Archaeologists in Georgia Unearth 1.8-million-year-old Human Jawbone

An archaeologist works at the excavation site where a presumably dated 1.8-million-year-old lower jawbone belonging to an early species of human was found, in the village of Kvemo Orozmani, Georgia August 15, 2025. REUTERS/Irakli Gedenidze
An archaeologist works at the excavation site where a presumably dated 1.8-million-year-old lower jawbone belonging to an early species of human was found, in the village of Kvemo Orozmani, Georgia August 15, 2025. REUTERS/Irakli Gedenidze
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Archaeologists in Georgia Unearth 1.8-million-year-old Human Jawbone

An archaeologist works at the excavation site where a presumably dated 1.8-million-year-old lower jawbone belonging to an early species of human was found, in the village of Kvemo Orozmani, Georgia August 15, 2025. REUTERS/Irakli Gedenidze
An archaeologist works at the excavation site where a presumably dated 1.8-million-year-old lower jawbone belonging to an early species of human was found, in the village of Kvemo Orozmani, Georgia August 15, 2025. REUTERS/Irakli Gedenidze

Archaeologists in Georgia have unearthed a 1.8-million-year-old jawbone belonging to an early species of human that they say will shed light on some of the earliest prehistoric human settlements on the Eurasian continent.

The Georgian site at Orozmani - smaller than two parking spaces but rich in history - has brought to light the oldest remains of early humans yet excavated outside Africa and offers clues to the patterns of Homo erectus, a hunter-gatherer species that scientists believe started migrating around two million years ago.

"The study of the early human and fossil animal remains from Orozmani will allow us to determine the lifestyle of the first colonizers of Eurasia," said Giorgi Bidzinashvili, a professor of stone age archaeology at Ilia State University in Tbilisi.

"We think Orozmani can give us big information about humankind."

The lower jawbone was found around 100 km (62 miles) southwest of the Georgian capital of Tbilisi, where archaeologists in 2022 excavated a tooth from early humans of the same era. In the nearby village of Dmanisi, 1.8-million-year-old human skulls have previously been found.

In this latest discovery, archaeologists also found fossils from animals including a saber-toothed tiger, elephant, wolf, deer and giraffe, as well as a cache of stone tools.

Close study of the jawbone and the animal fossils can yield crucial answers about how early humans evolved after they left Africa, including what they ate and what the climate was like, scientists say.

At the Orozmani excavation site, archaeologists discover new remains of Homo erectus every year.

"My second day (on the dig) I found a nice little ankle bone," said Miles Alexandre, a recent anthropology graduate from the University of Rhode Island in the US.

"You go down five centimeters...there's a good chance you're going to find something."



Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
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Hira Cultural District Hosts Symposium on Arabic Language and Identity

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)
The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café. (SPA)

The Hira Cultural District in Makkah organized a literary symposium on Friday at Hira Café, where scholars, writers, and language enthusiasts gathered to discuss the importance of the Arabic language. the Saudi Press Agency reported.

The event highlighted Arabic not only as a means of communication, but as a fundamental pillar of cultural identity and a vital source of knowledge, deeply connected to history, heritage, and intellectual traditions.

Discussions highlighted the necessity of preserving linguistic integrity against contemporary challenges and the responsibility of cultural institutions in promoting standard Arabic.

Participants emphasized that language remains a fundamental element in building national identity and consolidating cultural values.

This symposium is part of a broader series of initiatives by the Hira Cultural District to enrich Makkah’s cultural and intellectual landscape.


Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)
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Saudi Ministry Launches ‘Cultural Experiences’ Program to Promote Local Arts and Heritage

Riyadh, Saudi Arabia (Reuters)
Riyadh, Saudi Arabia (Reuters)

The Saudi Ministry of Culture unveiled the “Cultural Experiences” program to raise awareness of local culture and arts through interactive public experiences.

The initiative targets all segments of society and offers activities that enable participants to explore Saudi heritage and traditional arts in engaging ways, the Saudi Press Agency said on Thursday.

In its first phase, the program will feature two main trails.

The first, “Cooking Experiences,” will be held in April at the Hotel and Tourism Management Institute (HTMi Saudi Arabia) in Riyadh, Al-Baha, and Jazan.

It showcases Saudi cuisine through hands-on sessions where participants learn to prepare traditional dishes under the guidance of professional chefs.

Participants will explore the stories, ingredients, and cultural significance of these dishes, strengthening their connection to local culinary heritage.

The second trail focuses on handicraft experiences. It highlights traditional crafts through interactive workshops led by skilled artisans.

Participants will learn various handicraft techniques and create artistic pieces, promoting appreciation of crafts, and their role in preserving cultural identity.

The program will be rolled out in multiple phases. Experiences will be announced through the ministry’s official platforms and the hosting platform “Webook,” where participants can view schedules and register.

Registered participants will receive confirmation messages with details of the experience, including location, timing, and attendance requirements.


Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
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Picasso’s ‘Guernica’ at Heart of Battle in Spain Over Location

A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)
A visitor looks at Spanish painter Pablo Picasso's master piece "Guernica" during a press conference presenting the "Year of Picasso" events, marking the 50th anniversary of the painter's death, at the Reina Sofia museum in Madrid, on September 12, 2022. (Thomas Coex/ AFP)

Pablo Picasso's anti-war masterpiece "Guernica" is swept up in a conflict in Spain, where Basque leaders want the government in Madrid to move the painting to their region, whose 1937 bombing inspired it.

The mural-sized painting has been on display since 1992 at the Reina Sofia museum in the Spanish capital, and repeated requests for it to be moved to Spain's Basque Country have been refused.

The latest demand was made by the head of the regional Basque government, Imanol Pradales, during talks with Socialist Prime Minister Pedro Sanchez.

The Basque government wants the painting to be hung in the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the April 26, 1937, bombing, in which forces from Nazi Germany and Fascist Italy razed the town of Guernica to help General Francisco Franco in the Spanish Civil War.

Bringing the painting to Bilbao from October until June would be a form of "reparation and historical memory", the Basque government said.

Sanchez -- whose minority government depends on the support of two Basque parties in parliament to pass laws -- did not reject the proposal outright, instead referring it to the culture ministry.

The ministry asked the Reina Sofia museum for a technical report on the viability of the request, which once again "strongly advised" against moving the painting.

The report said the painting is too fragile to travel, citing risks of damage from vibration or movement.

Picasso's black-and-white masterpiece is the highlight of the Reina Sofia museum, which welcomed around 1.6 million visitors last year.

The outspoken head of the regional government of Madrid, Isabel Diaz Ayuso of the conservative Popular Party (PP), weighed in on Monday, calling the request to move the painting "provincial".

"It makes no sense for everything to be returned to its origin. In that case we should send all of Picasso's works to Malaga," she said, a reference to the southern Spanish city where Picasso was born.

- Return from New York -

Asked about the controversy on Tuesday, Spain's central government spokeswoman Elma Saiz said the government relies on the advice of "professionals", referring to the museum report, and "never resorts to insults".

Painted in 1937 in the aftermath of the bombing, "Guernica" debuted in Paris at the World's Fair, then was placed in the care of the Museum of Modern Art in New York.

When Franco's forces overthrew the Spanish republic, Picasso stipulated that the painting should not return to Spain until democracy had been restored.

The work was moved to Spain in 1981, six years after Franco's death.

It was first displayed at the Prado museum, then moved to the Reina Sofia in 1992.

Picasso, who died in 1973, never lived to see the painting on exhibit in Spain.

In 1995, Spanish authorities refused to lend it to the Pompidou Center in Paris, citing the damage the work could suffer during its transport.