Early Hawaiian Petroglyphs on a Beach Are Visible Again with Changing Tides and Shifting Sands 

A drone view shows petroglyphs carved into the rock surface at Pokai Bay, July 22, 2025, in Waianae, Hawaii. (AP)
A drone view shows petroglyphs carved into the rock surface at Pokai Bay, July 22, 2025, in Waianae, Hawaii. (AP)
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Early Hawaiian Petroglyphs on a Beach Are Visible Again with Changing Tides and Shifting Sands 

A drone view shows petroglyphs carved into the rock surface at Pokai Bay, July 22, 2025, in Waianae, Hawaii. (AP)
A drone view shows petroglyphs carved into the rock surface at Pokai Bay, July 22, 2025, in Waianae, Hawaii. (AP)

Hawaiian petroglyphs dating back at least a half-millennium are visible on Oahu for the first time in years, thanks to seasonal ocean swells that peel away sand covering a panel of more than two dozen images of mostly human-looking stick figures.

The petroglyphs are easy to spot during low tide when gentle waves ebb and flow over slippery, neon-green algae growing on a stretch of sandstone. This is the first time the entire panel of petroglyphs are visible since they were first spotted nine years ago by two guests staying at a bayside US Army recreation center in Waianae, about an hour’s drive from Honolulu.

Native Hawaiian cultural practitioner Glen Kila, who traces his lineage to the aboriginal families of this coastal Hawaii community, said he believes the resurfacing of the traditional marvels are his ancestors sending a message.

"It's telling the community that the ocean is rising," said Kila, a recognized expert on the local culture and history of Waianae who is consulting with the Army on the protection of the petroglyphs.

Army officials are trying to balance protecting the petroglyphs with their accessibility on a public beach.

John and Sandy Stone consulted tide charts and drove about 30 minutes from their home early Tuesday to get a glimpse after watching a local TV report about the petroglyphs.

"It was so interesting to touch them," said John Stone, who splits his time between Hawaii and California. "It felt interesting to kind of have a connection with the past like that."

It is difficult to date petroglyphs, but an archaeological site in the area is from about 600 years ago, said Laura Gilda, an archaeologist with US Army Garrison Hawaii. According to Kila, Hawaiians arrived in Waianae at least 1,000 years ago.

Shift in waves caused petroglyphs to appear

The beach here fluctuates in size and profile each year, with low-pressure weather systems that form in the eastern Pacific between May and November causing waves that cut away loose sand from shorelines and redeposit them further out, according to an Army report on the petroglyphs. That shift is likely what causes their temporary exposure.

Archaeologists identified a total of 26 petroglyphs. Of the 18 anthropomorphic stick figures, eight are possibly male and the remainder are of undetermined gender, the report said.

The entire panel stretches about 115 feet (35 meters) long, Gilda said.

When the petroglyphs first reemerged in July 2016, it was after late spring and early summer storms, including hurricanes, with a lot of wave action that swept the sand away, Gilda said.

They remained visible for a period and then got covered again.

"So there's been portions that have ... been exposed since then, but this is the first summer that the whole panel has been exposed again," Gilda said.

Petroglyphs are telling a ceremonial story, expert says

Based on the teachings Kila learned, the lineal petroglyphs appear to be telling a ceremonial story. He interprets the largest figure, which appears to include hands and fingers with one arm raised and the other down, to represent the rising and setting sun.

Kila said that when the military in the 1930s took over the area and evicted Native Hawaiians, including his family who lived there for generations, his great-great grandmother refused to leave so his family exchanged mountain lands with a coffee plantation so she could remain near the bay.

In an interview included in the Army's report, he recalled growing up in Waianae without television. So "the ocean and mountains were our playground," he said. The Army recreation center was off-limits to the public, and the seawall was the barrier between Native Hawaiians and the military, Kila said.

Kila, now 72, recalled that if they walked on top of the wall, they were clubbed and pushed off by military police.

"We were proud and knew where we came from, so we never fostered any hatred for the military because one day we believed that the land will eventually return to us," he said.

Kila, while visiting the petroglyphs earlier this week, told The Associated Press that the Army's protection of them represents a shift in that community relationship.

Officials have been grappling with how to share the petroglyphs with the community while also protecting them, Gilda said.

"How much attention do you want to bring to this area? You don’t really want people to go digging for them when they’re not exposed," she said. "But they’re certainly awesome to come and see on the public beachscape."

Donald Kauliʻa, a Native Hawaiian who was born and raised in Waianae, snapped photos of the petroglyphs Tuesday. Seeing them, he said, feels like "validation that our ancestors were from here."



UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.


Saudi Culture Minister Inaugurates Kingdom's Pavilion as Guest of Honor at Damascus Book Fair

Saudi Culture Minister Inaugurates Kingdom's Pavilion as Guest of Honor at Damascus Book Fair
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Saudi Culture Minister Inaugurates Kingdom's Pavilion as Guest of Honor at Damascus Book Fair

Saudi Culture Minister Inaugurates Kingdom's Pavilion as Guest of Honor at Damascus Book Fair

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan, who is the Literature, Publishing and Translation Commission Board Chairman, has inaugurated the Kingdom’s pavilion as guest of honor at the 2026 Damascus International Book Fair.

The inauguration took place on Thursday in the Syrian capital in the presence of Syrian Minister of Culture Mohammed Yassin Saleh and his Qatari counterpart, Sheikh Abdulrahman bin Hamad bin Jassim bin Hamad Al Thani.

The Kingdom's participation as guest of honor at the fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.

Literature, Publishing, and Translation Commission Chief Executive Dr. Abdul Latif Al-Wasil affirmed that the Kingdom's presence as guest of honor at the fair reflects its leading role in the Arab cultural landscape and embodies its belief in the role of culture as a bridge for communication, a space for dialogue, and a tool for supporting joint cultural initiatives.

He explained that the Kingdom's presence in Damascus affirms the depth of Saudi-Syrian relations, based on partnership and mutual respect, and stems from the Kingdom's commitment to strengthening cultural exchange.

The Kingdom's pavilion showcases the cultural and creative diversity of the Saudi cultural and literary scene through a comprehensive cultural program that includes intellectual seminars, poetry evenings, a manuscripts exhibition, a Saudi fashion corner, a hospitality corner, and a corner displaying archaeological replicas, in addition to Saudi performing arts performances that express the depth of the Kingdom's cultural heritage.

The pavilion offers visitors to the exhibition the opportunity to explore aspects of Saudi culture in its literary, heritage, and human dimensions within a cultural experience presented in a unifying Arab spirit, affirming that culture remains one of the most effective means of fostering understanding and building shared meaning.

Syrian President Ahmed al-Sharaa met on Thursday with Prince Badr at the Conference Palace in Damascus.

The meeting was attended on the Saudi side by Advisor at the Royal Court Mohammed Al-Tuwaijri, along with other officials.