural Exchange at Sarajevo Book Fair

The fair is held under the theme "Book Path" and features 200 exhibitors. SPA
The fair is held under the theme "Book Path" and features 200 exhibitors. SPA

The Ministry of Islamic Affairs, Dawah and Guidance, represented by the King Fahd Cultural Center in Bosnia and Herzegovina, is participating in Saudi Arabia’s pavilion at the 37th Sarajevo International Book Fair held from April 22 to 27 at the Skenderija Center.

The fair is held under the theme "Book Path" and features 200 exhibitors from Bosnia and Herzegovina and around the world presenting their publications across an exhibition area of more than 10,000 square meters.

The pavilion, inaugurated in the presence of Saudi Ambassador to Bosnia and Herzegovina Anas Al-Wusaidi, showcases the center’s cultural programs, publications, and activities.

It includes a documentary highlighting the Kingdom’s civilizational progress and the achievements of Saudi Vision 2030, as well as films introducing Saudi cities and tourist landmarks.

The pavilion also features educational and training programs, a Saudi culture corner, a workshop on Saudi coffee preparation, an Arabic calligraphy corner, and a children’s area.

The ministry’s participation in the fair reflects Saudi Arabia’s leading role in serving Islam and Muslims inside and outside the Kingdom, its message of moderation and tolerance, and its commitment to strengthening cultural exchange.


Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026
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Ithra Showcases Ithra Design Week at Milan Design Week 2026

Ithra Showcases Ithra Design Week at Milan Design Week 2026

The King Abdulaziz Center for World Culture (Ithra), an initiative of Aramco, is participating in Milan Design Week, one of the world’s most prominent annual design events, taking place during April 20-26, 2026. This participation reflects the center’s aspirations to strengthen the role of design within the cultural landscape. As part of its presence, Ithra is presenting key features of Ithra Design Week (IDW)—announced last year as a dedicated platform supporting the design sector and designers, aimed at fostering collaboration, nurturing creativity, and advancing design content from the Arab world on the global stage.

As part of its participation, Ithra is presenting the exhibition “Default is Not Universal” at the Isola Design Festival, within the framework of Milan Design Week 2026. The exhibition represents the first tangible realization of Ithra Design Week as a regional platform for designers, showcasing their creativity and cultural narratives to international audiences while opening channels for global dialogue on the future of design, SPA reported.

Manager of Programs at Ithra Nourh Al-Zamil said: “Ithra’s participation in Milan Design Week; one of the most important global events in the field of design, reflects the Center’s mission to empower creative talent, strengthen cultural exchange, and support the growth of the creative economy at both regional and international levels. It also highlights Ithra Design Week 2026, that announced last year as a platform dedicated to supporting and advancing the future of Arab design.”

Al-Zamil added that Ithra’s international participation in leading design and creativity forums serves as an important platform for attracting designers from across the Middle East. She noted that the “Default is Not Universal” exhibition, presented in collaboration with Isola Design; a partnership spanning four years; aims to empower creativity and connect designers from around the world. She emphasized that the exhibition reflects Ithra’s continued efforts to build a year-round integrated ecosystem enabling designers to collaborate, grow, and thrive.

The “Default is Not Universal” exhibition features works by eight designers from across the Middle East and North Africa (MENA) region and includes seven interactive stations. Through the use of artificial intelligence, the exhibition collects visitor interaction data and transforms it into a dynamic map illustrating how cognitive patterns are shaped by diverse cultural influences. In an innovative step, this data will later be used to commission a designer to produce an entirely new piece reflecting the exhibition’s insights and outcomes.

The exhibition represents a collaborative experience between Ithra and Isola Design and is the outcome of a four-year partnership. Following its debut, the exhibition will be expanded and travel to Saudi Arabia, where it will serve as the anchor international exhibition of the main Ithra Design Week event scheduled to take place later this year.

The exhibition’s seven interactive stations include “The Collective Sofa,” a white seating installation by Studio Oblique (UAE) that transforms through visitor interaction into a shared archive reflecting their contributions; “Moments of Absence,” a sculptural installation featuring miniature ceramic chairs by Fajr Al-Basri (Bahrain) that invites visitors to select and sketch the chair they most identify with; and “Body Blocks,” an interactive game by Davina Atteya (Lebanon) inspired by Mesopotamian figurative forms, enabling users to assemble hybrid characters through modular components.

Additional stations include “Attar Al-Balad,” a sensory installation composed of sculptural blocks formed from traditional Saudi herbs and spices that re-evokes memory through scent; “Reflections,” a collection of mirrors by designers from Egypt, the UAE, and Morocco exploring visitors’ perceptions of color, form, and identity; “Majma,” an interactive musical instrument by digital artist Samit Rohila enabling visitors to collaboratively compose spontaneous collective soundscapes; and finally “Daughters of Berythus,” an installation embedding traces of craft traditions and everyday life that invites visitors to explore material memory through touch.