Beyond Unification: The Cultural and Intellectual Legacy of King Abdulaziz 

King Abdulaziz's reign saw a significant expansion in printing and publishing. (SPA)
King Abdulaziz's reign saw a significant expansion in printing and publishing. (SPA)
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Beyond Unification: The Cultural and Intellectual Legacy of King Abdulaziz 

King Abdulaziz's reign saw a significant expansion in printing and publishing. (SPA)
King Abdulaziz's reign saw a significant expansion in printing and publishing. (SPA)

King Abdulaziz bin Abdulrahman Al Saud was a leader who deeply valued science and culture. Even while preoccupied with unifying the nation, he understood that Saudi Arabia’s future depended on an educated and aware generation.

He encouraged the youth to pursue knowledge and instilled in them the importance of combining learning with action to build their nation, reported the Saudi Press Agency on Tuesday on the occasion of Saudi Arabia’s 95th National Day.

His vision is captured in the words of Custodian of the Two Holy Mosques King Salman bin Abdulaziz Al Saud, who said: "King Abdulaziz's history goes beyond his well-known struggles and achievements in unifying and building the Kingdom, as it also highlights many aspects of his humane personality."

In a speech to students in 1931, King Abdulaziz emphasized that knowledge without action is like a "tree without fruit," encouraging them to take pride in their work and strive for excellence, regardless of their background.

One of the clearest examples of King Abdulaziz's intellectual curiosity was his passion for reading and collecting books. His personal library, a testament to his dedication, contained over 3,000 books, including rare volumes. He was particularly fond of reading Arabic and Islamic law books, many of which he had printed at his own expense and distributed freely to libraries.

His leadership in spreading knowledge was further demonstrated through the scholarly gatherings he hosted in his palace after each Hajj season. These sessions, attended by scholars and dignitaries, were forums for learning and advancing religious and cultural awareness.

King Abdulaziz's reign saw a significant expansion in printing and publishing. He issued two regulations for publications in 1928 and 1939 and ordered the exemption of printing press imports from customs duties to encourage the industry.

The establishment of the Umm Al-Qura government press in Makkah was a pivotal moment. It became the central hub for printing government publications, official newspapers, and school curricula. The press's work is considered the foundation of the intellectual renaissance in the Kingdom. During his reign, approximately 100 books were printed and disseminated, with over 100,000 copies distributed, some in languages other than Arabic.



Saudi Pavilion Inaugurated at Moscow International Book Fair 2026

A visitor at the Saudi pavilion at the Moscow International Book Fair 2026. (SPA)
A visitor at the Saudi pavilion at the Moscow International Book Fair 2026. (SPA)
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Saudi Pavilion Inaugurated at Moscow International Book Fair 2026

A visitor at the Saudi pavilion at the Moscow International Book Fair 2026. (SPA)
A visitor at the Saudi pavilion at the Moscow International Book Fair 2026. (SPA)

Saudi Arabia’s Literature, Publishing, and Translation Commission today inaugurated the Saudi pavilion participating in the Moscow International Book Fair 2026, running from September 2 to 6.

The Saudi pavilion brings together various government entities and cultural organizations to highlight the Kingdom’s cultural scene.

The commission has prepared an accompanying cultural program featuring a series of dialogue sessions and poetry evenings, with the participation of a distinguished group of Saudi writers and intellectuals.

The program addresses issues related to literature, publishing, and translation, while highlighting Saudi cultural achievements and their impact on the international cultural sphere.


Ministry of Culture Participates in LEAP 2026

Ministry of Culture Participates in LEAP 2026
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Ministry of Culture Participates in LEAP 2026

Ministry of Culture Participates in LEAP 2026

The Ministry of Culture is participating in LEAP 2026 in Malham, north of Riyadh, with an interactive pavilion showcasing the convergence of cultural heritage and technological innovation.

The ministry is presenting 14 technologies and interactive experiences that integrate artificial intelligence, cultural content, digital interaction, and interactive media, offering visitors immersive and engaging ways to explore Saudi culture through cutting-edge technology, SPA reported.

The participation is part of the ministry's efforts to advance the digital transformation of the cultural sector and strengthen the Kingdom's position as a global hub for cultural creativity.

It also reflects its commitment to harnessing emerging technologies to highlight and promote Saudi culture.


Boat Builders Keep Pakistan’s Fishing Heritage Afloat

This photograph taken on July 8, 2026 shows traditional wooden boats at a yard in Ibrahim Hyderi in Karachi. (AFP)
This photograph taken on July 8, 2026 shows traditional wooden boats at a yard in Ibrahim Hyderi in Karachi. (AFP)
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Boat Builders Keep Pakistan’s Fishing Heritage Afloat

This photograph taken on July 8, 2026 shows traditional wooden boats at a yard in Ibrahim Hyderi in Karachi. (AFP)
This photograph taken on July 8, 2026 shows traditional wooden boats at a yard in Ibrahim Hyderi in Karachi. (AFP)

The rhythmic hammering of nails and the whine of saws echo around a coastal Karachi neighborhood, where small figures of men work atop massive wooden fishing hulls that loom beneath a pale summer sky.

Ibrahim Hyderi, a maritime town on the outskirts of the port city believed to date back centuries, is renowned for the construction of traditional fishing boats.

"This is the area that gave birth to Karachi, and that provided Karachi with its fishing sector," said Mehran Ali Shah of the Pakistan Fisherfolk Forum, which advocates for the local community.

Despite the rise of industrial shipbuilding, such practices -- where handcrafted vessels are assembled timber by timber -- have stood their ground.

Boat-builder Muhammad Asif, 22, learnt the craft from his father as a teenager, and is now proud that he can work on his own.

"I was drawn to this work, so I work at it with great dedication," Asif tells AFP as sawdust coats his face and sun-bleached hair.

"It has always been my passion, that is why I chose this line of work."

Asif, like other workers, starts at 7:00 am every day and heads home for dinner around 7:00 pm, only putting down his tools during a two-hour lunch break.

He earns up to 2,500 Pakistani rupees ($9) a day, working six days a week.

The workers brave the elements all year round, including the sweltering heat and humidity of summers and the soaking rains of the monsoon seasons.

The process begins with a fisherman selecting a boat design. A master craftsman drafts a template and the workers take it from there, drawing on their years of experience to painstakingly build the vessel.

The carpenters choose from different types of timber, such as local eucalyptus wood, or African teak for resilience against seawater.

The heavy blocks of wood are carefully cut using well-worn vertical and other saws, following hand-drawn pencil markings.

The boats are then assembled from the ground up, block by block and nail by nail, with the workers clambering up on rickety ladders as the hulls rise higher.

The time-consuming process means even a small boat measuring just several meters long could take up to three months to construct and cost one million Pakistani rupees ($3,600), Asif says.

Across the yard, the completed boats are given splashes of color by painter Muhammad Ismail.

The weather-beaten 38-year-old, his hands and nails tinged with blue, is painting petals on the hull of a vessel -- one of many he has worked on over a decade.

"Most of our fishermen prefer floral designs rather than fish," he tells AFP, adding that he experiences "great satisfaction" when an owner appreciates his artwork.

"Some people ask me to create a design according to my own ideas, while others tell me exactly what they want."

At a nearby harbor, fisherman Qadir Bux sits in a small boat owned by his family for at least two decades as he mends fishing nets. The fisherman hopes to give the wooden vessel a facelift soon.

"It's like looking after something very precious, or even like caring for our own child," he says.