Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
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Less Soviet, More Inspiring: Kyrgyzstan Seeks New Anthem

Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)
Renowned composer and head of the department of musicology and composition at the Kyrgyz National Conservatory, Balasaguyn Musayev, who participates in a competition to create a new national anthem for Kyrgyzstan, observes the orchestra of the Kyrgyz National Conservatory performing his composition for the contest in Bishkek on April 4, 2025. (AFP)

Kyrgyzstan is getting rid of its Soviet-inspired national anthem and has launched an unprecedented public contest to find an alternative.

The mountainous Central Asian country adopted a new anthem in 1992 after independence from the USSR but it is largely based on the Soviet-era one.

The government says the anthem fails to accurately represent the young nation descending from the ancient history of the nomadic Kyrgyz people.

The Kyrgyz were incorporated into first then Tsarist and then the Soviet empires and the country still retains a strong Russian influence.

"Winning this competition would be a huge success," said Balasaguyn Musayev, a 36-year-old composer and one of hundreds who have submitted entries for a new national anthem.

Speaking during a rehearsal at the music conservatory in the capital Bishkek, Musayev said it took him a month to find inspiration and then he "wrote the music in two days".

A poet friend wrote the text.

"The new anthem must be better than the previous one in every way. Otherwise people will wonder why we changed it," Musayev told AFP.

The winner of the contest was due to have been announced in April but the contest rules were modified and it is now unclear when an announcement could be expected.

Soliciting ideas from the public is a rarity in Central Asia, where Kyrgyzstan's more competitive political system is an exception among its authoritarian neighbors.

On a global scale, a complete change of the national anthem without a radical change of the political regime is also exceptional.

In recent years, Australia, Austria and Canada have replaced some words in their anthems to promote greater inclusivity.

Kyrgyzstan's unusual decision is part of a series of measures to overhaul state symbols taken by President Sadyr Japarov, who has been in power since 2021.

Following a constitutional reform in 2021 that strengthened his powers, Japarov changed the sun on the Kyrgyz flag at the end of 2023 so that it no longer resembled a sunflower, arguing that this would strengthen national sovereignty.

He has achieved a number of successes in his time in office including boosting economic growth and fighting corruption but rights groups are concerned about growing pressures on civil society.

Japarov has said that the anthem's lyrics about the Kyrgyz people being "on the road to freedom" does not reflect the country's historic reality after more than three decades of independence.

"Are we going to sing for another hundred years that we have just become independent? We have a state in our own right now, and we need to write an anthem that will inspire young people and future generations," he said last year.

Officials have also been critical of the current anthem for other reasons.

Parliament speaker Nurlanbek Shakiyev said it was so bad that "birds fly away" when they hear it.

He said the next one should "stimulate the country towards development" and be "easy to sing".

But Nurzhyguit Moldoyar, a 25-year-old composer and vocalist who has also submitted an entry, said the current one was already "a masterpiece".

"The bar is very high," he said, adding that he would not have wanted to change the anthem.

He said he hoped the winner would be selected based on "the feelings felt when listening to it, the musical novelties and sincerity".



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.