Iraq's Yazidis Rediscover Lost History through Photos Found in a Museum Archive

University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
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Iraq's Yazidis Rediscover Lost History through Photos Found in a Museum Archive

University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)

Archeologists studying ancient civilizations in northern Iraq during the 1930s also befriended the nearby Yazidi community, documenting their daily lives in photographs that were rediscovered after the ISIS terrorist group devastated the tiny religious minority.

The black-and-white images ended up scattered among the 2,000 or so photographs from the excavation kept at the University of Pennsylvania Museum of Archaeology and Anthropology, which led the ambitious dig, The AP news reported.

One photo — a Yazidi shrine — caught the eye of Penn doctoral student Marc Marin Webb in 2022, nearly a decade after it was destroyed by ISIS extremists plundering the region. Webb and others began scouring museum files and gathered almost 300 photos to create a visual archive of the Yazidi people, one of Iraq's oldest religious minorities.

The systematic attacks, which the United Nations called a genocide, killed thousands of Yazidis and sent thousands more into exile or sexual slavery. It also destroyed much of their built heritage and cultural history, and the small community has since become splintered around the world.

Ansam Basher, now a teacher in England, was overwhelmed with emotion when she saw the photos, particularly a batch from her grandparents' wedding day in the early 1930s.

“No one would imagine that a person my age would lose their history because of the ISIS attack,” said the 43-year-old, using an acronym for the extremist group. Basher's grandfather lived with her family while she was growing up in Bashiqa, a town outside Mosul. The city fell to ISIS in 2014.

“My albums, my childhood photos, all videos, my two brothers' wedding videos (and) photos, disappeared. And now to see that my grandfather and great-grandfather’s photo all of a sudden just come to life again, this is something I'm really happy about,” she said. “Everybody is.”

A cache of cultural memory The archive documents Yazidi people, places and traditions that ISIS sought to erase. Marin Webb is working with Nathaniel Brunt, a Toronto documentarian, to share it with the community, both through exhibits in the region and in digital form with the Yazidi diaspora.

“When they came to Sinjar, they went around and destroyed all the religious and heritage sites, so these photographs in themselves present a very strong resistance against that act of destruction,” said Brunt, a postdoctoral student at the University of Victoria Libraries. The city of Sinjar is the ancestral homeland of the Yazidis near the Syrian border.

The first exhibits took place in the region in April, when Yazidis gather to celebrate the New Year. Some were held outdoors in the very areas the photos documented nearly a century earlier.

“(It) was perceived as a beautiful way to bring memory back, a memory that was directly threatened through the ethnic cleansing campaign,” Marin Webb said.

Basher’s brother was visiting their hometown from Germany when he saw the exhibit and recognized his grandparents. That helped the researchers fill in some blanks.

The wedding photos show an elaborately dressed bride as she stands anxiously in the doorway of her home, proceeds with her dowry to her husband’s village, and finally enters his family home as a crowd looks on.

“I see my sister in black and white,” said Basher, noting the similar green eyes and skin tone her sister shares with their grandmother, Naama Sulayman.

Her grandfather, Bashir Sadiq Rashid al-Rashidani, came from a prominent family and often hosted the Penn archaeology crews at his cafe. He and his brother, like other local men, also worked on the excavations, prompting him to invite the westerners to his wedding. They in turn took the photos and even lent the couple a car for the occasion, the family said.

Some of the photos were taken by Ephraim Avigdor Speiser, the Penn Museum archaeologist who led excavations at two ancient Mesopotamian sites in the area, Tepe Gawra and Tell Billa.

“My grandfather used to talk a lot about that time,” said Basher, who uses a different spelling of the family surname than other relatives.

Her father, Mohsin Bashir Sadiq, 77, a retired teacher now living in Cologne, Germany, believes the wedding was the first time anyone in the town used a car, which he described as a 1927 model. It can be seen at the back of the wedding procession.

Basher has shared the photos on social media to educate people about her homeland.

“The idea or the picture they have in their mind about Iraq is so different from the reality, ” she said. “We’ve been suffering a lot, but we still have some history.”

Found photos, history awakened Other photos in the collection show people at home, at work, at religious gatherings.

To Marin Webb, an architect from Barcelona, they show the Yazidis as they lived, instead of equating them with the violence they later endured. Locals who saw the exhibit told him it “shows the world that we’re also people.”

Basher is grateful the photos remained safe — if largely out of sight — at the museum all this time. Alessandro Pezzati, the museum's senior archivist, was one of several people who helped Marin Webb comb through the files to identify them.

“A lot of these collections are sleeping until they get woken up by people like him,” Pezzati said.



Saudi Arabia Participates in Cairo International Book Fair 2026

Saudi Arabia Participates in Cairo International Book Fair 2026
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Saudi Arabia Participates in Cairo International Book Fair 2026

Saudi Arabia Participates in Cairo International Book Fair 2026

The Literature, Publishing and Translation Commission will lead the Kingdom’s participation in the 57th edition of the Cairo International Book Fair 2026 taking place from January 21 until February 3.

CEO of the Literature, Publishing and Translation Commission Abdullatif Alwasel stated that this participation is an extension of the commission’s ongoing efforts to enhance the Kingdom’s cultural and literary presence at the regional and international levels and to introduce Saudi cultural heritage, while underscoring the Kingdom’s role in leading the global cultural landscape.

He noted that the commission has mobilized its capabilities to support the participation of Saudi publishing houses in book fairs both within and outside the Kingdom, while also working to attract international publishers to participate in Saudi book fairs by building new partnerships and strengthening channels of cultural cooperation.

The Kingdom’s participation in the fair, which is organized by the General Egyptian Book Organization, aims to strengthen cultural relations and knowledge exchange between the Kingdom and Egypt, enhance cooperation in the fields of literature, publishing, and translation, support and promote Saudi publishing houses and literary agencies internationally, and raise awareness of Saudi cultural heritage in global forums.


Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
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Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)

French investigators remain determined to find the imperial jewels stolen from the Louvre in October, a prosecutor has told AFP.

Police believe they have arrested all four thieves who carried out the brazen October 19 robbery, making off with jewelry worth an estimated $102 million from the world-famous museum.

"The interrogations have not produced any new investigative elements," top Paris prosecutor Laure Beccuau said this week, three months after the broad-daylight heist.

But the case remains a top priority, she underlined.

"Our main objective is still to recover the jewelry," she said.

That Sunday morning in October, thieves parked a mover's truck with an extendable ladder below the Louvre's Apollo Gallery housing the French crown jewels.

Two of the thieves climbed up the ladder, broke a window and used angle grinders to cut glass display booths containing the treasures, while the other two waited below, investigators say.

The four then fled on high-powered motor scooters, dropping a diamond-and-emerald crown in their hurry.

But eight other items of jewelry -- including an emerald-and-diamond necklace that Napoleon I gave his second wife, Empress Marie-Louise -- remain at large.

Beccuau said investigators were keeping an open mind as to where the loot might be.

"We don't have any signals indicating that the jewelry is likely to have crossed the border," she said, though she added: "Anything is possible."

Detectives benefitted from contacts with "intermediaries in the art world, including internationally" as they pursued their probe.

"They have ways of receiving warning signals about networks of receivers of stolen goods, including abroad," Beccuau said.

As for anyone coming forward to hand over the jewels, that would be considered to be "active repentance, which could be taken into consideration" later during a trial, she said.

A fifth suspect, a 38-year-old woman who is the partner of one of the men, has been charged with being an accomplice but was released under judicial supervision pending a trial.

Investigators still had no idea if someone had ordered the theft.

"We refuse to have any preconceived notions about what might have led the individuals concerned to commit this theft," the prosecutor said.

But she said detectives and investigating magistrates were resolute.

"We haven't said our last word. It will take as long as it takes," she said.


Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)
Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)
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Desert X AlUla Unveils Acclaimed Lineup of Saudi and Global Artists in 2026 Edition

Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)
Mohammad AlFaraj's artwork at Desert X AlUla 2026 (Courtesy of Lance Gerber)

Arts AlUla has announced the lineup of Saudi and international artists participating in the fourth edition of Desert X AlUla, the international open-air art exhibition held in collaboration with Desert X.

 

Running from January 16 to February 28, the exhibition will feature an exceptional selection of specially commissioned artworks, ranging from large-scale installations and sound pieces that stretch across and beneath the desert landscape, to kinetic works and immersive interactive experiences.

 

The showcase reflects a deep connection to AlUla’s unique environment, its dramatic natural landscapes, and rich cultural heritage.

 

Desert X AlUla, the region’s first public art biennial, will feature 11 artists presenting diverse perspectives, materials, and artistic traditions in their large-scale works in its 2026 edition.

 

The program offers a delightful mix of performances and interactive family activities, alongside dedicated programs that blend sound, movement, storytelling, and play.

 

Also, the visitor pavilion will host a live music program curated in collaboration with AlUla Music Hub, creating moments where art, nature, and community converge in a shared experience shaped by rhythm and a strong sense of place.

 

Arts AlUla confirmed that Desert X AlUla 2026 will be open to the public.