Louvre Museum Shuts Down, Sounding the Alarm on Overtourism

Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)
Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)
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Louvre Museum Shuts Down, Sounding the Alarm on Overtourism

Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)
Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)

The Louvre, the world’s most-visited museum and a global symbol of art, beauty and endurance, remained shuttered most of Monday when staff went on strike in frustration over what they called unmanageable crowds at an institution crumbling from within. 

It was an almost unthinkable sight: the home to works by Leonardo da Vinci and millennia of civilization’s greatest treasures, paralyzed by the very people tasked with welcoming the world to its galleries. 

Thousands of stranded and confused visitors, tickets in hand, were corralled into unmoving lines beneath I.M. Pei's glass pyramid. 

"It’s the Mona Lisa moan out here," said Kevin Ward, 62, from Milwaukee. "Thousands of people waiting, no communication, no explanation. I guess even she needs a day off." 

The Louvre has become a bellwether of global overtourism, overwhelmed by its own popularity. As tourism magnets from Venice to the Acropolis scramble to cap crowds, the world’s most iconic museum is reaching a reckoning of its own. 

The spontaneous strike erupted during a routine internal meeting, as gallery attendants, ticket agents and security personnel refused to take up their posts in protest over unmanageable crowds, chronic understaffing and what one union called "untenable" working conditions. 

It’s rare for the Louvre to close its doors. It has happened during war, during the pandemic, and in a handful of strikes, including spontaneous walkouts over overcrowding in 2019 and safety fears in 2013. But seldom has it happened so suddenly, without warning, and in full view of the crowds. 

What's more, the disruption comes just months after President Emmanuel Macron unveiled a sweeping decade-long plan to rescue the Louvre from precisely the problems now boiling over - water leaks, dangerous temperature swings, outdated infrastructure, and foot traffic far beyond what the museum can handle. 

But for workers on the ground, that promised future feels distant. 

"We can’t wait six years for help," said Sarah Sefian of the CGT-Culture union. "Our teams are under pressure now. It’s not just about the art; it’s about the people protecting it." 

The Mona Lisa’s daily mob  

At the center of it all is the Mona Lisa, a 16th-century portrait that draws modern-day crowds more akin to a celebrity meet-and-greet than an art experience. 

Roughly 20,000 people a day squeeze into the Salle des États, the museum’s largest room, just to snap a selfie with Leonardo da Vinci’s enigmatic woman behind protective glass. The scene is often noisy, jostling, and so dense that many barely glance at the masterpieces flanking her. Works by Titian and Veronese that go largely ignored. 

"You don’t see a painting," said Ji-Hyun Park, 28, who flew from Seoul to Paris. "You see phones. You see elbows. You feel heat. And then, you’re pushed out." 

Macron’s renovation blueprint, dubbed the "Louvre New Renaissance," promises a remedy. The Mona Lisa will finally get her own dedicated room, accessible through a timed-entry ticket. A new entrance near the Seine River is also planned by 2031 to relieve pressure from the overwhelmed pyramid hub. 

"Conditions of display, explanation and presentation will be up to what the Mona Lisa deserves," Macron said in January. 

But Louvre workers call Macron hypocritical and say the €700–800 million renovation plan masks a deeper crisis. While Macron is investing in new entrances and exhibition space, the Louvre’s annual operating subsidies from the French state have shrunk by more than 20% over the past decade, even as visitor numbers soared. 

"We take it very badly that Monsieur Le President makes his speeches here in our museum," Sefian said, "but when you scratch the surface, the financial investment of the state is getting worse with each passing year." 

While many striking staff plan to remain off duty all day, Sefian said some workers may return temporarily to open a limited "masterpiece route" for a couple of hours, allowing access to select highlights including the Mona Lisa and the Venus de Milo. The full museum might reopen as normal on Wednesday, and some tourists with time-sensitive tickets for Monday may be allowed to reuse them then. On Tuesday the Louvre is closed. 

A museum in limbo  

The Louvre welcomed 8.7 million visitors last year, more than double what its infrastructure was designed to accommodate. Even with a daily cap of 30,000, staff say the experience has become a daily test of endurance, with too few rest areas, limited bathrooms, and summer heat magnified by the pyramid’s greenhouse effect. 

In a leaked memo, Louvre President Laurence des Cars warned that parts of the building are "no longer watertight," that temperature fluctuations endanger priceless art, and that even basic visitor needs, such as food, restrooms, signage, fall far below international standards. She described the experience simply as "a physical ordeal." 

"What began as a scheduled monthly information session turned into a mass expression of exasperation," Sefian said. Talks between workers and management began at 10:30 a.m. and continued into the afternoon. 

The full renovation plan is expected to be financed through ticket revenue, private donations, state funds, and licensing fees from the Louvre’s Abu Dhabi branch. Ticket prices for non-EU tourists are expected to rise later this year. 

But workers say their needs are more urgent than any 10-year plan. 

Unlike other major sites in Paris, such as Notre Dame cathedral or the Centre Pompidou museum, both of which are undergoing government-backed restorations, the Louvre remains stuck in limbo — neither fully funded nor fully functional. 

President Macron, who delivered his 2017 election victory speech at the Louvre and showcased it during the 2024 Paris Olympics, has promised a safer, more modern museum by the end of the decade. 

Until then, France’s greatest cultural treasure and the millions who flock to see it remain caught between the cracks. 



King Salman Global Academy for Arabic Language Launches Framework on Multilingualism at UNESCO

The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
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King Salman Global Academy for Arabic Language Launches Framework on Multilingualism at UNESCO

The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)
The UNESCO logo is seen during the 39th session of the General Conference at the UNESCO headquarters in Paris, Saturday, Nov. 4, 2017. (AP)

Saudi Arabia's King Salman Global Academy for the Arabic Language (KSGAAL) launched its Framework on Multilingualism Framework at the UN Educational, Scientific, and Cultural Organization (UNESCO) headquarters in Paris, reported the Saudi Press Agency on Monday.

The launch took place during a symposium titled “Multilingualism in International Organizations.”

The event was attended by senior UNESCO officials, ambassadors of the Arab Group, experts from international organizations, participating delegations, and specialists in language policy.

The initiative is part of the academy's activities marking World Arabic Language Day.

KSGAAL Secretary-General Dr. Abdullah Al-Washmi said the launch of the framework represents a practical step reflecting the academy’s commitment to promoting multilingualism within international institutions and contributing to the development of linguistic work environments.

He expressed his gratitude for the continued support by Minister of Culture and academy Board Chairman Prince Bader bin Abdullah bin Farhan, underlining Saudi Arabia's dedication to supporting the Arabic language and its sciences and strengthening its global presence.

The framework aims to support UNESCO’s policies in empowering official languages within its institutional work in line with the objectives of the Human Capability Development Program, one of the Kingdom’s Vision 2030 programs, and within the academy's international initiatives, particularly those associated with World Arabic Language Day, he added.

It also aims to meet the linguistic needs of the Arab Group, boost institutional practices that contribute to developing the linguistic landscape, and expand Arab participation in UNESCO’s programs and activities.

The first session of the symposium was dedicated to presenting the framework, outlining its main components, and highlighting its role in supporting multilingualism and strengthening the presence of the Arabic language within the organization’s institutional and digital environments.

The framework is the result of joint efforts between the academy and the Saudi delegation to UNESCO.

The launch of the framework falls within the academy’s broader efforts to bolster the presence of the Arabic language in international organizations, support joint initiatives aimed at developing linguistic practices, and unify Arab efforts in the field of international language planning, helping consolidate the status of Arabic at both the international and institutional levels.


65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
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65 Artists from 37 Countries to Participate in Diriyah Contemporary Art Biennale 2026

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA
The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation - SPA

The Diriyah Biennale Foundation has announced the list of artists participating in the Diriyah Contemporary Art Biennale 2026, scheduled to open on January 30 in the Jax District of Diriyah.

Titled “In Interludes and Transitions,” this edition draws inspiration from themes of movement, migration, and transformation—forces that have historically shaped pathways of communication and cultural exchange between the Arab region and societies around the world, SPA reported.

The Biennale will feature more than 65 artists from 37 countries and will present 22 newly commissioned works by the Diriyah Biennale Foundation. These original pieces, created by artists, musicians, filmmakers, architects, and writers, explore ideas of continuity, resilience, and collective imagination amid periods of profound change.

Chief Executive Officer of the Diriyah Biennale Foundation Aya Al-Bakree explained that the event brings together artists from multiple generations, regions, and disciplines, offering audiences a rich and diverse artistic experience that reflects Diriyah’s growing role as a global cultural hub.

The artistic directors noted that this edition of the Diriyah Contemporary Art Biennale emphasizes the vital role of art in interpreting contemporary transformations. Over the past year, participating artists and the curatorial team have engaged in in-depth research into the historical contexts of the Arab region, examined the rapid changes reshaping its cultural landscape, and addressed broader intellectual questions with global relevance.


Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
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Louvre Workers Vote to Strike in Another Blow to the Paris Museum 

This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)
This photograph shows a banner which reads "Louvre Museum on Strike" outside the entrance to the Louvre as museum workers voted to go on strike against increasingly deteriorating working conditions and the declining visitor experience at the world famous museum, in Paris on December 15, 2025. (AFP)

Workers at the Louvre Museum voted Monday to strike over working conditions and other complaints, dealing another blow to the Paris landmark and home of the Mona Lisa after an embarrassing jewelry heist in October.

The CFDT union said the vote was taken at a meeting of 400 workers on Monday morning and that they decided to strike for the day.

The world’s most-visited museum didn’t open as scheduled and turned people away. A notice on the Louvre's website said, “the museum is closed for the moment.”

“It's really sad, because I was really looking forward to this,” said Lindsey Hall, a bitterly disappointed would-be visitor from Sacramento, California. She had been planning to enjoy the museum's huge collection of art and artifacts with a friend, describing it as “one of those life experiences you crave.”

“This is just an epic collection of art and something that every human should see,” she said. “I can see the other side of it, like if you are the person that works in the museum and how that can be, like day after day after day.”

The strike vote followed talks last week between labor unions and government officials, including Culture Minister Rachida Dati. Labor leaders said the talks had not alleviated all of their concerns about staffing and financing for the museum that welcomes millions of visitors each year.

“Visiting the museum has become an obstacle course,” said Alexis Fritche, general secretary of the culture wing of the CFDT union.

For employees, the daylight jewel heist crystallized long-standing concerns that crowding and thin staffing are undermining security and working conditions at the Louvre.

Thieves used a basket lift to reach the Louvre’s facade, forced a window, smashed display cases and fled with pieces of the French crown jewels. A Senate inquiry released last week said the thieves escaped with barely 30 seconds to spare and pointed fingers of blame at broken cameras, outdated equipment, understaffed control rooms and poor coordination that initially sent police to the wrong location.

In a statement, the CFDT said employees wants more staffing for security and to welcome visitors, improved working conditions, stable long-term budgets for the Louvre and leadership that “truly listens to staff.”

Yvan Navarro of the CGT union complained that staff numbers have continually decreased while visitor numbers have increased.

“People come to Paris to visit the museums. So the visitor numbers go up, the tariffs and the prices go up, because everything is becoming more expensive, but the salaries and the numbers of staffers don't go up so obviously you reach a point like today, a day of anger,” he said.