Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
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Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)

Kyrgyzstan is getting rid of its Soviet-inspired national anthem and has launched an unprecedented public contest to find an alternative.

The mountainous Central Asian country adopted a new anthem in 1992 after independence from the USSR but it is largely based on the Soviet-era one.

The government says the anthem fails to accurately represent the young nation descending from the ancient history of the nomadic Kyrgyz people.

The Kyrgyz were incorporated into first then Tsarist and then the Soviet empires and the country still retains a strong Russian influence.

"Winning this competition would be a huge success," said Balasaguyn Musayev, a 36-year-old composer and one of hundreds who have submitted entries for a new national anthem.

Speaking during a rehearsal at the music conservatory in the capital Bishkek, Musayev said it took him a month to find inspiration and then he "wrote the music in two days".

A poet friend wrote the text.

"The new anthem must be better than the previous one in every way. Otherwise people will wonder why we changed it," Musayev told AFP.

The winner of the contest was due to have been announced in April but the contest rules were modified and it is now unclear when an announcement could be expected.

Soliciting ideas from the public is a rarity in Central Asia, where Kyrgyzstan's more competitive political system is an exception among its authoritarian neighbors.

On a global scale, a complete change of the national anthem without a radical change of the political regime is also exceptional.

In recent years, Australia, Austria and Canada have replaced some words in their anthems to promote greater inclusivity.

Kyrgyzstan's unusual decision is part of a series of measures to overhaul state symbols taken by President Sadyr Japarov, who has been in power since 2021.

Following a constitutional reform in 2021 that strengthened his powers, Japarov changed the sun on the Kyrgyz flag at the end of 2023 so that it no longer resembled a sunflower, arguing that this would strengthen national sovereignty.

He has achieved a number of successes in his time in office including boosting economic growth and fighting corruption but rights groups are concerned about growing pressures on civil society.

Japarov has said that the anthem's lyrics about the Kyrgyz people being "on the road to freedom" does not reflect the country's historic reality after more than three decades of independence.

"Are we going to sing for another hundred years that we have just become independent? We have a state in our own right now, and we need to write an anthem that will inspire young people and future generations," he said last year.

Officials have also been critical of the current anthem for other reasons.

Parliament speaker Nurlanbek Shakiyev said it was so bad that "birds fly away" when they hear it.

He said the next one should "stimulate the country towards development" and be "easy to sing".

But Nurzhyguit Moldoyar, a 25-year-old composer and vocalist who has also submitted an entry, said the current one was already "a masterpiece".

"The bar is very high," he said, adding that he would not have wanted to change the anthem.

He said he hoped the winner would be selected based on "the feelings felt when listening to it, the musical novelties and sincerity".



Australian Museum Recovers Egyptian Artifacts after Break-in

Mask recovered with the thief (Queensland Police Service Official Website)
Mask recovered with the thief (Queensland Police Service Official Website)
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Australian Museum Recovers Egyptian Artifacts after Break-in

Mask recovered with the thief (Queensland Police Service Official Website)
Mask recovered with the thief (Queensland Police Service Official Website)

Australian police have recovered a trove of stolen Egyptian artifacts and charged a 52-year-old man with a nighttime smash-and-grab at a museum.

The man was accused of breaking a window and making off with the priceless treasures in the early hours of Friday from the Abbey Museum of Art and Archeology in the Queensland town of Caboolture.

Police said they found all the stolen goods -- except for a wooden cat sculpture -- with only minor damage when they searched a car the following day at a ferry terminal south of the museum.

They arrested the suspect on the same evening.

"Police will allege the man was found in possession of the last missing artifact, the wooden cat sculpture," they said.

The man, named by local media as Miguel Simon Mungarrieta Monsalve, was charged with various counts including breaking and entering, and three counts of wilful damage.

In court on Monday, a prosecutor said the man stole a mummy mask, a collar, a piece of jewelry and the wooden cat while also causing "irreparable damage" to other items, according to public broadcaster ABC.

The suspect told police that he believed the museum had links to the Catholic Church, the prosecutor was quoted as telling the court.

The museum said it was "relieved and grateful" to get the artifacts back, but they could not go back on display immediately.

"Each piece must first undergo professional assessment and conservation to protect its long-term future."


'Sunken Treasures' Exhibition on Exploring Maritime Heritage to Be Held at Red Sea Museum

"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)
"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)
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'Sunken Treasures' Exhibition on Exploring Maritime Heritage to Be Held at Red Sea Museum

"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)
"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)

The Red Sea Museum, under the Museums Commission, announced the opening of "Sunken Treasures: The Maritime Heritage of the Red Sea", running from February 25 to May 29.

The exhibition presents archaeological discoveries from the Red Sea as witnesses to human journeys, cultural exchange, and the enduring relationship between maritime heritage and environmental conservation, said the Museum Commission in a statement on Sunday.

"Sunken Treasures" invites visitors to discover how shipwrecks became archives of history and eventually transformed into living coral reefs. Through archaeological artifacts, immersive visual experiences, and interactive technologies, the exhibition reveals the Red Sea coast as a cultural corridor upon which layers of history have accumulated over millennia.

Curated by Director of the Red Sea Museum Eman Zidan and Chief of the French-Saudi Archeological Mission in Farasân Islands Dr. Solène Marion de Procé, the exhibition unfolds across four thematic sections that together tell the story of maritime life, risk, and discovery in the Red Sea. The journey begins with "The Red Sea Passage", exploring how seasonal winds and navigation patterns shaped trade routes connecting the Mediterranean, southern Arabia, East Africa, and the Indian Ocean.

"Life Aboard the Ship" transports visitors into the world of historic seafarers, presenting the ship not just as a means of transport, but an integrated world of maritime voyages, where crew, cargo, and navigation tools reveal the accumulated expertise of reading the sea and sky. Pottery, coins, glass, and ceramic objects preserve stories of movement, connection, and communication across the Red Sea.

"Shipwrecks: From a Voyage to a Memory" explores the dramatic moment when journeys are cut short. Through storms, waves, or collision with coral reefs, vessels shift from means of crossing into silent traces.

"Exploring for Tomorrow" traces the transformation of shipwrecks from discovery to interpretation as scientific sources of knowledge. The section highlights conservation and restoration efforts carried out by the Heritage Commission and archaeological missions working on the Saudi coast of the Red Sea, following guidelines and frameworks that ensure protection for future generations.

"Sunken Treasures" demonstrates the Red Sea Museum's commitment to preserving the tangible, intangible, and natural heritage of the Red Sea while creating opportunities for cultural exchange, education, and sustainable development.

The exhibition is enriched through collaboration with key institutional partners, including the Heritage Commission and Historic Jeddah Program, who have loaned objects that strengthen the presentation of authentic material evidence of maritime and coastal heritage, reflecting a shared commitment to safeguarding the Maritime Heritage of Saudi Arabia.

The exhibition showcases the Red Sea Museum as a platform for knowledge creation and scientific research. It highlights how submerged cultural heritage is transformed into valuable historical knowledge through research-driven storytelling, while fostering collaboration between marine specialists, scientists, conservators, and the wider community.


Louvre Museum's Denon Gallery Damaged by Water Leak, Mona Lisa Unaffected

A view shows the Porte des Lions, the new public entrance to the renovated Denon wing (Aile Denon) at the Louvre Museum in Paris, France, December 2, 2025. REUTERS/Gonzalo Fuentes
A view shows the Porte des Lions, the new public entrance to the renovated Denon wing (Aile Denon) at the Louvre Museum in Paris, France, December 2, 2025. REUTERS/Gonzalo Fuentes
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Louvre Museum's Denon Gallery Damaged by Water Leak, Mona Lisa Unaffected

A view shows the Porte des Lions, the new public entrance to the renovated Denon wing (Aile Denon) at the Louvre Museum in Paris, France, December 2, 2025. REUTERS/Gonzalo Fuentes
A view shows the Porte des Lions, the new public entrance to the renovated Denon wing (Aile Denon) at the Louvre Museum in Paris, France, December 2, 2025. REUTERS/Gonzalo Fuentes

The Louvre museum's Denon gallery, where its most valuable paintings are displayed, was hit by a water leak on Thursday evening, although the area which houses Leonardo Da Vinci's Mona Lisa was unaffected, said a Louvre spokesperson.

The spokesperson said the water leak had been stopped in the early hours of Friday and that the gallery would soon re-open.

The leak happened in the room 707, where paintings from 19th century French artist Charles Meynier and 16th century Italian artist Bernardino Luini are displayed. The water caused some damage to a ceiling painted by Meynier, Reuters reported.

The water leak is the second in less than three months in a museum that has gone through a spate of recent setbacks - including a spectacular jewel heist, strikes and a massive ticket fraud investigation- that have put its management under intense scrutiny.