Once on Civil War's Frontline, Lebanon Museum Sees New Life

People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir
People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir
TT

Once on Civil War's Frontline, Lebanon Museum Sees New Life

People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir
People gather at the entrance of the National Museum of Beirut, in Beirut, Lebanon April 10, 2025. REUTERS/Mohamed Azakir

When Lebanon's civil war erupted 50 years ago this month, its national museum became a flashpoint of its capital's deadly frontline, with militants barricaded among ancient sarcophagi and sniping through historic mosaics.
Now, students and tourists roam through its artefacts - some still blackened by indoor campfires lit by those fighters - and into a new pavilion opened during Lebanon's most recent war last year, when Israel and armed group Hezbollah traded heavy fire.
For its admirers, the building not only houses the country's heritage, but also symbolizes its resilience.
"I hope these young people I see here also know what happened in the museum in 1975, because what happened here is something worthy of respect," said Lebanon's culture minister Ghassan Salameh, speaking to Reuters in the main museum hall.
"There is a right to forget. The Lebanese who want to forget the civil war – it's their right to do so. But there is also a duty to remember, so that we do not repeat it again, and again, and again."
The war erupted on April 13, 1975, after Christian gunmen fired on a bus carrying Palestinian fighters in Beirut - just a few kilometers from the museum, which first opened in 1942.
A frontline running directly adjacent to the museum split east Beirut from the west. After militants took up the museum as a barracks, the director of antiquities at the time, Maurice Chehab, ferried small artefacts to vaults at Lebanon's central bank and encased the larger pieces in reinforced concrete to protect them from shelling.
At least four major pieces were damaged, Salameh said. They are visible in the museum today, including a football-sized hole in a floor-to-ceiling 5th century mosaic used by snipers to target rival militants near the front.
The war lasted 15 years, leaving more than 100,000 dead and displacing hundreds of thousands more. Halfway through it, Israeli troops invaded all the way to Beirut and Hezbollah was founded the same year, vowing to push Israel out. In 2023, a new war erupted between the old foes, when Hezbollah launched rockets into Israel, triggering a year of tit-for-tat strikes until Israel escalated its air and ground campaign, leaving Hezbollah badly weakened by the end of 2024.
Even as that conflict was raging, the museum worked to open a new wing for rotating exhibitions. As construction was under way, archaeologists uncovered dozens of artefacts that Chehab had buried in the museum's backyard to protect them, said Sarkis Khoury, Lebanon's current director of antiquities.
He spoke to Reuters while standing in front of an outer wall damaged during the civil war that museum authorities had decided to preserve as a testament to its resilience.
"The things we left visible are a lesson for the future, because we are a country that should be a country of peace, a country of coexistence, because this is our history," said Sarkis Khoury, Lebanon's current director of antiquities.
"Its face is full of wounds and wrinkles, but this is a beautiful face for Lebanon," Khoury told Reuters, gesturing at the pockmarked wall.
Keeping the wall is a rare example of memory preservation in Lebanon, where other landmarks of the civil war have remained abandoned or were covered up by the rapid construction of high-rises once the conflict ended.
The post-war administration agreed a general amnesty for all political crimes perpetrated before the war's end, and most school curriculums opt not to teach its history. Asked whether Lebanon should one day establish a museum dedicated solely to the civil war, Salameh, the minister, said no - because it had only "produced destruction."
But he remained hopeful about his country's future.
"This country has been declared dead dozens, even hundreds of times... but this part of the Mediterranean has remained standing, with its specificities and its problems."
"It never ceases to be."



Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
TT

Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA
Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks. SPA

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.


Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
TT

Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.


Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
TT

Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.