A Look at UNESCO and Its Work as the US Decides Again to Leave the Cultural Agency

This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
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A Look at UNESCO and Its Work as the US Decides Again to Leave the Cultural Agency

This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)
This photograph shows the logo of the United Nations Educational, Scientific and Cultural Organization (UNESCO) headquarters in Paris on January 17, 2025. (AFP)

With the support of international partners and $115 million in funding, the UN cultural agency UNESCO recently helped rebuild the Iraqi city of Mosul after it was devastated by the ISIS group.

The restoration of the historic city's iconic Al-Nouri Mosque and Al-Hadba Minaret was just one of many programs run by the UN Educational, Scientific and Cultural Organization, which is in the spotlight because the United States is leaving it once again, reported the Associated Press.

The decision to pull US funding and participation from UNESCO will deal a blow to its work preserving cultural heritage around the world. US President Donald Trump exited the agency during his first term, accusing it of promoting anti-Israel speech. The administration of US President Joe Biden had rejoined UNESCO in 2023 after citing concerns that China was filling the gap left by the US in UNESCO policymaking.

Here’s a look at the work UNESCO does:

World Heritage Sites UNESCO names World Heritage sites, including landmarks like the Great Wall of China, the Egyptian pyramids, the Taj Mahal and the Statue of Liberty, and gives them special protection under its World Heritage Sites program.

Its World Heritage Committee each year designates sites considered “of outstanding value to humanity” and intervenes when sites are in danger of destruction or damage. The program provides countries with technical assistance and professional training to preserve the sites.

A World Heritage site designation is coveted and seen as a boost to tourism.

Another UNESCO convention created in 2003 protects “intangible” heritage such as folk songs and traditional dances, crafts and cooking in its lists.

Holocaust Education: Like the rest of the UN, UNESCO was created in response to the horrors of World War II, and particularly Nazi crimes. Amid concerns that the agency’s Arab members have used UNESCO to pass anti-Israel resolutions, UNESCO has worked in recent years on Holocaust awareness projects. That includes educational materials and organizing visits to former Nazi concentration camps.

Empowering Girls: UNESCO works to improve literacy, with a special focus on girls in countries hit by war or disasters who get little or no schooling though programs such as the Malala Fund for Girls’ Right to Education. In Tanzania, for instance, over 2,500 girls benefited from the creation of safe spaces in 40 secondary schools. The agency provides teacher training and materials and encourages programs for girls to pursue careers in science.

Climate Change: One of the agency's goals is coordinating climate knowledge and improving international education about how global warming occurs and affects people around the world. Over 30 UNESCO programs are designed to help its members adapt to climate change and favor sustainable development.

Ethics of Artificial Intelligence: UNESCO adopted in 2021 what it calls “the first and only global standard-setting instrument on the ethics of artificial intelligence.” Applying to all 194 member states, the recommendation emphasizes the protection of human rights and dignity, grounded in principles like transparency, fairness, and human oversight of AI systems.

Operating without the US: UNESCO director general Audrey Azoulay said the US decision to leave was expected and that the agency has prepared for it. While the US had previously provided a notable share of the agency’s budget, UNESCO has diversified its funding sources.

“Thanks to the efforts made by the organization since 2018, the decreasing trend in the financial contribution of the US has been offset, so that it now represents 8% of the organization’s total budget compared with 40% for some United Nations entities,” Azoulay said.

She added that the agency's overall budget has increased and that it has the steady support of "a large number of member states and private contributors.”



Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
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Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo

Two paintings by French master Pierre-Auguste Renoir have been recovered a month after they were stolen from a museum in southern France, the town's mayor said Friday.

In September, thieves broke into the museum in Cagnes-sur-Mer and managed to escape with two works by the French impressionist painter, abandoning two others as they fled.

"These two paintings are not simply works of art. They are part of our city's history," said Bryan Masson, the mayor of Cagnes-sur-Mer.

"Knowing they have been recovered is an immense relief."

There has not yet been any statement from the police and Masson did not give any details regarding where the works were found or their condition.

The suspects cut through a fence to enter the museum's tree-lined grounds, smashed a window to get inside, and used an electric saw to cut through the frame mountings, Masson said at the time of the robbery in early September.

The theft took place in just a matter of minutes, shortly before 6:00 am (0400 GMT).
A source close to the probe told AFP earlier this week that police had arrested five people as part of the investigation.

According to Masson the museum alarm and police sirens forced the burglars -- which he described as "well equipped and well informed" about the museum -- to hurry.

They made off with a portrait titled "Madame Colonna Romano" and the depiction of a woman at a well called "Jeune femme au puits", his office said.

The paintings dropped during their escape include "Madame Pichon" and "Coco lisant", a portrait of Renoir's young son Claude reading.

The police said at the time of the robbery that it was clear that they were not first-time offenders, and that they had scoped out the premises before the crime.

The Renoir Museum lies a half-hour drive from the southern city of Nice, in Renoir's last home before he died aged 78 in 1919.

Its collection comprises nine paintings by Renoir, according to the museum.

It also includes several sculptures by him, as well as objects and furniture that belonged to the painter, such as his easel and wheelchair.

A spate of heists at French museums -- including at the Louvre -- has highlighted inadequate security in some cases and led to questions about whether criminal gangs see them as soft targets.

Crown jewelry valued at around $100 million was stolen in broad daylight from the Louvre in Paris last year.

The four suspected Louvre robbers have been arrested, but the jewels they are accused of grabbing in the seven-minute heist have still not been found.

Italian police in August said they had recovered paintings by Renoir, Cezanne and Matisse worth over $10.4 million that were stolen in a three-minute heist from a museum in March.
And earlier this week, a book featuring a cover made of bronze and designed by Spanish surrealist painter Salvador Dali was stolen from an art museum in central France.


PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
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PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)

Canadian poet Anne Carson winning the Nobel prize for literature is a "proud moment" for the country, Prime Minister Mark Carney said Thursday.

The 76-year-old's works feature "wit, imagination, and a style entirely her own," Carney said on X.

"She has brought ancient stories to new audiences and transformed the way we think about literature," he said, calling the award "an extraordinary achievement and a proud moment for Canada."

In a statement to AFP, Canadian novelist Margaret Atwood said Carson's work "has long been admired among poets of many countries."

"For new readers I would recommend 'The Beauty of the Husband' -- direct and visceral, funny and angry and sad - or 'Men in the Off Hours.' Delights await!" added Atwood, a longtime Nobel contender who was passed over in 2013 in favor of fellow Canadian Alice Munro.

A renowned classicist, Carson has taught at several prestigious Canadian and American universities, including McGill in Montreal. She joined McGill's Department of Classics in 1988 and left the university in 2002.

"This is a wonderfully deserved honor for Anne Carson, whose work has captivated readers around the world by bringing ancient voices into conversation with the present," Lisa Shapiro, McGill's dean of arts, was quoted as saying by The McGill Reporter.

"Her extraordinary talent, originality and intellectual depth have had a profound influence on contemporary literature. We are proud that McGill was her academic home for many years and delighted to see her remarkable contributions recognized on the world stage."

Outside the university in Montreal, Vicky Huang, a 24-year-old political science student, expressed pride.

"My friends and I love 'Eros the Bittersweet,' so this is such exciting news," she told AFP.

"Yeah, I mean, the fact that she's a Canadian woman working in high literature makes all of us really proud."


Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
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Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA

The Red Sea Museum, operating under Saudi Arabia’s Museums Commission, inaugurated the "Photographing Distance" exhibition by Argentine artist Matilde Marín at its premises in Historic Jeddah, marking its Kingdom debut and running through December 31.

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations, including Jeddah and Yanbu, exploring their role in maritime navigation, human memory, and the connection between people and place.

Based on the artist's "Pharus" project initiated in 2005, the artworks frame lighthouses beyond their navigational utility as enduring symbols of guidance and hope.

The opening ceremony featured a guided tour by the artist, as well as a discussion session and a musical performance.

Linking contemporary art with Red Sea maritime heritage, the event is accompanied by an ongoing public program offering film screenings, poetry evenings, creative photography workshops, and family activities such as lighthouse model-making.

The event forms part of the Museums Commission's initiatives to enrich the Kingdom's cultural landscape and foster creative dialogue by hosting international artistic experiences.