Iraq's Yazidis Rediscover Lost History through Photos Found in a Museum Archive

University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
TT

Iraq's Yazidis Rediscover Lost History through Photos Found in a Museum Archive

University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)
University of Victoria postdoctoral fellow Nathaniel Brunt views an image from a collection of photos of the Yazidi people in their northern Iraq homeland in the 1930s, during an interview at the Penn Museum Archives in Philadelphia, Aug. 27, 2025. (AP Photo/Matt Rourke)

Archeologists studying ancient civilizations in northern Iraq during the 1930s also befriended the nearby Yazidi community, documenting their daily lives in photographs that were rediscovered after the ISIS terrorist group devastated the tiny religious minority.

The black-and-white images ended up scattered among the 2,000 or so photographs from the excavation kept at the University of Pennsylvania Museum of Archaeology and Anthropology, which led the ambitious dig, The AP news reported.

One photo — a Yazidi shrine — caught the eye of Penn doctoral student Marc Marin Webb in 2022, nearly a decade after it was destroyed by ISIS extremists plundering the region. Webb and others began scouring museum files and gathered almost 300 photos to create a visual archive of the Yazidi people, one of Iraq's oldest religious minorities.

The systematic attacks, which the United Nations called a genocide, killed thousands of Yazidis and sent thousands more into exile or sexual slavery. It also destroyed much of their built heritage and cultural history, and the small community has since become splintered around the world.

Ansam Basher, now a teacher in England, was overwhelmed with emotion when she saw the photos, particularly a batch from her grandparents' wedding day in the early 1930s.

“No one would imagine that a person my age would lose their history because of the ISIS attack,” said the 43-year-old, using an acronym for the extremist group. Basher's grandfather lived with her family while she was growing up in Bashiqa, a town outside Mosul. The city fell to ISIS in 2014.

“My albums, my childhood photos, all videos, my two brothers' wedding videos (and) photos, disappeared. And now to see that my grandfather and great-grandfather’s photo all of a sudden just come to life again, this is something I'm really happy about,” she said. “Everybody is.”

A cache of cultural memory The archive documents Yazidi people, places and traditions that ISIS sought to erase. Marin Webb is working with Nathaniel Brunt, a Toronto documentarian, to share it with the community, both through exhibits in the region and in digital form with the Yazidi diaspora.

“When they came to Sinjar, they went around and destroyed all the religious and heritage sites, so these photographs in themselves present a very strong resistance against that act of destruction,” said Brunt, a postdoctoral student at the University of Victoria Libraries. The city of Sinjar is the ancestral homeland of the Yazidis near the Syrian border.

The first exhibits took place in the region in April, when Yazidis gather to celebrate the New Year. Some were held outdoors in the very areas the photos documented nearly a century earlier.

“(It) was perceived as a beautiful way to bring memory back, a memory that was directly threatened through the ethnic cleansing campaign,” Marin Webb said.

Basher’s brother was visiting their hometown from Germany when he saw the exhibit and recognized his grandparents. That helped the researchers fill in some blanks.

The wedding photos show an elaborately dressed bride as she stands anxiously in the doorway of her home, proceeds with her dowry to her husband’s village, and finally enters his family home as a crowd looks on.

“I see my sister in black and white,” said Basher, noting the similar green eyes and skin tone her sister shares with their grandmother, Naama Sulayman.

Her grandfather, Bashir Sadiq Rashid al-Rashidani, came from a prominent family and often hosted the Penn archaeology crews at his cafe. He and his brother, like other local men, also worked on the excavations, prompting him to invite the westerners to his wedding. They in turn took the photos and even lent the couple a car for the occasion, the family said.

Some of the photos were taken by Ephraim Avigdor Speiser, the Penn Museum archaeologist who led excavations at two ancient Mesopotamian sites in the area, Tepe Gawra and Tell Billa.

“My grandfather used to talk a lot about that time,” said Basher, who uses a different spelling of the family surname than other relatives.

Her father, Mohsin Bashir Sadiq, 77, a retired teacher now living in Cologne, Germany, believes the wedding was the first time anyone in the town used a car, which he described as a 1927 model. It can be seen at the back of the wedding procession.

Basher has shared the photos on social media to educate people about her homeland.

“The idea or the picture they have in their mind about Iraq is so different from the reality, ” she said. “We’ve been suffering a lot, but we still have some history.”

Found photos, history awakened Other photos in the collection show people at home, at work, at religious gatherings.

To Marin Webb, an architect from Barcelona, they show the Yazidis as they lived, instead of equating them with the violence they later endured. Locals who saw the exhibit told him it “shows the world that we’re also people.”

Basher is grateful the photos remained safe — if largely out of sight — at the museum all this time. Alessandro Pezzati, the museum's senior archivist, was one of several people who helped Marin Webb comb through the files to identify them.

“A lot of these collections are sleeping until they get woken up by people like him,” Pezzati said.



King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
TT

King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA

The King Salman Global Academy for Arabic Language (KSGAAL), in partnership with the Arab League Educational, Cultural and Scientific Organization (ALECSO), launched the Unified Arabic Terminology Dictionary platform during the 28th regular session of the ALECSO General Conference, held in Muscat, Oman.

The session saw the adoption of resolutions concerning two projects submitted by Saudi Arabia and implemented by the academy in cooperation with ALECSO and in coordination with the Saudi National Commission for Education, Culture and Science.

The launch coincides with Saudi Arabia’s presidency of the ALECSO Executive Council and comes within the framework of a memorandum of understanding (MoU) signed to strengthen joint Arab action and develop linguistic, knowledge-based, and digital resources, according to SPA.

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures, which has made it difficult to search their contents collectively or link them to digital applications. To address this, data from these dictionaries has been restructured in accordance with international standards, enabling instant searches across all their contents through a single interface. Application programming interfaces (APIs) have also been developed to connect the unified dictionary with external systems.

The conference also adopted the “Language Policy System in Arab Countries” project, which is intended to serve as an Arab reference supporting research, planning, and linguistic policymaking. The project includes data, studies, and reports documenting the state of linguistic policies in Arab countries and analyzing their impact.

The ALECSO General Conference commended Saudi Arabia’s efforts to serve the Arabic language and strengthen its regional and international presence. It also praised KSGAAL’s contributions to developing linguistic policies, indicators, and standards; building databases, corpora, dictionaries, and Arabic language processing tools; and harnessing scientific and technological capabilities to support joint projects.

The conference also commended Saudi Arabia, represented by KSGAAL, for implementing the two projects and supporting joint Arab efforts in the field of Arabic language. It called on linguistic, scientific, and academic institutions in Arab countries to benefit from the projects’ outcomes, contribute to enriching their content, update their data, and strengthen cooperation with the academy in related fields.

The launch of the platform and the adoption of the two project decisions mark a continuation of KSGAAL’s efforts to build strategic partnerships, develop digital language solutions, and strengthen integration among institutions concerned with the Arabic language. These efforts reinforce Saudi Arabia’s contribution to supporting joint Arab initiatives and providing scientific and knowledge-based references that serve the Arabic language and keep pace with its development.


India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
TT

India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)

India's cabinet approved on Wednesday a mega-museum showcasing the country's history and civilization, which the government said will cost around $340 million and have the largest display area in the world.

First announced in 2023, the project received approval as Prime Minister Narendra Modi's Hindu nationalist government renewed its emphasis on the country's pre-colonial cultural identity.

The museum's name, Yuge Yugeen Bharat, translates roughly as "India through the ages" and invokes the country's ancient Sanskrit name, Bharat.

It will occupy former civil service offices in New Delhi, known as North and South Blocks, which were designed by British architects Edwin Lutyens and Herbert Baker in the 1920s.

In a statement, the cabinet said the museum will be "spread over a proposed built-up area of approximately 178,509 square meters".

"Benchmarked against major international museums, Yuge Yugeen Bharat Museum is going to be the museum (with) the largest display area in the world," it added.

India's cabinet said the Yuge Yugeen Bharat is "envisaged as a landmark civilizational museum showcasing the continuity, diversity and richness of Bharat's (India's) civilizational heritage".

The first gallery is expected to open to the public by the end of 2027, with project completion scheduled for financial year 2030-31.

Modi came to national power in May 2014, and has since taken multiple steps to glorify the country's heritage and culture.

His government built the world's tallest statue, a 182-meter (597-foot) monument to Vallabhbhai Patel, for his role in bringing princely states into India.

Modi also backed the revamp of New Delhi's historic administrative district in his second term and moved lawmakers to a new parliament building in 2023.

"The Museum is envisaged as a national public cultural institution... it will provide opportunities for learning, research, cultural engagement and appreciation of India's civilizational heritage," the government statement said on Wednesday.

Around 1.8 million objects have been identified from national and state museums, archaeological collections and private holdings for potential display.

The museum is designed to accommodate up to 10 million visitors a year.


The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
TT

The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)

For years, millions of people have marveled at Rembrandt's use of light and shadows to depict the militia in his masterpiece, the "Night Watch".

Little did they know they were also looking at a hidden world of characters, some of them from as far away as Japan.

A new exhibition, "The Night Watch Lives," lifts the veil on this clandestine universe: the microbes covering one of the most famous works of the Dutch Golden Age paintings.

A joint effort by Rijksmuseum, where "The Night Watch" hangs and Amsterdam's Artis-Micropia Museum (more commonly known as the city's "microbe zoo") reveals the microscopic world covering the iconic painting.

The bacteria, isolated from samples taken over six months at around sixty different spots on the painting and subsequently cultivated into colonies, are displayed in Petri dishes alongside a life-size reproduction of the painting at the Artis-Micropia museum.

"We found a lot of microbes that are very commonly found, for instance, on human skin, or in the soil," Eline van Bloois, a microbiologist at the museum, told AFP.

The microbes are not harmful to the painting itself, van Bloois said, and it was impossible to determine if some of them could be a remnant from the great master himself.

"It would be really cool, right? If they could be linked to Rembrandt. But unfortunately, from one microbe, you cannot say whether it's been on there for 400 years or for a day," she said.

- 'Beauty of science' -

One of the most surprising findings was Microbacterium saccharophilum, a bacteria commonly found at a Japanese sugar refinery. It was found in an area where the varnish had been removed.

"That's something that will keep me up for years," van Bloois said.

"That's the beauty of science, because you ask one question, and you get 100 questions in return."

"As a microbiologist, I never imagined I would have the chance to get so close to this masterpiece," she said.

"Art and science are often seen as being at opposite ends of the spectrum, but this installation shows how closely these worlds are connected."

"And surely these Petri dishes full of microbes are little works of art in their own right?"

The idea behind the exhibit was to spark people's curiosity about microbes, the life teeming all around humans.

It's part of "Operation Night Watch," a large-scale research and restoration project on the painting, which has been ongoing since 2019, in a specially designed glass chamber at the Rijksmuseum.

The exhibition will be open to the public from November 11.