Iraq’s Famed ‘Hunchback’ of Mosul Rebuilt Brick by Brick 

Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)
Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)
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Iraq’s Famed ‘Hunchback’ of Mosul Rebuilt Brick by Brick 

Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)
Builders work on the final stages of the reconstruction of the historic Great Mosque of al-Nuri, whose "Al-Hadba" leaning minaret which dates back to the 12th century was destroyed by ISIS group fighters, in Mosul's old city in northern Iraq on February 3, 2025. (AFP)

The leaning minaret of Mosul in northern Iraq has been restored using its original brickwork, years after it was reduced to rubble under ISIS rule.

The Al-Hadba or "hunchback" minaret is part of the historic Al-Nuri Mosque from where former ISIS chief Abu Bakr al-Baghdadi in July 2014 declared his so-called "caliphate" that committed atrocities across swathes of both Syria and Iraq.

The mosque and minaret were destroyed in June 2017 during the battle to oust ISIS from Mosul, and Iraq's authorities accused the extremists of planting explosives before their withdrawal.

The minaret and mosque are the latest landmarks in Mosul to be restored with the help of United Nations heritage body UNESCO, which has worked for five years to revive several sites there.

The Al-Hadba minaret of today is an exact replica of the old one, "built with the same bricks", said Abdullah Mahmoud of the Iraqi department of antiquities.

"Al-Hadba is our identity, and by restoring it, the identity of the city has been reclaimed."

The restored minaret's tilt has been retained at 160 centimeters (63 inches), just as it was in the 1960s.

However, engineers have reinforced the foundations so it no longer leans quite so precariously, as it began to do gradually after being built in the 12th century.

"The minaret's body from the inside needed 96,000 new bricks," Mahmoud said.

"But for the exterior we used 26,000 old bricks" to preserve its historical legacy.

A picture shows a view of the historic Great Mosque of Al-Nuri's "Al-Hadba" leaning minaret after its reconstruction in Mosul's old city in northern Iraq on February 3, 2025. (AFP)

- 'Massive change' -

Days before work was completed, hundreds of workers put the finishing touches to Al-Nuri's columns, dome and yard.

Mahmoud said the mihrab, a niche indicating the direction of the holy city of Makkah, has been largely repaired using its original stones.

But the minbar, from where sermons are delivered, has lost most of its original pieces.

Across the street, Imad Zaki, a former muezzin at the mosque, said: "Every day I stand here for an hour to watch as they are restored to their original state."

"Today one can feel the spirituality. It's as if our souls have finally found peace," added the 52-year-old, wearing a long traditional Iraqi abaya, or robe.

Eighty percent of Mosul's old city was destroyed in the fight against ISIS, and more than 12,000 tons of rubble was removed for the UNESCO restoration project, which also included Al-Tahira and Our Lady of the Hour churches and 124 heritage houses.

The Al-Tahira Church, dating from 1862, has been rebuilt with its arcades, embellished pillars and stained-glass windows.

Maria Acetoso, senior project manager at UNESCO Iraq, said the project aimed "to work in parallel on meaningful monuments for the city and also to bring life back" to Mosul.

"When I arrived here in 2019 it looked like a ghost city," Acetoso said. "In five years plus, there has been a massive change."

- Scars of battle -

After ISIS was defeated, life returned to the city's streets, where the chatter of patrons in small cafes blended with the clatter of construction work at the mosque.

In the coming weeks, Iraqi authorities will inaugurate the restored landmarks.

But Mosul still bears scars from the ferocious fight against ISIS.

Tucked away in narrow old city alleyways are ruined houses. Some bear the word "safe" scrawled in red on walls, signaling that they that have been cleared of explosives.

The crumbling walls and shattered windows tell tales of displacement. Their original owners, mostly Christian, have yet to return.

Mohammed Kassem, 59, came back to the old city a few years ago, to a new house as his former home was just debris.

Mosul still "needs a great deal" of work before it is back to normal, he said.

"It needs its former residents... the Christians to come back. This is their place," Kassem added.

Across the street from Al-Nuri Mosque, Saad Mohammed, 65, said he hoped the restoration efforts will attract visitors to Mosul, although he still feels sad because of what it has lost.

But he couldn't help but smile when he looked up at the minaret from his little shop.

"We opened the window once and saw the black ISIS flag on top of the minaret. Then we opened it again and the minaret was gone," said Mohammed, who never left Mosul, even at the height of the fighting.

"Today the minaret has risen again, alongside the mosque and the churches. Now we feel safe," he said.



Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
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Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Ministry of Culture has launched the UK-KSA Arabian Peninsula Cultural Research Fellowships in partnership with Effat University and the National Archives of the United Kingdom, to support archival-based research, advance cultural inquiry on the Arabian Peninsula, and strengthen collaboration between researchers and institutions in Saudi Arabia and the United Kingdom.

The program includes a 10-week research residency at the National Archives of the United Kingdom, where participants receive hands-on training in archival methods and gain access to a wide range of archival collections and cultural institutions across the UK. It supports diverse areas of cultural research related to the Arabian Peninsula.

This initiative aligns with the Ministry of Culture’s strategic vision for advancing cultural research, reflecting its commitment to fostering both local and international collaboration and promoting meaningful cultural exchange.

The fellowship is open to researchers and cultural heritage specialists capable of conducting independent research in English, regardless of their professional level.


Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts
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Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

Culture Ministry Signs Partnership with Guildhall School of Music & Drama for Riyadh University of Arts

The Ministry of Culture signed on Thursday a partnership with Guildhall School of Music & Drama for Riyadh University of Arts (RUA)’s College of Music. The partnership aims to further develop cultural and artistic talent and drive cultural exchange.

Under the terms of the partnership, Guildhall School will work with RUA to co-design undergraduate, postgraduate and research programs spanning music performance, production and education, in addition to training and capability development opportunities for RUA’s faculty body.

The programs will help cultivate and support Saudi talent across a wide range of musical disciplines, as well as provide students with a firm understanding of creative processes, research pathways and professional skills.

Founded in 1880, Guildhall School is a vibrant, international community of musicians, actors and production artists. Ranked as number one in Arts, Drama and Music by the Complete University Guide 2025, and in the top three in the world for Music by the QS World University Rankings 2025, Guildhall delivers world-class professional training in partnership with distinguished artists, companies and ensembles, SPA reported.

The partnership with Guildhall School sits within a series of partnerships for the Riyadh University of Arts and its colleges with leading international institutions to co-design academic programs, collaborate in research, and offer enriching programs in cultural education and development.

In December 2025, RUA announced partnerships between their College of Film and the University of Southern California’s (USC) School of Cinematic Arts (SCA); between SOAS University of London and their College of Heritage and Civilization Studies; AMDA College of the Performing Art and RUA’s College of Theater and Performing Art; and between ESSEC Business School and RUA’s College of Cultural Management. A further agreement was signed with the Royal College of Art (RCA) and RUA’s College of Architecture and Design and College of Visual Arts and Photography in January 2026.

Riyadh University of Arts was established by royal decree and is headquartered in Riyadh. Its Board of Trustees is chaired by Minister of Culture Prince Bader bin Abdullah bin Farhan. The university is dedicated to advancing education in the fields of culture and the arts, serving as a cornerstone for creative learning and cultural innovation. It aims to empower students with the knowledge, skills, and vision needed to shape the future of Saudi Arabia’s creative economy.

The university will launch its programs in phases, gradually expanding to cover a wide range of fields and specialized disciplines. It will offer a comprehensive academic portfolio that supports continuous education across the arts and culture sectors, including short courses, diplomas, bachelor’s degrees, higher diplomas, master’s degrees, and PhDs.


Czech ‘Arks’ Help Preserve Ukraine’s Cultural Heritage

A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
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Czech ‘Arks’ Help Preserve Ukraine’s Cultural Heritage

A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)
A photo taken in Prague's National Museum shows a 3D scanner in the Archa III (Ark Project) truck on March 24, 2026 in Prague, Czech Republic. (AFP)

The National Museum in Prague on Tuesday unveiled a van containing a 3D scanning device that will soon travel to war-ravaged Ukraine to help preserve its cultural artifacts.

The Archa (Ark) III is a Volkswagen van comprising a studio equipped with a robot and three cameras to create precise models of endangered historic items in Ukraine, which has been battling a full-scale Russian invasion since 2022.

"Archa III is a unique mobile digitization device enabling us to create high-quality 3D images of endangered artifacts and collection items out in the field," National Museum director Michal Lukes told reporters.

He added the scanners could handle both tiny objects and more sizeable items even inside museums.

"In this way, we can create precise digital copies of items that can then serve for documentation and research purposes, but also for restoration, potential reconstruction, or the production of copies," he added.

Museum staff will drive the van to Kyiv in early April and hand it over to Ukrainian partners under the project carried out in cooperation with the foundation of Czech billionaire Karel Komarek.

It follows an Archa I container equipped to conserve and restore books and an Archa II van digitizing two-dimensional items, which Prague sent to Ukraine earlier.

The foundation, which worked on the first two "Arks" with other institutions, said they have so far handled almost 40,000 pages of documents, such as historic newspapers retrieved from the Regional Scientific Library in Kherson.

"The van comprises an autonomous robotic system designed for photogrammetry and 3D output," said the museum's IT director Martin Soucek.

Speed is crucial, and the robot moving along three axes can generate thousands of high-quality photographs within minutes.

"It then uses the photographs to create a hyper-realistic model with high detail, a so-called digital twin," Soucek added.

The project also involves expert training and a website on which the scanned artifacts will be exhibited.

Vitalii Usatyi, the charge d'affaires at the Ukrainian embassy in Prague, hailed the van for being able to work across Ukraine, "including regions exposed to risks related to the Russian aggression".

"This is crucial for preserving cultural heritage," he added.

A recent UNESCO report said that 523 cultural sites had been verified as damaged as of March 11, including 153 religious sites, 273 buildings of historical or artistic interest, 39 museums, 33 monuments, 20 libraries, four archaeological sites and one archive.