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Nigeria’s Museum Agrees with Royal Ruler on Custody of Benin Bronzes 

Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
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Nigeria’s Museum Agrees with Royal Ruler on Custody of Benin Bronzes 

Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 
Examples of Benin bronzes which, together with collections such as the Parthenon sculptures, are the subject of talks of their return to countries of origin, are displayed at the British Museum in London, Britain, January 25, 2023. (Reuters) 

Nigeria's national museum commission will be responsible for retrieving and keeping priceless Benin Bronzes, taking on the task with the assent of the royal ruler appointed sole owner and custodian of the objects nearly two years ago, its head said.

Nigeria is on a quest to recover thousands of intricate bronze sculptures and castings that were looted by British soldiers during a raid on the then-separate Kingdom of Benin, located in what is now southwestern Nigeria, in 1897.

The stolen bronzes are among Africa's finest and most significant heritage objects and are mostly in Europe.

In March 2023, then-president Muhammadu Buhari signed a decree saying the Oba, or king, of the historic kingdom of Benin rightfully owned all returned Benin Bronzes and was responsible for managing all places where the artifacts are kept.

Olugbile Holloway, director general of the National Commission for Museums and Monuments (NCMM), told Reuters that the Oba did not have the infrastructure to care for the bronzes.

"So, the Oba has given the NCMM the blessing to display, conserve and to pursue reparation of these objects. So, there is no more ambiguity," said Holloway.

In 2023 the NCMM had said the University of Cambridge's Museum of Archaeology and Anthropology put on hold plans to return more than 100 artifacts after the government decree.

Holloway, however, said it was now a matter of time before an agreement would be reached with Cambridge University for the artifacts' return.

"The return of these objects is not just about displaying them in the museum or taking care of them. It is about the dignity of our people and undoing the injustice of 1897," he said.

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Culture

From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
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From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)

After sending its most famous work to be featured in Amsterdam’s blockbuster 2023 exhibition of nearly every work by Johannes Vermeer, the Mauritshuis museum found itself with a blank space where the iconic “Girl with a Pearl Earring” had been displayed.

The Hague-based institution turned to more than 2,700 artists, from Texas to Ukraine, from age 7 to 70, who created their own interpretations of the 17th-century masterpiece.

A selection of 60 works using materials ranging from orange peels to bottle caps to sweatshirts were exhibited in the museum while the painting was on loan 40 miles (64 kilometers) to the north.

“The submissions continue to come, it will never end with her,” Martine Gosselink, director of the Mauritshuis museum, told The Associated Press, pointing to the ongoing popularity of works featuring the mystery girl.

A 2020 investigation into the painting using a battery of modern imaging techniques uncovered details about Vermeer's methods and the makeup of his pigments, but not the young woman’s identity.

“I bring together the original The Girl with a Pearl and the face of a Wayang puppet,” artist Rob de Heer told the AP, standing in front of a screen in the museum’s foyer where all of the winning submissions are displayed.

De Heer, who primarily works with mixed media, wanted to take an image from the Golden Age history of the Netherlands and combine it with one evoking its colonial legacy. Wayang puppets are a traditional form of theater in parts of Indonesia, which was ruled by the Netherlands until 1949.

His surrealist work is followed in the rolling display by a piece featuring the original girl’s face superimposed on an antique tea tin.

Other submissions include works by South Korean artist Nanan Kang, who used an ear of corn for the face; Georgian artist Nino Kavazauri, who reimagined a modern girl waiting at a bus stop with a cup of coffee; and Simon Chong, a Welsh animator, who works on the popular television series “Bob’s Burgers” and created a girl in the show’s cartoon style.

The winners were displayed in a replica frame in the exact spot where “Girl with a Pearl Earring” usually hangs, between two portraits by Dutch Baroque painter Gerard ter Borch.

The popularity of the first competition prompted a second round and those submissions are now on display at the Fabrique des Lumières in Amsterdam. The museum continues to feature submitted works of art on its Instagram page.

Gosselink, who has been the museum’s director since 2020, said the breadth and depth of the works made it difficult to select who would be featured in the exhibition.

“I would dare to say that some of the ones we selected are new pieces of art, and they would be served very well in a new surrounding, like a museum," Gosselink said.