How Millennia of History Vanished in Sudan’s War 

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
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How Millennia of History Vanished in Sudan’s War 

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)

In the scorched courtyard of Sudan's National Museum in Khartoum, a towering black granite statue of Kush Pharaoh Taharqa now stands alone, surrounded by shards of broken glass and shattered stone.

Since the museum was looted in the early days of Sudan's war between the army and paramilitaries in April 2023, thousands of priceless antiquities, many dating back to the 3,000-year-old Kingdom of Kush, have vanished.

Officials believe that some have been smuggled across borders into Egypt, Chad and South Sudan, but there is no trace of the vast majority of the pieces.

"Only the large, heavy objects that couldn't be carried off were left behind," said Rawda Idris, a public prosecutor and member of Sudan's Committee for the Protection of Museums and Archeological Sites.

At its height, the museum housed over half a million artifacts spanning 7,000 years of African history that, according to former antiquities director Hatim al-Nour, "shaped the deep history of Sudanese identity".

Colossal statues of Kushite war deities now stand sentinel over the neglected grounds, beneath a ceiling bearing the blackened scars of shelling.

The rest of the museum's precious contents have disappeared, the vast majority seemingly without a trace.

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from the RSF the previous month. (AFP)

- 'War crime' -

Central Khartoum, where the museum stands along with Sudan's main state institutions, was a battlefield from April 2023, when the paramilitary Rapid Support Forces (RSF) swept through town.

It was only after the army recaptured the capital in March that Sudan's antiquities officials returned for the first time to find their precious museum in ruins.

The worst blow, they say, was the loss of its famed "Gold Room", which had housed solid-gold royal jewellery, figurines and ceremonial objects.

"Everything in that room was stolen," said Ikhlas Abdel Latif, director of museums at the Sudanese antiquities authority.

According to her, the artifacts were transported in large trucks, through Khartoum's twin city of Omdurman, westwards to the RSF stronghold region of Darfur, before some emerged across the South Sudanese border.

The bulk of the stolen artifacts were from the Kingdom of Kush, a Nubian civilization that once rivalled ancient Egypt in wealth, power and influence.

Its legacy -- preserved in artifacts sculpted from stone and bronze and adorned with gemstones -- has now been gutted, one of countless victims of Sudan's war between rival generals.

The conflict between army chief Abdel Fattah al-Burhan and his former deputy, RSF commander Mohamed Hamdan Daglo, has killed tens of thousands and created the world's largest hunger and displacement crises.

Army-aligned government officials accuse RSF fighters of looting the National Museum and other heritage sites, calling their destruction of artifacts a "war crime" -- an accusation the paramilitary group denies.

- Black market offers -

In September last year, UNESCO issued a global alert, urging museums, collectors and auction houses to "refrain from acquiring or taking part in the import, export or transfer of ownership of cultural property from Sudan".

An official at Sudan's antiquities authority told AFP that Sudan is working with neighboring countries to track stolen items.

Interpol also confirmed to AFP it is involved in efforts to locate the missing artifacts, but declined to provide further details.

Last spring, "a group of foreigners were arrested" in Sudan's northern River Nile state with antiquities in their possession, said Idris, the public prosecutor.

Two sources at the antiquities authority said another group had communicated with the Sudanese government from Egypt, offering to return looted antiquities in exchange for money. It remains unclear how the government responded to the offer.

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from the RSF the previous month. (AFP)

Kushite funerary statues are particularly sought after on the black market because they are "beautiful, small and portable", Abdel Latif says.

But specialists have so far been unable to trace them or the contents of the Gold Room anywhere.

According to Abdel Latif, sales are mostly happening in tightknit smuggling circles behind closed doors.

- $110 million and counting -

The National Museum in Khartoum is by no means the only cultural casualty of the Sudan war.

The scale of losses wrought upon it "can't make us forget the destruction of all the other museums, no less important" as repositories of Sudanese heritage, Nour, the former antiquities director, told AFP.

More than 20 museums across Sudan have been looted or destroyed, according to officials, who estimate the total value of the losses to be around $110 million so far.

In Omdurman, the Khalifa House Museum stands battered and bruised, its walls pocked with bullet holes and the jagged lesions of artillery fire.

The seat of power in 18th-century Sudan, the building now houses broken glass and splintered relics, its collections smashed to bits.

In Darfur, the besieged city of El-Fasher's Ali Dinar Museum, the largest in the western region, has reportedly been destroyed by fighting.

In South Darfur state capital Nyala, a local source said the city's museum has become impossible to access.

"The area is now completely destroyed," said the source. "Only RSF fighters can move there."

Abdel Latif said the museum, renovated after years of closure, "has now become a military base".



Archaeologists Find Huge Viking Textile Production Site in Denmark

 Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
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Archaeologists Find Huge Viking Textile Production Site in Denmark

 Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)

Archaeologists have discovered a huge Viking Age textile production site in Denmark that dates back more than 1,000 years and underlines the sophistication of Viking society.

Experts from the Moesgaard Museum said this week that the sprawling 100,000-square-meter (more than 1 million-square-foot) site features an area for processing flax as well as more than 80 pit houses — semi-submerged huts that were used as workshops and dwellings in Viking times.

It's located in Søften, 10 kilometers (6 miles) north of Denmark’s second-largest city, Aarhus, on the Jutland peninsula. The site dates back to the late Iron Age and early Viking Age, sometime between A.D. 600 and 950.

Archaeologist Liv Stidsing Reher-Langberg, who led the 10-month dig, said that “we have a clear focus on textile production, which makes this settlement different from other kinds of settlements of this period.”

“We have spindle whorls, we have weight looms; that tells us about what has been going on in the pit houses,” said Reher-Langberg, adding that archaeologists had also discovered silver coins, glass beads and pottery.

Experts found separate areas for production and crafts, plus a single residential home, which suggests work was overseen by a powerful individual with control over resources and production.

Reher-Langberg said that, over the last three decades, people with metal detectors had unearthed several silver coins in the area. A trial excavation 1½ years ago, before the start of construction work on a new road and industrial area, then piqued archaeologists’ interest.

“We could see in the trenches that it just keeps on going, with these houses and pit houses and textile production features,” Reher-Langberg said.

Moesgaard Museum historian Kasper Andersen said that the discovery at Søften is “another piece in the puzzle” to understanding the local economic, cultural and political structure at the time.

During the Viking era, Aarhus — then known as Aros — functioned as a center for royalty and international trade. And last year, archaeologists discovered another Viking site in Lisbjerg, just 4 kilometers (2½ miles) away, that was likely home to members of the nobility.

Goods and resources were likely brought from the countryside and settlements like Søften, before entering an extensive international trade network, Andersen said.

“When you have a production site of this scale, it cannot be only because of the local area. It needs to be understood as part of a greater network, a much bigger international perspective,” Andersen said.

Reher-Langberg hopes future carbon dating and pollen analysis might answer some lingering questions, for instance about what kind of textile production went on at the site.

During the Viking Age, considered to run from A.D. 793 to 1066, Norsemen known as Vikings undertook large-scale raids, colonization, conquest and trade throughout Europe, even reaching North America.

Andersen said that the discovery at Søften shows that Vikings were “not just simple, uncivilized, barbaric hordes, rambling about Europe.”

“To have a place like Søften, you need a very well-organized society with a production line, and you also need a market to have the production,” he said. “The textiles from Søften go into a market that’s much bigger than just the local area.”


Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
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Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)

Saudi Ambassador to Lebanon Fahd Al-Dosari visited on Monday the Ameen Rihani Museum in the town of Freike in Matn District, reported the Saudi Press Agency.

The ambassador was received by members of the Rihani family, led by the museum's curator, Ameen Albert Rihani, who welcomed him and praised the historic relations between Saudi Arabia and Lebanon.

They recalled the historic meeting between King Abdulaziz bin Abdulrahman Al Saud and Lebanese writer and historian Ameen Rihani in 1922.

During the visit, Al-Dosari toured the museum's historical and literary sections and viewed the exhibition marking the centenary of the book “Rihaniyyat”.


On World Camel Day, Saudi Arabia’s AlUla Celebrates Camel Heritage and Reinforces Its Cultural Identity

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
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On World Camel Day, Saudi Arabia’s AlUla Celebrates Camel Heritage and Reinforces Its Cultural Identity

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)

World Camel Day, observed annually on June 22, serves as a global occasion to reflect on the enduring relationship between humans and camels throughout history.

The day highlights camels' economic contributions, their role in supporting food security and sustainable development, and their cultural significance, which extends beyond geographical boundaries and has made them a deeply rooted symbol in the collective memory of peoples worldwide, reported the Saudi Press Agency on Monday.

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. This is reflected in the significant attention devoted to the sector through specialized initiatives and events, support for camel owners, and efforts to preserve and sustain this heritage as one of the Kingdom's most prominent cultural assets.

Across AlUla, rock art and inscriptions dating back thousands of years tell the story of the close relationship between humans and camels. (SPA)

Across AlUla, rock art and inscriptions dating back thousands of years tell the story of the close relationship between humans and camels. These animals contributed to the prosperity of trade routes, facilitated mobility, and supported the stability of successive communities.

Camels remain an essential part of AlUla's heritage and a testament to the deep connection between people and their environment since ancient times.

Today, camels in AlUla are more than witnesses to history. They are an integral part of the region's cultural and sporting landscape and a key element of the tourism experience offered by the land of civilizations.

Through a contemporary vision that combines the authenticity of history with the aspirations of the future, AlUla continues to showcase this rich heritage, ensuring that camels remain among the most enduring symbols in the story of people and place across generations.