Hidden for Centuries, Chinese Treasures Finally See the Light of Day 

A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)
A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)
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Hidden for Centuries, Chinese Treasures Finally See the Light of Day 

A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)
A conservator restores a cultural relic at the cultural protection and restoration department of the Palace Museum at the Forbidden City, during an organized media tour, in Beijing, China February 21, 2025. (Reuters)

Depicting Taoist figures in a misty landscape, a Qing dynasty lacquer panel inlaid with jade and agate is among thousands of artifacts pulled out of museum storage in China to be restored, and one day, even showcased to the world.

"The bottom layer had shifted and loosened to the point where it was in a pulverized state," said Sun Ou, who restores inlaid lacquer artworks at the Forbidden City, the former imperial palace in the heart of Beijing.

"More than 100 pieces of inserts had fallen off and had to be reinforced again," she told Reuters during a government-organized media tour at the cultural protection and restoration department of the Palace Museum at the Forbidden City.

The painstaking work to restore ornate treasures amassed by Chinese emperors in centuries past has accelerated in the past decade amid President Xi Jinping's push to preserve China's heritage and project its cultural power on the global stage.

The restoration and curation efforts come as the Palace Museum marks its 100th anniversary and prepares to open a new Beijing branch later this year in a state-of-the-art venue that could double or even triple the number of pieces on display.

Of the nearly 2 million artifacts held by the Palace Museum - from centuries-old paintings to ancient bronzeware and rare ceramics - just 10,000 are currently showcased at a time.

A Hong Kong branch of the museum opened in 2022 displaying about 900 pieces.

The Palace Museum was established in 1925 by the then ruling Republic of China government, after the last emperor of China, Pu Yi, and his household were evicted.

In the decades that followed, the museum's collection was threatened by theft, damage and even destruction during World War Two, a Chinese civil war, and later the Cultural Revolution.

In the early 1930s, before Japanese forces swept across China, Palace Museum authorities packed up many pieces - including imperial thrones - and moved them out of Beijing to other cities.

Then, in 1949, Chiang Kai-shek's Republic of China government was defeated by Mao Zedong's communist forces. As Chiang and his Nationalist Party fled to Taiwan, they took with them thousands of crates of relics that later came under the care of Taiwan's version of the Palace Museum.

Today, the National Palace Museum in Taipei holds more than 690,000 items, more than 80% of which are from the former Qing court, the Taiwan museum said. It said the items belong to Taiwan's government.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.