From Studio…Picasso’s Life, Works Displayed in Dublin’s National Gallery

‘Fillette au Bateau’ (Girl on a Boat), a portrait by Pablo Picasso of his daughter Maya, sold for more than £18m at auction in March 2023 (Musée National Picasso-Paris/Succession Picasso/DACS, London 2025/GrandPalaisRmn/Mathieu Rabeau) 
‘Fillette au Bateau’ (Girl on a Boat), a portrait by Pablo Picasso of his daughter Maya, sold for more than £18m at auction in March 2023 (Musée National Picasso-Paris/Succession Picasso/DACS, London 2025/GrandPalaisRmn/Mathieu Rabeau) 
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From Studio…Picasso’s Life, Works Displayed in Dublin’s National Gallery

‘Fillette au Bateau’ (Girl on a Boat), a portrait by Pablo Picasso of his daughter Maya, sold for more than £18m at auction in March 2023 (Musée National Picasso-Paris/Succession Picasso/DACS, London 2025/GrandPalaisRmn/Mathieu Rabeau) 
‘Fillette au Bateau’ (Girl on a Boat), a portrait by Pablo Picasso of his daughter Maya, sold for more than £18m at auction in March 2023 (Musée National Picasso-Paris/Succession Picasso/DACS, London 2025/GrandPalaisRmn/Mathieu Rabeau) 

Pablo Picasso is coming to the National Gallery. Not the National Gallery that overlooks Trafalgar Square, but the one in Ireland, housed behind a 19th-century neo-classical façade on Merrion Square in the center of Georgian Dublin.

The National Gallery of Ireland hasn’t, as London’s previously did, limited itself to art before the 20th century, and this autumn will host the major new exhibition, Picasso: From the Studio, in partnership with the Musée Picasso in Paris, according to The Independent.

The show will be packed with remarkable works from the single most transformative artist of the 20th century.

However, Picasso was also among the most troubling artists of the 20th century – particularly for his attitude to women.

The charges begin with the painter’s treatment of Fernande Olivier, the first live-in lover in Paris, whom he locked up in their squalid studio apartment.

Then Olga Khokhlova, the ballerina wife Picasso subjected to many indignities, among them his affair with the teenager Marie-Thérèse Walter – his junior by 28 years.

There’s Walter’s successor as muse and bedfellow, the artist Dora Maar, whom he struck on occasion, and Françoise Gilot, the mistress Picasso couldn’t forgive for writing a book about their relationship, to the extent of disinheriting their children.

The Dublin team do not deny there are problems. “Picasso was a tricky person all round,” said co-curator Janet McLean. “His relationships with women were difficult, and sometimes with his children and grandchildren, men and his friends. He would often take what he needed, and then he would move on.”

There is no record of Picasso visiting Dublin, but the new show is a compelling reason to visit a city that, for most Britons, is only a ferry or one-hour flight away across the Irish Sea.

 



Saudi Pavilion Showcases Rich Cultural Heritage at Sharjah Book Fair

Saudi Arabia's participation aims to enhance its cultural presence. SPA
Saudi Arabia's participation aims to enhance its cultural presence. SPA
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Saudi Pavilion Showcases Rich Cultural Heritage at Sharjah Book Fair

Saudi Arabia's participation aims to enhance its cultural presence. SPA
Saudi Arabia's participation aims to enhance its cultural presence. SPA

The Literature, Publishing, and Translation Commission has inaugurated the Saudi pavilion at the Sharjah International Book Fair 2025, held at Sharjah Expo Center in the UAE from November 5 to 16.

The fair provides a vital opportunity for Saudi publishers to engage in knowledge exchange with global counterparts.

Led by the commission, the Kingdom’s participation aims to enhance its cultural presence and showcase the development of its publishing and translation sectors.

The pavilion features several national cultural and educational institutions, including the Ministry of Islamic Affairs, Dawah and Guidance; King Abdulaziz University; King Fahd National Library; and King Salman Global Academy for Arabic Language.

This initiative reflects the strong cultural ties between the Kingdom and the UAE, stressing their commitment to cooperate in publishing, translation, and knowledge production, while enhancing Arab and international cultural communication. It aligns with Saudi Vision 2030’s goal of building a sustainable cultural industry.

The Saudi pavilion will host a diverse cultural program, featuring literary seminars, dialogue sessions, workshops, and poetry evenings, showcasing prominent Saudi writers and thinkers and the richness of Saudi literature within the contemporary Arab cultural scene.


Saudi Culture Minister Visits ‘Bukhara Biennale of Contemporary Art’ in Uzbekistan

Prince Bader toured on Wednesday the pavilions of the biennale. SPA
Prince Bader toured on Wednesday the pavilions of the biennale. SPA
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Saudi Culture Minister Visits ‘Bukhara Biennale of Contemporary Art’ in Uzbekistan

Prince Bader toured on Wednesday the pavilions of the biennale. SPA
Prince Bader toured on Wednesday the pavilions of the biennale. SPA

Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan has visited the Bukhara Biennale of Contemporary Art, being held in Uzbekistan as part of his official visit to attend the 43rd UNESCO General Conference hosted in Samarkand.

Prince Bader toured on Wednesday the pavilions of the biennale, which serves as a new platform for contemporary art in Central Asia, featuring more than 200 participants from 39 countries in its inaugural edition.

The Bukhara Biennale showcases the integration of contemporary art within the depth of history and traditional crafts, displaying a range of artwork including paintings, sculptures, traditional performances, and handicrafts.

The Diriyah Biennale Foundation is participating in the event by presenting the winning design from the inaugural edition of the “Al-Musalla Prize,” which embodies the concept of an open courtyard through a structure inspired by local weaving and textile traditions.

The piece was created using sustainable materials repurposed from palm trees, offering a contemporary expression of the connection between architecture and the Kingdom’s environmental and cultural heritage.


Frida Kahlo Portrait Could Sell for $60 Million and Shatter Records at Sotheby’s

Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
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Frida Kahlo Portrait Could Sell for $60 Million and Shatter Records at Sotheby’s

Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)
Visitors attend the "Frida Kahlo: Masterpieces from the Museo Dolores Olmedo, Mexico City" exhibition at the Hungarian National Gallery in Budapest, Hungary, August 2, 2018. Picture taken August 2, 2018. (Reuters)

Frida Kahlo’s face is one of the best known in art, thanks to her bold and challenging self-portraits.

A lesser-seen self-depiction by the Mexican artist is going up for auction at Sotheby’s in what could be a record-setting sale.

With an estimated price of $40 million to $60 million, "El sueño (La cama)" – in English, "The Dream (The Bed)" — may surpass the top price for a work by any female artist when it goes under the hammer on Nov. 20. That record currently stands at $44.4 million, paid at Sotheby’s in 2014 for Georgia O’Keeffe’s "Jimson Weed/White Flower No. 1."

The highest price at auction for a Kahlo work is $34.9 million, paid in 2021 for "Diego and I," depicting the artist and her husband, muralist Diego Rivera. Her paintings are reported to have sold privately for even more.

"It's not just one of the more important works by Kahlo, but one of a few that exists outside of Mexico and not in a museum collection," said Julian Dawes, vice chairman and head of impressionist and modern art for Sotheby’s Americas. "So as both a work of art and as an opportunity in the market, it could not be more rare and special."

Kahlo vibrantly and unsparingly depicted herself and events from her life, which was upended by a bus accident at 18. She started to paint while bedridden, underwent a series of painful surgeries on her damaged spine and pelvis, then wore casts until her death in 1954 at age 47.

Painted in 1940, "El sueño (La cama)" shows the artist, wreathed in vines, lying in a four-poster bed floating in a pale blue sky. A skeleton wired with dynamite and clutching a bouquet of flowers lies atop the canopy.

The image is exploding with symbolism and feels like an allegory – but the artist really did have a papier-mâché skeleton on top of her bed.

Dawes said it's a psychological self-portrait by an artist at her peak.

"Her greatest works derive from this moment between the late 1930s and the early 1940s," he said. "She has had a variety of tribulations in her romantic life with Diego, in her own life with her health, but at the same time she’s really at the height of her powers."

Last exhibited publicly in the late 1990s, the painting is the star of a sale of more than 100 surrealist works by artists including Salvador Dalí, René Magritte, Max Ernst and Dorothea Tanning. They are from a private collection whose owner has not been disclosed.

A century after Andre Breton’s "Surrealist Manifesto" defined a revolutionary artistic movement characterized by unsettling juxtapositions and paradoxical statements, interest in – and prices for – surrealist art are booming. Surrealism’s share of the art market rose from 9.3% to 16.8% between 2018 and 2024, according to Sotheby’s. Magritte’s "L’empire des lumières" sold last year for $121.2 million, a record for a surrealist work.

Kahlo resisted being labeled a surrealist, but Dawes said her "fascination with the subconscious" and use of otherworldly imagery place her squarely in that tradition.

He said it’s no surprise the genre is undergoing a resurgence.

"There are so many interesting parallels between the 1920s and the 2020s," Dawes said. "Coming out of a crippling global pandemic, a world that has to confront war on a more graphic and intimate level that had ever been experienced before — and economic and political and social forces swirling in the background that are eerily similar."

The Kahlo painting is on show at Sotheby’s in London until Tuesday, and then tours to Abu Dhabi, Hong Kong and Paris before the sale in New York.