Mexican Authorities Accuse Adidas of Cultural Appropriation in Their Sandal Design

Marina Nunez Bespalova, Mexico’s Undersecretary of Cultural Development, speaks during President Claudia Sheinbaum’s morning press conference at the National Palace to condemn Adidas and US designer Willy Chavarria over the “Oaxaca Slip On” shoe, accused of misappropriating a sandal design rooted in Zapotec Indigenous heritage, in Mexico City, Mexico, August 8, 2025. (Presidencia de Mexico/Handout via Reuters)
Marina Nunez Bespalova, Mexico’s Undersecretary of Cultural Development, speaks during President Claudia Sheinbaum’s morning press conference at the National Palace to condemn Adidas and US designer Willy Chavarria over the “Oaxaca Slip On” shoe, accused of misappropriating a sandal design rooted in Zapotec Indigenous heritage, in Mexico City, Mexico, August 8, 2025. (Presidencia de Mexico/Handout via Reuters)
TT

Mexican Authorities Accuse Adidas of Cultural Appropriation in Their Sandal Design

Marina Nunez Bespalova, Mexico’s Undersecretary of Cultural Development, speaks during President Claudia Sheinbaum’s morning press conference at the National Palace to condemn Adidas and US designer Willy Chavarria over the “Oaxaca Slip On” shoe, accused of misappropriating a sandal design rooted in Zapotec Indigenous heritage, in Mexico City, Mexico, August 8, 2025. (Presidencia de Mexico/Handout via Reuters)
Marina Nunez Bespalova, Mexico’s Undersecretary of Cultural Development, speaks during President Claudia Sheinbaum’s morning press conference at the National Palace to condemn Adidas and US designer Willy Chavarria over the “Oaxaca Slip On” shoe, accused of misappropriating a sandal design rooted in Zapotec Indigenous heritage, in Mexico City, Mexico, August 8, 2025. (Presidencia de Mexico/Handout via Reuters)

Mexican authorities are accusing sportswear company Adidas of plagiarizing artisans in southern Mexico, alleging that a new sandal design is strikingly similar to the traditional Indigenous footwear known as huaraches.

The controversy has fueled accusations of cultural appropriation by the footwear brand, with authorities saying this is not the first time traditional Mexican handicrafts have been copied. Citing these concerns, local authorities have asked Adidas to withdraw the shoe model.

Mexican President Claudia Sheinbaum said on Friday that Adidas was already in talks with authorities in the southern Mexican state of Oaxaca to provide "compensation for the people who were plagiarized," and that her government was preparing legal reforms to prevent the copying of Mexican handicrafts.

The design at the center of the controversy is the "Oaxaca Slip-On," a sandal created by US designer Willy Chavarría for Adidas Originals. The sandals feature thin leather straps braided in a style that is unmistakably similar to the traditional Mexican huaraches. Instead of flat leather soles, the Adidas shoes tout a more chunky, sports shoe sole.

According to Mexican authorities, Adidas' design contains elements that are part of the cultural heritage of the Zapotec Indigenous communities in Oaxaca, particularly in the town of Villa Hidalgo de Yalálag. Handicrafts are a crucial economic lifeline in Mexico, providing jobs for around half a million people across the country. The industry accounts for around 10% of the gross domestic product of states like Oaxaca, Jalisco, Michoacán and Guerrero.

For Viridiana Jarquín García, a huaraches creator and vendor in Oaxaca's capital, the Adidas shoes were a "cheap copy" of the kind of work that Mexican artists take time and care to craft.

"The artistry is being lost. We're losing our tradition," she said in front of her small booth of leather shoes.

Authorities in Oaxaca have called for the "Oaxaca Slip-On" to be withdrawn and demanded a public apology from Adidas, with officials describing the design as "cultural appropriation" that may violate Mexican law.

In a public letter to Adidas leadership, Oaxaca state Gov. Salomón Jara Cruz criticized the company’s design, saying that "creative inspiration" is not a valid justification for using cultural expressions that "provide identity to communities."

"Culture isn't sold, it's respected," he added.

Adidas responded in a letter Friday afternoon, saying that the company "deeply values the cultural wealth of Mexico’s Indigenous people and recognizes the relevance" of the criticisms. It requested to sit down with local officials and to discuss how it can "repair the damage" to Indigenous populations.

The controversy follows years of efforts by Mexico's government and artisans to push back on major global clothing brands who they say copy traditional designs.

In 2021, the federal government asked manufacturers including Zara, Anthropologie and Patowl to provide a public explanation for why they copied clothing designs from Oaxaca's Indigenous communities to sell in their stores.

Now, Mexican authorities say they're trying to work out stricter regulations in an effort to protect artists. But Marina Núñez, Mexico's undersecretary of cultural development, noted that they also want to establish guidelines to not deprive artists of "the opportunity to trade or collaborate with several of these companies that have very broad commercial reach."



12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation
TT

12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation

The 12th edition of the Saudi Film Festival has opened at the King Abdulaziz Center for World Culture (Ithra), an initiative of Saudi Aramco, bringing together prominent figures from the local, regional, and international film communities, as well as filmmakers, film critics, and cinema enthusiasts from across the industry.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival runs from June 26 to July 2, 2026, under the theme “Every Story is a Journey.” The theme celebrates filmmaking as a creative journey that begins with the spark of an idea and scriptwriting, moves through the challenges of production, and culminates in screening, where stories meet their audiences, SPA reported.

This year’s edition received 314 submissions, including 249 films and 65 production market projects. A total of 27 films were selected for the official competitions, while six films will be presented in parallel screenings, bringing the festival lineup to 50 films from more than 15 countries.

Participating films will compete for nine Golden Palm Awards across feature-length fiction, short fiction, and documentary categories, highlighting Saudi, Gulf, Arab, and international cinematic talent.

The festival program also features specialized panel discussions, masterclasses, training workshops, book-signing sessions for publications from the Saudi Cinema Encyclopedia, and the “Meet the Experts” program, which offers one-on-one mentoring sessions with professionals in production, directing, editing, film criticism, festival programming, and project development.


Red Sea Museum Showcases Centuries of Islamic Maritime Navigation Heritage

Among the museum's highlights are Qibla indicators and magnetic compasses used to determine the direction of Makkah - SPA
Among the museum's highlights are Qibla indicators and magnetic compasses used to determine the direction of Makkah - SPA
TT

Red Sea Museum Showcases Centuries of Islamic Maritime Navigation Heritage

Among the museum's highlights are Qibla indicators and magnetic compasses used to determine the direction of Makkah - SPA
Among the museum's highlights are Qibla indicators and magnetic compasses used to determine the direction of Makkah - SPA

The Red Sea Museum in Historic Jeddah showcases a rich legacy of Islamic maritime heritage through a collection of Qibla indicators, compasses, and sundials that reflect the scientific knowledge and craftsmanship behind navigational tools used by sailors, merchants, and pilgrims for centuries.

The collection includes more than 20 historical navigational instruments, some dating back over 400 years, inscribed with Quranic verses, the call to prayer (adhan), and supplications, reflecting a fusion of scientific knowledge and Islamic cultural heritage, according to SPA.

Among the museum's highlights are Qibla indicators and magnetic compasses used to determine the direction of Makkah, as well as sundials that helped calculate prayer times based on the sun's movement.

Through its exhibits, the museum preserves the legacy of Islamic navigation and highlights the Red Sea’s historic role, enriching the visitor experience and supporting efforts to enhance Historic Jeddah’s standing as a global cultural destination.


Majnad: Traditional Hunting Belt Preserves Saudi Arabia's Cultural Heritage

These heritage pieces showcase the exceptional craftsmanship of traditional leatherworking and illustrate the evolution of hunting equipment across successive generations - SPA
These heritage pieces showcase the exceptional craftsmanship of traditional leatherworking and illustrate the evolution of hunting equipment across successive generations - SPA
TT

Majnad: Traditional Hunting Belt Preserves Saudi Arabia's Cultural Heritage

These heritage pieces showcase the exceptional craftsmanship of traditional leatherworking and illustrate the evolution of hunting equipment across successive generations - SPA
These heritage pieces showcase the exceptional craftsmanship of traditional leatherworking and illustrate the evolution of hunting equipment across successive generations - SPA

The Majnad, also known as the traditional leather hunting belt, is a heritage item closely associated with hunting expeditions and travel in Saudi Arabia, forming part of the Kingdom’s cultural and social memory and reflecting historical ways of life as well as the equipment once crafted to meet the practical needs of traditional hunters.

The cultural heritage museum in Rafha Governorate, Northern Borders Region, houses a collection of these handcrafted leather belts, documenting an important aspect of traditional hunting practices and the lifestyles that prevailed in earlier times.

Made from durable natural leather, these belts were among the most essential accessories for hunters. They feature pockets of varying sizes for carrying ammunition and other hunting essentials, along with a chest harness that provided greater comfort and freedom of movement. Sturdy metal buckles ensured durability and reliable performance during long hunting trips, SPA reported.

These heritage pieces showcase the exceptional craftsmanship of traditional leatherworking and illustrate the evolution of hunting equipment across successive generations. Today, they stand as valuable cultural artifacts preserved by private museums and heritage enthusiasts committed to safeguarding Saudi Arabia’s rich legacy.

Private museums throughout the Kingdom continue to document and protect these rare heritage objects, helping raise public awareness of the nation’s cultural legacy, strengthen connections between younger generations and the lives of their ancestors, and preserve the Kingdom’s cultural heritage for future generations.