Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
TT

Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)

Kyrgyzstan is getting rid of its Soviet-inspired national anthem and has launched an unprecedented public contest to find an alternative.

The mountainous Central Asian country adopted a new anthem in 1992 after independence from the USSR but it is largely based on the Soviet-era one.

The government says the anthem fails to accurately represent the young nation descending from the ancient history of the nomadic Kyrgyz people.

The Kyrgyz were incorporated into first then Tsarist and then the Soviet empires and the country still retains a strong Russian influence.

"Winning this competition would be a huge success," said Balasaguyn Musayev, a 36-year-old composer and one of hundreds who have submitted entries for a new national anthem.

Speaking during a rehearsal at the music conservatory in the capital Bishkek, Musayev said it took him a month to find inspiration and then he "wrote the music in two days".

A poet friend wrote the text.

"The new anthem must be better than the previous one in every way. Otherwise people will wonder why we changed it," Musayev told AFP.

The winner of the contest was due to have been announced in April but the contest rules were modified and it is now unclear when an announcement could be expected.

Soliciting ideas from the public is a rarity in Central Asia, where Kyrgyzstan's more competitive political system is an exception among its authoritarian neighbors.

On a global scale, a complete change of the national anthem without a radical change of the political regime is also exceptional.

In recent years, Australia, Austria and Canada have replaced some words in their anthems to promote greater inclusivity.

Kyrgyzstan's unusual decision is part of a series of measures to overhaul state symbols taken by President Sadyr Japarov, who has been in power since 2021.

Following a constitutional reform in 2021 that strengthened his powers, Japarov changed the sun on the Kyrgyz flag at the end of 2023 so that it no longer resembled a sunflower, arguing that this would strengthen national sovereignty.

He has achieved a number of successes in his time in office including boosting economic growth and fighting corruption but rights groups are concerned about growing pressures on civil society.

Japarov has said that the anthem's lyrics about the Kyrgyz people being "on the road to freedom" does not reflect the country's historic reality after more than three decades of independence.

"Are we going to sing for another hundred years that we have just become independent? We have a state in our own right now, and we need to write an anthem that will inspire young people and future generations," he said last year.

Officials have also been critical of the current anthem for other reasons.

Parliament speaker Nurlanbek Shakiyev said it was so bad that "birds fly away" when they hear it.

He said the next one should "stimulate the country towards development" and be "easy to sing".

But Nurzhyguit Moldoyar, a 25-year-old composer and vocalist who has also submitted an entry, said the current one was already "a masterpiece".

"The bar is very high," he said, adding that he would not have wanted to change the anthem.

He said he hoped the winner would be selected based on "the feelings felt when listening to it, the musical novelties and sincerity".



Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
TT

Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.


Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
TT

Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.


ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
TT

ALECSO Celebrates Opening of Arabic Calligraphy Center in Saudi Arabia

Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA
Arabic calligraphy adorns wrcades, Walls of the Grand Mosque of Makkah - SPA

The Arab League of Educational, Cultural and Scientific Organization (ALECSO) congratulated Saudi Arabia on the opening of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy in Madinah on December 22, 2025.

In a statement, ALECSO called the center a significant addition to the Arab and Islamic cultural landscape, noting its role in preserving Arabic calligraphy and enhancing its global presence, SPA reported.

This achievement reflects the Kingdom's commitment to culture and heritage, aligning with Saudi Vision 2030’s objectives of fostering cultural creativity and reinforcing Arabic identity.

ALECSO emphasized that such institutions serve as global bridges for cultural exchange and ensure the relevance of traditional arts through dedicated research and training facilities.