Ciara Is Among the First Descendants of Enslaved People Granted Citizenship by Benin

 Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)
Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)
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Ciara Is Among the First Descendants of Enslaved People Granted Citizenship by Benin

 Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)
Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)

US singer Ciara is one of the first public figures to become a citizen of Benin under a recent law by the small West African country granting citizenship to descendants of enslaved people.

The Grammy-winning performer's acquisition of citizenship at a ceremony Saturday in the city of Cotonou is part of a broader initiative by Benin to attract the Black diaspora, acknowledge the country’s role in the transatlantic slave trade, and promote tourism focused on slavery-related sites of remembrance.

“By legally recognizing these children of Africa, Benin is healing a historical wound. It is an act of justice, but also one of belonging and hope,” Justice Minister Yvon Détchénou said at the ceremony.

Here's what to know about Benin's efforts to welcome descendants of enslaved people:

Benin's Afro-descendant citizenship law In September, Benin passed a law granting citizenship to those who can trace their lineage to the slave trade.

It is open to anyone above 18 who doesn't already hold other African citizenship and can provide proof that an ancestor was deported via the slave trade from anywhere in sub-Saharan Africa. Beninese authorities accept DNA tests, authenticated testimonies and family records.

Last week, the government launched My Afro Origins, the digital platform that processes applications.

While Benin is not the first country to grant citizenship to descendants of enslaved people, its citizenship law carries added significance, in part because of the role it played in the transatlantic slave trade.

A national reckoning with its role in the slave trade European merchants deported an estimated 1.5 million enslaved people from the Bight of Benin — a region that includes present-day Benin, Togo and parts of Nigeria — to the Americas.

Beninese kings actively participated in capturing and selling enslaved people to Portuguese, French and British merchants. The former kingdoms and the communities they raided still exist today as tribal networks.

Benin has long been working to reconcile with its legacy of complicity. It has openly acknowledged its role in the slave trade, a stance not shared by many other African nations that participated.

In the 1990s, it hosted an international conference to examine how and where enslaved people were sold. In 1999, then-President Mathieu Kérékou apologized to African Americans during a visit to a church in Baltimore.

‘Memorial tourism’ Alongside this national reckoning, “memorial tourism” around the legacy of the slave trade has become a key approach of Benin’s government to attract Afro-descendants.

Memorial sites are mostly in Ouidah, one of Africa’s most active slave-trading ports in the 18th and 19th centuries. They include the Slave Route, which was the path marking enslaved people’s final journey to ships, and the Door of No Return, a haunting doorway that opens to the Atlantic Ocean where they left Africa, and their families, for the last time.

Sindé Chekete, the head of Benin’s state-run tourism agency, said these sites give Afro-descendants the opportunity to learn about and honor the struggles and resilience of their ancestors.

“It may inspire some people to say ‘I want to return to Africa and choose Benin to understand this history’,” Chekete said.

Following her citizenship ceremony, Ciara toured the historic city, where she walked the Slave Route to the Door of No Return.

“Between emotion, reflection and heritage, I experienced a profound return to what truly matters,” she said.

Ciara is best known for chart-topping hits like “Goodies” and “Level Up,” her dynamic choreography, and her work in fashion and philanthropy.



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.