Jane Austen Fans Step Back in Time to Celebrate the 250th Anniversary of the Beloved Author’s Birth 

Kate Lobb, a member of the Hampshire Regency Dancers and a tailor, shows a regency-era costume she made during a dance practice session of Hampshire Regency Dancers in Winchester, England, Sept. 10, 2025. (AP)
Kate Lobb, a member of the Hampshire Regency Dancers and a tailor, shows a regency-era costume she made during a dance practice session of Hampshire Regency Dancers in Winchester, England, Sept. 10, 2025. (AP)
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Jane Austen Fans Step Back in Time to Celebrate the 250th Anniversary of the Beloved Author’s Birth 

Kate Lobb, a member of the Hampshire Regency Dancers and a tailor, shows a regency-era costume she made during a dance practice session of Hampshire Regency Dancers in Winchester, England, Sept. 10, 2025. (AP)
Kate Lobb, a member of the Hampshire Regency Dancers and a tailor, shows a regency-era costume she made during a dance practice session of Hampshire Regency Dancers in Winchester, England, Sept. 10, 2025. (AP)

Ellie Potts goes dancing with her friends most weeks. They don’t put on the latest Taylor Swift or Ed Sheeran, though — they much prefer English country dances that were popular more than 200 years ago.

As the music starts, about two dozen men and women curtsy and bow, extend a gloved hand to their partner, before dancing in circles or skipping in elaborate patterns around each other.

Like many of her fellow Hampshire Regency Dancers, Potts is a devotee of Jane Austen and all things from the Regency period. Not only have they studied the books and watched all the screen adaptations — they also research the music, make their own period dresses, and immerse themselves in dances Austen and her characters would have enjoyed in centuries past.

“I’ve been interested in Jane Austen since I was about 8 or 9,” said Potts, 25. “I mainly joined (the dance group) so I can have balls and things to go to in my costumes, but I really got into it. I’ve been surprised how much I enjoy the dancing.”

There’s no shortage of grand costumed balls and historical dancing this year, which marks the 250th anniversary of Austen’s birth. This weekend, thousands of fans who call themselves “Janeites” are descending on the city of Bath for a 10-day festival celebrating the beloved author of “Pride and Prejudice” and “Sense and Sensibility.”

The highlight is a Regency costumed promenade on Saturday, where some 2,000 people in their finest bonnets, bows and costumes will parade through the streets of Bath. Organizers say the extravaganza holds the Guinness World Record for the “largest gathering of people dressed in Regency costumes.”

Fans descend from all over the world

Bonny Wise, from Indiana, is attending her sixth Jane Austen festival in Bath. This time she’s bringing four period dresses she made, and will lead a tour group of 25 Austen enthusiasts from all over the United States.

“I started planning a tour four years ago, when I realized this was a big year for Jane,” said Wise, 69. She credited the 1995 adaptation of “Sense and Sensibility” with sparking her obsession.

“That movie just opened up a whole new world for me,” she said. “You start with the books, the movies, then you start getting into the hats, the tea, the manners ... one thing just led to another.”

Wise said she loves the wit, humor and social observations in Austen’s books. She also finds the author’s own life story inspiring.

“I admire Jane and what she managed as a woman in that era, her perseverance and her process of becoming an author,” she said.

The Jane Austen Society of North America, the world’s largest organization devoted to the author, says it has seen a recent influx of younger fans, though most of its members — 5,000 to date — skew older.

“We’re growing all the time because Jane Austen is timeless,” said Mary Mintz, the group’s president. “We have members from Japan, India. They come from every continent except Antarctica.”

The Bridgerton effect

Many festival-goers will be making a pilgrimage to Steventon, the small village in rural Hampshire, southern England, where Austen was born in 1775.

The author lived in Bath, a fashionable spa town in the 18th and 19th centuries, for five years. Two of her novels, “Persuasion” and “Northanger Abbey,” feature scenes set in the World Heritage city.

Bath is also the filming location for parts of “Bridgerton,” Netflix’s wildly popular modern take on period drama based loosely on the Regency period, the decade when the future King George IV stood in as prince regent because his father was deemed unfit to rule due to mental illness.

Thanks to the show, Austen and Regency style — think romantic flowing gowns, elegant ballrooms and high society soirees — have become trendy for a new generation.

“I think Jane Austen is on the rise,” Potts said. “She’s definitely become more popular since ‘Bridgerton’.”

Stepping back in time together

In a church hall in Winchester, a few streets away from where Austen was buried, the Hampshire Regency Dancers gather weekly to practice for the many performances they’re staging this year in honor of the author.

The group selects dances that appear in screen adaptations of Austen’s novels, and members go to painstaking detail to ensure their costumes, down to the buttons and stitching, are authentic looking.

“We go to a lot of trouble to get things as close to the original as possible,” said Chris Oswald, a retired lawyer who now chairs the group. “For me it’s about getting a better understanding of what life was like then, and in the process of doing that getting a better understanding of Jane Austen herself.”

Oswald is passionate about his group’s showcases in Hampshire, or what he jokingly calls “Jane Austen land.”

“People get quite touched because they are walking where Jane Austen actually walked. They dance in a room that Jane Austen danced in,” he said. “For people who are very into Jane Austen, that’s extremely special.”

Many “Janeites” say they get huge enjoyment in making Austen's words and imageries come to life in a community of like-minded people.

Lisa Timbs, a pianist who researches the music in Austen’s life and performs it on an antique pianoforte, puts it succinctly: She and her Regency friends are “stepping back in time together.”

“I think it’s an escape for a lot of people,” Timbs added. “Perhaps it's to escape the speed, noise and abrasiveness of the era in which we find ourselves, and a longing to return to the elegance and indulgent pleasures of what was really a very fleeting period in history.”



French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.


Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA
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Red Sea Museum Signs Cooperation Agreement to Support Artisans and Designers

The cooperation agreement aims to support local and regional artisans and designers. SPA
The cooperation agreement aims to support local and regional artisans and designers. SPA

Saudi Arabia’s Museums Commission announced the signing of a cooperation agreement between the Red Sea Museum and Ahmed Angawi Studio to launch the "Made in the Red Sea" initiative at the Red Sea Museum in the heart of Historic Jeddah, aiming to support local and regional artisans and designers.

The initiative aims to preserve traditional skills and develop contemporary products inspired by the rich heritage, traditions and the tangible and intangible culture of the Red Sea region, for sale at the museum gift shop.

It builds on the momentum of the Saudi Ministry of Culture's Year of Handicrafts 2025 initiative launched to reinforce pride in national identity and support artisans, as one of the goals of the National Culture Strategy.

The partnership includes content development, the delivery of workshops and the selection of participating artists and artisans, in addition to promoting the "Made in the Red Sea" initiative and overseeing specialized workshops in traditional wood designs inspired by the historic Bab Al Bunt building, which now houses the Red Sea Museum. These efforts contribute to a contemporary reinterpretation of its architectural elements.