Global Art Market Slumps as Chinese Auction Sales Plummet

A Rene Magritte painting sold for more than $121 million at Christie's, New York, an auction record for the artist. kena betancur / AFP
A Rene Magritte painting sold for more than $121 million at Christie's, New York, an auction record for the artist. kena betancur / AFP
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Global Art Market Slumps as Chinese Auction Sales Plummet

A Rene Magritte painting sold for more than $121 million at Christie's, New York, an auction record for the artist. kena betancur / AFP
A Rene Magritte painting sold for more than $121 million at Christie's, New York, an auction record for the artist. kena betancur / AFP

The value of art sold at auctions globally fell by a third last year compared to 2023, with the Chinese market crashing by 63 percent, auction data published on Monday showed.
Artprice, a France-based consultancy which aggregates auction data from around the world, said the value of art sold in 2024 slumped to $9.9 billion (9.1 billion euros), the lowest level since 2009, AFP said.
All the major art hubs recorded steep falls, with New York down 29 percent, London down 28 percent and Paris down 21 percent as collectors turned cautious given global economic uncertainty.
The Chinese market shrank to just $1.8 billion from $4.9 billion in 2023, underlining the weakness of the world's second-biggest economy.
"Major collectors have grown hesitant including for major artists such as Mark Rothko, Jasper Johns, Ellsworth Kelly or Jean-Michel Basquiat," Thierry Ehrmann, founder of Artprice, told AFP.
The value of Pablo Picasso sales -- a leading indicator for the rest of the market -- totaled $223 million in 2024, around a third of the $597 million spent on the Spanish master the previous year, the data showed.
Gone are the days of endless record-breaking bids at art auctions, with the once-booming market spurred by speculator cash in decline since 2021.
That has meant some high-end sellers have postponed or cancelled planned sales, making fewer works available.
In a sign of the changed climate, leading auction house Sotheby’s laid off 100 staff members -- six percent of its global workforce -- in December.
- Cutbacks -
Experts say the steep fall last year was linked to wars in Ukraine and Gaza, major elections across the globe, and higher interest rates, which raised the cost of borrowing.
The Chinese economy has slowed dramatically since the Covid-19 pandemic, facing headwinds caused by a debt crisis in its real estate industry and tariffs from its trading partners.
For high-net-worth buyers, "art is the first luxury that you stop buying when you need to consolidate, which is why positive economic news feeds back into the art market quite quickly", said Lindsay Dewar from the London-based ArtTactic art market consultancy.
Industry insiders are now wondering how the global market will react to Donald Trump's presidency. Initial optimism about a "Trump bump" on stock markets has faded fast as he introduces tariffs and rows with allies.
Weakening demand at the global art collector level also feeds through to primary sales -- sales of work through galleries -- which affect artists' prices and income.
Dewar said that her conversations with gallery owners indicated they had a "tough year" in 2024.
Nevertheless, she sees reasons for optimism.
The overall number of auction sales increased last year -- up five percent to 800,000, according to Artprice figures -- with activity at the lower end of the market for works at $50,000 or under showing robust health.
And some sales are still outperforming, including a Magritte which fetched a record $121 million for the surrealist artist in November, far above the guide price of $95 million.
"People do still want to trade, to buy and sell artwork. The desire is still there," Dewar said.
A portrait by an AI-powered robot of the English mathematician Alan Turing, considered one of the fathers of modern computing, also raised a million dollars at Sotheby's in November, 10 times higher than expected.
Two major upcoming auction sales will give a sense of conditions at the top-end of the market.

Sotheby's is set to sell works belonging to late New York banker Thomas A. Saunders and his wife in May, while Christie's will put part of book mogul Leonard Riggio's modern-art collection under the hammer in the next few months.



Head of France's Versailles Palace Takes over Louvre

(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)
(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)
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Head of France's Versailles Palace Takes over Louvre

(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)
(FILES) President of Chateau de Versailles Christophe Leribault arrives at the Elysee Palace, in Paris on February 27, 2024. (Photo by Ludovic MARIN / AFP)

French President Emmanuel Macron has appointed Christophe Leribault, the ⁠current head of the ⁠Versailles Palace, as ⁠director of the Louvre museum in Paris, the French government spokesperson said ⁠on ⁠Wednesday. 

The appointment came following the resignation of Laurence des Cars after a $100-million robbery at the museum last year.

Leribault, 62, is an art historian and museum director specializing in 18th century art. He has led major Paris institutions, including the Petit Palais, and the Musee d'Orsay.

In 2024, he was appointed president of the Palace of Versailles, one of the most visited tourist sites.

On Tuesday, des Cars sent her resignation to Macron, which was accepted, following a string of scandals including the brazen theft of French crown jewels valued at $100 million in October.

Des Cars was appointed as director of the Louvre Museum in 2021. She had been under rising pressure since the October robbery, which is currently the subject of an inquiry.

Four suspects are in police custody, including the two suspected thieves, but the eight of the stolen items have not been found.

The Louvre, a former royal palace and home to some of the world's most iconic pieces of art, including Leonardo Da Vinci's "Mona Lisa", receives around nine million visitors a year.

Since the theft the museum has taken several emergency measures.

Separately, Annick Lemoine, who heads the Petit Palais, will take over as director of the Musee d'Orsay, according to the official journal published on Wednesday.
 


One Million Works Catalogued in Art UK Database

Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)
Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)
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One Million Works Catalogued in Art UK Database

Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)
Osborne Henry Mavor’s “Let Eric Remember” from Aberdeen Art Gallery. (Aberdeen archives, gallery & museums/Art UK)

From a bronze Rodin sculpture of Eve outside a Nando’s in Harlow to more than 6,000 artworks by JMW Turner, to a crumpled-up piece of A4 paper owned by Manchester Art Gallery, the UK’s public art collection is a wonderful and varied thing.

It is huge, as demonstrated by the charity Art UK, which has announced it has reached a million artworks on its database and appointed a new chair who said: “We’ve only scratched the surface,” according to The Guardian.

Ben Terrett, a former director of design for the UK government, has been announced as the new chair of a charity that is celebrating its 10th anniversary.

Art UK began with a mission to digitally catalogue the UK’s paintings. Over the years that has been expanded to include drawings, watercolors, ceramics, sculptures, stained glass, banners, architectural drawings and street murals.

It is a huge, encyclopedic, fun resource, which lends itself to going down any number of rabbit holes. Type in the word “mosquito”, for example, and you discover 53 listings, from large technical drawings of actual mosquitoes, to paintings of de Havilland Mosquito planes from the second world war, to a sculpture in a North Yorkshire forest celebrating the Women’s Timber Corps – lumberjills – who felled and sawed the wood used to make the planes.

Or search Martin Creed, the artist who won the Turner prize for a work where the lights in a room go on and off, and you find 24 of his works in public collections, including his crumpled-up ball of paper in Manchester.

The database is an incredible resource that should be so much better known, Terrett said. “It’s a great thing,” he said. “It is one of those ideas that you’re really glad it exists because if it didn’t, you’d think somebody should do that.

“One of my jobs as chair is to help raise that profile, because probably not enough people hear about it. It’s digitizing all the public artworks in the UK and there’s a really obvious side to that, which is the Tate and places like that,” he added.

“But there’s loads of other places like hospitals and council buildings ... places like that are public and have incredible artworks in them that people don’t get to see or don’t know exist,” he noted.

The database, Terrett said, shines light on just how many artworks are never seen because they are in storage.

Terrett, who was made a CBE by the king last week, led the design team that launched gov.uk and is the CEO and co-founder of the consultancy Public Digital.

He said his childhood experiences had fed his passion for widening access to the arts and design.

“I grew up in a small village in Wiltshire,” he said. “There weren’t museums, there weren’t art galleries and getting access to that kind of stuff was really difficult. I went to a comprehensive school with a great art teacher and a great art department, but you very much had to push yourself to find out more about this stuff.”

He believes it is even harder for children today: “Creative education in state schools has been decimated.”

There is also evidence that interacting with the database encourages people to visit galleries in person.

Recent additions to the database, which helped it towards the million figure, include a 1951 stencil by Henri Matisse at the University of Lancaster; a Gwen John flower painting at National Museum Cardiff; a Venice canal painting by Mary Hagarty at the Victoria Art Gallery in Bath; and a portrait titled “Reverie” by David Foggie at the University of Dundee.

The board of Art UK said it was looking forward to Terrett’s fresh thinking and insights to help it “reach new audiences, embrace new technologies and creative opportunities, build its income base, its international profile and its following.”

Terrett said he remained convinced the internet was a force for good. “It’s hard to believe that these days. It’s hard to hold on to that belief. But it still is. I think in the world it’s still a net positive. And this is just a really nice example of where the internet really is doing good,” he added.


Louvre Museum’s Director Resigns in Wake of Jewels Heist in Paris

Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)
Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)
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Louvre Museum’s Director Resigns in Wake of Jewels Heist in Paris

Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)
Laurence des Cars, director of Le Louvre museum, poses before a hearing at the Culture commission of the Senate, three days after historic jewels were stolen in a daring daylight heist, Oct. 22, 2025 in Paris. (AP)

The director of the Louvre Museum who had been under fire since the stunning and embarrassing heist of the French Crown jewels in October has stepped down from the position, French President Emmanuel Macron ’s office said Tuesday.

The office said in a statement that Macron accepted the resignation of Laurence des Cars, and that he praised the move as “an act of responsibility at a time when the world’s largest museum needs calm and a strong new impetus to carry out major projects involving security upgrades, modernization” and other initiatives.

Thieves took less than eight minutes in October to steal 88 million euros ($102 million) worth of crown jewels in a weekend heist at the world’s most visited museum, shocking the world.

Des Cars was named director of the Louvre, one of the museum world's most prestigious posts, in 2021.

She had offered to resign on the day of the robbery but was refused by the culture minister.

“I saw a tragic, brutal, violent reality for the Louvre, and as the person in charge, after all the hard work done by the teams that day — it felt right to offer my resignation,” she said in November.

Macron thanked des Cars for “her work and commitment” and said he wanted to give her a new mission focused on cooperation among major museums, the statement said.

It didn't say if she accepted.