From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
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From Orange Peels to Bottle Caps: Thousands of Artists Create Their Own ‘Girl with a Pearl Earring’

Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)
Rob de Heer talks next to his artwork, one of 60 pieces exhibited and inspired by the famous "Girl with a Pearl Earring," painting by Johannes Vermeer, at The Mauritshuis museum in The Hague, Netherlands, Tuesday, March 25, 2025. (AP)

After sending its most famous work to be featured in Amsterdam’s blockbuster 2023 exhibition of nearly every work by Johannes Vermeer, the Mauritshuis museum found itself with a blank space where the iconic “Girl with a Pearl Earring” had been displayed.

The Hague-based institution turned to more than 2,700 artists, from Texas to Ukraine, from age 7 to 70, who created their own interpretations of the 17th-century masterpiece.

A selection of 60 works using materials ranging from orange peels to bottle caps to sweatshirts were exhibited in the museum while the painting was on loan 40 miles (64 kilometers) to the north.

“The submissions continue to come, it will never end with her,” Martine Gosselink, director of the Mauritshuis museum, told The Associated Press, pointing to the ongoing popularity of works featuring the mystery girl.

A 2020 investigation into the painting using a battery of modern imaging techniques uncovered details about Vermeer's methods and the makeup of his pigments, but not the young woman’s identity.

“I bring together the original The Girl with a Pearl and the face of a Wayang puppet,” artist Rob de Heer told the AP, standing in front of a screen in the museum’s foyer where all of the winning submissions are displayed.

De Heer, who primarily works with mixed media, wanted to take an image from the Golden Age history of the Netherlands and combine it with one evoking its colonial legacy. Wayang puppets are a traditional form of theater in parts of Indonesia, which was ruled by the Netherlands until 1949.

His surrealist work is followed in the rolling display by a piece featuring the original girl’s face superimposed on an antique tea tin.

Other submissions include works by South Korean artist Nanan Kang, who used an ear of corn for the face; Georgian artist Nino Kavazauri, who reimagined a modern girl waiting at a bus stop with a cup of coffee; and Simon Chong, a Welsh animator, who works on the popular television series “Bob’s Burgers” and created a girl in the show’s cartoon style.

The winners were displayed in a replica frame in the exact spot where “Girl with a Pearl Earring” usually hangs, between two portraits by Dutch Baroque painter Gerard ter Borch.

The popularity of the first competition prompted a second round and those submissions are now on display at the Fabrique des Lumières in Amsterdam. The museum continues to feature submitted works of art on its Instagram page.

Gosselink, who has been the museum’s director since 2020, said the breadth and depth of the works made it difficult to select who would be featured in the exhibition.

“I would dare to say that some of the ones we selected are new pieces of art, and they would be served very well in a new surrounding, like a museum," Gosselink said.



Paris' Orsay Museum Opens up the Wonders of Art Restoration to the Public Gaze

Art restorers work on Gustave Courbet's painting titled "A Burial at Ornans" (Un enterrement a Ornans), created between 1849 and 1850, at the Orsay Museum in Paris on May 7, 2025. (AFP)
Art restorers work on Gustave Courbet's painting titled "A Burial at Ornans" (Un enterrement a Ornans), created between 1849 and 1850, at the Orsay Museum in Paris on May 7, 2025. (AFP)
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Paris' Orsay Museum Opens up the Wonders of Art Restoration to the Public Gaze

Art restorers work on Gustave Courbet's painting titled "A Burial at Ornans" (Un enterrement a Ornans), created between 1849 and 1850, at the Orsay Museum in Paris on May 7, 2025. (AFP)
Art restorers work on Gustave Courbet's painting titled "A Burial at Ornans" (Un enterrement a Ornans), created between 1849 and 1850, at the Orsay Museum in Paris on May 7, 2025. (AFP)

As they painstakingly scrape grime off a monumental painting by French artist Gustave Courbet, the restorers do a remarkable job of ignoring their unusual surroundings: They're watched by crowds of people, many recording on mobile phones.

Paris' Orsay Museum has thrown open to the public a process that often happens behind closed doors.

The cleaning and repairs to "A Burial at Ornans," one of the museum's signature works that Courbet painted between 1849 and 1850, are taking place in a bespoke enclosure with windows for visitors to peer through.

"A great idea," said Jennifer Dasal, a visiting art historian from North Carolina. "If it’s lasting for a while, people can come back and they can watch the restoration over time."

The restoration is expected to take about a year. The painting hasn't had a major overhaul for about 50 years. Layers of varnish that yellowed over time have dulled Courbet's colors. The weight of the huge work has deformed its frame, and its canvas has stitching, folds and tears that need attention.

The museum also plans free guided tours of their work for those who register on its website, with three time slots every Thursday morning from June 5.