Iraq's Yazidis Rediscover Lost History through Photos Found in a Museum Archive

University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
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Iraq's Yazidis Rediscover Lost History through Photos Found in a Museum Archive

University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)

Archeologists studying ancient civilizations in northern Iraq during the 1930s also befriended the nearby Yazidi community, documenting their daily lives in photographs that were rediscovered after the ISIS terrorist group devastated the tiny religious minority.

The black-and-white images ended up scattered among the 2,000 or so photographs from the excavation kept at the University of Pennsylvania Museum of Archaeology and Anthropology, which led the ambitious dig, The AP news reported.

One photo — a Yazidi shrine — caught the eye of Penn doctoral student Marc Marin Webb in 2022, nearly a decade after it was destroyed by ISIS extremists plundering the region. Webb and others began scouring museum files and gathered almost 300 photos to create a visual archive of the Yazidi people, one of Iraq's oldest religious minorities.

The systematic attacks, which the United Nations called a genocide, killed thousands of Yazidis and sent thousands more into exile or sexual slavery. It also destroyed much of their built heritage and cultural history, and the small community has since become splintered around the world.

Ansam Basher, now a teacher in England, was overwhelmed with emotion when she saw the photos, particularly a batch from her grandparents' wedding day in the early 1930s.

“No one would imagine that a person my age would lose their history because of the ISIS attack,” said the 43-year-old, using an acronym for the extremist group. Basher's grandfather lived with her family while she was growing up in Bashiqa, a town outside Mosul. The city fell to ISIS in 2014.

“My albums, my childhood photos, all videos, my two brothers' wedding videos (and) photos, disappeared. And now to see that my grandfather and great-grandfather’s photo all of a sudden just come to life again, this is something I'm really happy about,” she said. “Everybody is.”

A cache of cultural memory The archive documents Yazidi people, places and traditions that ISIS sought to erase. Marin Webb is working with Nathaniel Brunt, a Toronto documentarian, to share it with the community, both through exhibits in the region and in digital form with the Yazidi diaspora.

“When they came to Sinjar, they went around and destroyed all the religious and heritage sites, so these photographs in themselves present a very strong resistance against that act of destruction,” said Brunt, a postdoctoral student at the University of Victoria Libraries. The city of Sinjar is the ancestral homeland of the Yazidis near the Syrian border.

The first exhibits took place in the region in April, when Yazidis gather to celebrate the New Year. Some were held outdoors in the very areas the photos documented nearly a century earlier.

“(It) was perceived as a beautiful way to bring memory back, a memory that was directly threatened through the ethnic cleansing campaign,” Marin Webb said.

Basher’s brother was visiting their hometown from Germany when he saw the exhibit and recognized his grandparents. That helped the researchers fill in some blanks.

The wedding photos show an elaborately dressed bride as she stands anxiously in the doorway of her home, proceeds with her dowry to her husband’s village, and finally enters his family home as a crowd looks on.

“I see my sister in black and white,” said Basher, noting the similar green eyes and skin tone her sister shares with their grandmother, Naama Sulayman.

Her grandfather, Bashir Sadiq Rashid al-Rashidani, came from a prominent family and often hosted the Penn archaeology crews at his cafe. He and his brother, like other local men, also worked on the excavations, prompting him to invite the westerners to his wedding. They in turn took the photos and even lent the couple a car for the occasion, the family said.

Some of the photos were taken by Ephraim Avigdor Speiser, the Penn Museum archaeologist who led excavations at two ancient Mesopotamian sites in the area, Tepe Gawra and Tell Billa.

“My grandfather used to talk a lot about that time,” said Basher, who uses a different spelling of the family surname than other relatives.

Her father, Mohsin Bashir Sadiq, 77, a retired teacher now living in Cologne, Germany, believes the wedding was the first time anyone in the town used a car, which he described as a 1927 model. It can be seen at the back of the wedding procession.

Basher has shared the photos on social media to educate people about her homeland.

“The idea or the picture they have in their mind about Iraq is so different from the reality, ” she said. “We’ve been suffering a lot, but we still have some history.”

Found photos, history awakened Other photos in the collection show people at home, at work, at religious gatherings.

To Marin Webb, an architect from Barcelona, they show the Yazidis as they lived, instead of equating them with the violence they later endured. Locals who saw the exhibit told him it “shows the world that we’re also people.”

Basher is grateful the photos remained safe — if largely out of sight — at the museum all this time. Alessandro Pezzati, the museum's senior archivist, was one of several people who helped Marin Webb comb through the files to identify them.

“A lot of these collections are sleeping until they get woken up by people like him,” Pezzati said.



Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
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Mayor: Two Renoir Paintings Stolen in France Recovered

FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo
FILE PHOTO: A sign indicates the entrance of the Renoir Museum in Cagnes-sur-Mer, on the French Riviera, France, September 8, 2026. REUTERS/Manon Cruz/File Photo

Two paintings by French master Pierre-Auguste Renoir have been recovered a month after they were stolen from a museum in southern France, the town's mayor said Friday.

In September, thieves broke into the museum in Cagnes-sur-Mer and managed to escape with two works by the French impressionist painter, abandoning two others as they fled.

"These two paintings are not simply works of art. They are part of our city's history," said Bryan Masson, the mayor of Cagnes-sur-Mer.

"Knowing they have been recovered is an immense relief."

There has not yet been any statement from the police and Masson did not give any details regarding where the works were found or their condition.

The suspects cut through a fence to enter the museum's tree-lined grounds, smashed a window to get inside, and used an electric saw to cut through the frame mountings, Masson said at the time of the robbery in early September.

The theft took place in just a matter of minutes, shortly before 6:00 am (0400 GMT).
A source close to the probe told AFP earlier this week that police had arrested five people as part of the investigation.

According to Masson the museum alarm and police sirens forced the burglars -- which he described as "well equipped and well informed" about the museum -- to hurry.

They made off with a portrait titled "Madame Colonna Romano" and the depiction of a woman at a well called "Jeune femme au puits", his office said.

The paintings dropped during their escape include "Madame Pichon" and "Coco lisant", a portrait of Renoir's young son Claude reading.

The police said at the time of the robbery that it was clear that they were not first-time offenders, and that they had scoped out the premises before the crime.

The Renoir Museum lies a half-hour drive from the southern city of Nice, in Renoir's last home before he died aged 78 in 1919.

Its collection comprises nine paintings by Renoir, according to the museum.

It also includes several sculptures by him, as well as objects and furniture that belonged to the painter, such as his easel and wheelchair.

A spate of heists at French museums -- including at the Louvre -- has highlighted inadequate security in some cases and led to questions about whether criminal gangs see them as soft targets.

Crown jewelry valued at around $100 million was stolen in broad daylight from the Louvre in Paris last year.

The four suspected Louvre robbers have been arrested, but the jewels they are accused of grabbing in the seven-minute heist have still not been found.

Italian police in August said they had recovered paintings by Renoir, Cezanne and Matisse worth over $10.4 million that were stolen in a three-minute heist from a museum in March.
And earlier this week, a book featuring a cover made of bronze and designed by Spanish surrealist painter Salvador Dali was stolen from an art museum in central France.


PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
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PM: Anne Carson's Nobel Literature Prize 'a Proud Moment for Canada'

Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)
Canadian poet Anne Carson, winner of the 2026 Nobel Prize in Literature, performs her work "Antigonick" at the Moderna Museet art gallery in Stockholm, Sweden, May 8, 2015. (Pontus Lundahl/TT News Agency via AP)

Canadian poet Anne Carson winning the Nobel prize for literature is a "proud moment" for the country, Prime Minister Mark Carney said Thursday.

The 76-year-old's works feature "wit, imagination, and a style entirely her own," Carney said on X.

"She has brought ancient stories to new audiences and transformed the way we think about literature," he said, calling the award "an extraordinary achievement and a proud moment for Canada."

In a statement to AFP, Canadian novelist Margaret Atwood said Carson's work "has long been admired among poets of many countries."

"For new readers I would recommend 'The Beauty of the Husband' -- direct and visceral, funny and angry and sad - or 'Men in the Off Hours.' Delights await!" added Atwood, a longtime Nobel contender who was passed over in 2013 in favor of fellow Canadian Alice Munro.

A renowned classicist, Carson has taught at several prestigious Canadian and American universities, including McGill in Montreal. She joined McGill's Department of Classics in 1988 and left the university in 2002.

"This is a wonderfully deserved honor for Anne Carson, whose work has captivated readers around the world by bringing ancient voices into conversation with the present," Lisa Shapiro, McGill's dean of arts, was quoted as saying by The McGill Reporter.

"Her extraordinary talent, originality and intellectual depth have had a profound influence on contemporary literature. We are proud that McGill was her academic home for many years and delighted to see her remarkable contributions recognized on the world stage."

Outside the university in Montreal, Vicky Huang, a 24-year-old political science student, expressed pride.

"My friends and I love 'Eros the Bittersweet,' so this is such exciting news," she told AFP.

"Yeah, I mean, the fact that she's a Canadian woman working in high literature makes all of us really proud."


Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
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Red Sea Museum Opens 'Photographing Distance' Exhibition in Historic Jeddah

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA
The exhibition showcases photography and video installations documenting lighthouses across diverse global locations. SPA

The Red Sea Museum, operating under Saudi Arabia’s Museums Commission, inaugurated the "Photographing Distance" exhibition by Argentine artist Matilde Marín at its premises in Historic Jeddah, marking its Kingdom debut and running through December 31.

The exhibition showcases photography and video installations documenting lighthouses across diverse global locations, including Jeddah and Yanbu, exploring their role in maritime navigation, human memory, and the connection between people and place.

Based on the artist's "Pharus" project initiated in 2005, the artworks frame lighthouses beyond their navigational utility as enduring symbols of guidance and hope.

The opening ceremony featured a guided tour by the artist, as well as a discussion session and a musical performance.

Linking contemporary art with Red Sea maritime heritage, the event is accompanied by an ongoing public program offering film screenings, poetry evenings, creative photography workshops, and family activities such as lighthouse model-making.

The event forms part of the Museums Commission's initiatives to enrich the Kingdom's cultural landscape and foster creative dialogue by hosting international artistic experiences.