عربي English Türkçe اردو فارسى
Logo
Latest News
Culture

Cultural Memory Center Attends Int'l Conference on Documentary Heritage for Sustainable Development in Saudi Arabia

The international conference “Innovating Documentary Heritage for Sustainable Development in AlUla and Saudi Arabia” was held in Paris on April 29 and 30
The international conference “Innovating Documentary Heritage for Sustainable Development in AlUla and Saudi Arabia” was held in Paris on April 29 and 30
TT
20
TT

Cultural Memory Center Attends Int'l Conference on Documentary Heritage for Sustainable Development in Saudi Arabia

The international conference “Innovating Documentary Heritage for Sustainable Development in AlUla and Saudi Arabia” was held in Paris on April 29 and 30
The international conference “Innovating Documentary Heritage for Sustainable Development in AlUla and Saudi Arabia” was held in Paris on April 29 and 30

The Saudi Cultural Memory Center, affiliated with the Ministry of Culture, participated in the two-day international conference “Innovating Documentary Heritage for Sustainable Development in AlUla and Saudi Arabia,” held in Paris on April 29.

The event was organized by the United Nations Educational, Scientific and Cultural Organization (UNESCO) and the Kingdoms Institute Platform for the Promotion of Documentary Heritage.
At the conference, the center’s national pavilion highlighted the Kingdom’s efforts in preserving documentary heritage and promoting accessibility for enthusiasts and researchers. It also showcased two new typefaces launched by the Ministry of Culture: Al-Awwal Typeface and Saudi Typeface.
The center emphasized its ongoing efforts to preserve national documentary heritage through pioneering projects aligned with the UNESCO Memory of the World Program, which seeks to safeguard humanity’s documentary legacy and ensure its availability for future generations. The pavilion offered informative activities, including a dedicated area spotlighting the new typefaces as essential tools in preserving Saudi cultural identity and reflecting their historical and cultural importance.
The center also showcased its national initiative for cultural heritage documentation and digital archiving, a key project designed to preserve and record the national memory using top international standards across various regions of the Kingdom.
In addition, the center distributed the Cultural Heritage Documentation and Digital Archiving Guide to promote awareness of the importance of protecting documents and manuscripts. An interactive display featured touchscreen access to the “Cultural Hub” website and the digital platform supporting efforts to document and disseminate cultural heritage.

Most Viewed

 
Culture

Amsterdam Honors its Own Golden Age Sculpture Master

Quellinus has been described as the Bernini of the North. Ramon van Flymen / ANP/AFP
Quellinus has been described as the Bernini of the North. Ramon van Flymen / ANP/AFP
TT
20
TT

Amsterdam Honors its Own Golden Age Sculpture Master

Quellinus has been described as the Bernini of the North. Ramon van Flymen / ANP/AFP
Quellinus has been described as the Bernini of the North. Ramon van Flymen / ANP/AFP

Imposing but delicate marble sculptures of Graeco-Roman-style figures grace the vaulted corridors of a huge palace. But this isn't Florence or Rome. This is Amsterdam.

As part of celebrations to mark 750 years since the founding of the Dutch capital, the city is unveiling from Wednesday an exhibition dedicated to Artus Quellinus, the 17th century "sculptor of Amsterdam."

Virtually unknown outside Flanders in present-day Belgium where he made his name, the city has Quellinus to thank for the decorations on the Royal Palace that dominates the city's iconic Dam Square.

Quellinus "lifted our sculpture to a new level" with a fresh style, Dutch art historian Bieke van der Mark told AFP.

Born in Antwerp in 1606, Quellinus sculpted with marble, as well as ivory and clay.

His style, heavily influenced by Flemish baroque painter Reubens, was a complete novelty for the Protestant Netherlands, used to a more sober style at the time.

His subjects -- mythological figures, chubby angels, and animals -- are perhaps a nod to the great masters he would have seen while an apprentice in Rome.

"Like (17th century Italian master Gian Lorenzo) Bernini, he masters the way the flesh looks, and hands," said Van der Mark.

"It's really fantastic," said the 46-year-old, pointing to a statue of the Saturn devouring his son, whom he holds in his huge veiny hands.

Organized by the Amsterdam Royal Palace and the Rijksmuseum, this is the first-ever retrospective devoted to Quellinus, displaying more than 100 of his works from national and international collections.

"We spent quite some time to select and to collect, to bring together all these very special works... to show Quellinus at his best," said curator Liesbeth van Noortwijk.

"Because I think he's an artist that deserves that."

"We dare to call him the Bernini of the North... And I think this is no exaggeration," she told AFP.

The decorations of Amsterdam's Royal Palace, built as a town hall between 1648 and 1665, remains Quellinus's statement work, with an iconic figure on the roof of Atlas bearing the world on his shoulders.

Now, nearly 400 years on, the city hopes the show will raise awareness of the hitherto unrecognized "sculptor of Amsterdam."