ICCROM Forum in Sharjah Concludes with Call to Empower Women, Youth in Safeguarding Heritage

Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM
Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM
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ICCROM Forum in Sharjah Concludes with Call to Empower Women, Youth in Safeguarding Heritage

Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM
Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners. WAM

The 5th Arab Forum for Cultural Heritage concluded in Sharjah last week after three days of dialogue, knowledge-sharing, and strategic planning to strengthen cultural heritage protection in the Arab region.

Organized by ICCROM through its Regional Center in Sharjah, the Forum brought together cultural officials, experts, academics, and practitioners to exchange experiences, showcase innovative projects, and chart collaborative pathways for the future.

In the closing session, participants adopted a set of key recommendations, which focused on empowering youth and women as central actors in heritage protection.

They highlighted the need to integrate heritage topics into curricula at all educational levels and develop vocational training programs for youth and women in conservation, documentation, and cultural entrepreneurship, as well as in media and communication, fields essential for strengthening heritage discourse and public engagement.

The recommendations also stressed the role of non-formal education, museums, and libraries in promoting a deeper community awareness of heritage, and called for initiatives targeting children and youth to reinforce intergenerational connections through cultural values.

On empowerment and inclusivity, the recommendations stressed the importance of ensuring equal opportunities for women and youth in participation, leadership, and decision-making.

They urged greater documentation of women’s professional contributions to heritage preservation, the integration of marginalized groups and displaced communities into heritage policies, and the positioning of heritage as a tool for peacebuilding and social cohesion. Intergenerational dialogue initiatives and the establishment of youth platforms were also encouraged to enhance participation and knowledge exchange.

The Forum further recommended supporting youth- and women-led initiatives through seed grants and strengthening skills in marketing and cultural innovation to transform heritage into a sustainable economic resource, while encouraging storytelling and creativity in promotion strategies.

The role of media and social platforms in advocacy for heritage issues was underscored, calling for greater youth and women's participation in national and international events to highlight identity and belonging.

Regarding documentation and digital innovation, participants urged the establishment of unified regional archives and digital repositories, the ethical and thoughtful use of modern technologies such as artificial intelligence (AI) and spatial documentation, the preparation of regular reports on the state of heritage, and the documentation of emerging cultural initiatives. They stressed the need to bridge the expertise of tech-savvy youth with that of heritage professionals to foster innovation and develop practical digital tools.

Looking to partnerships and future policies, the recommendations called for developing inclusive cultural policies that foster community engagement and align heritage with the Sustainable Development Goals (SDGs), while adopting sustainable financing mechanisms and contingency plans tailored to the Arab region in times of conflict and crises.

They further emphasized the importance of strengthening Arab and regional cooperation through the exchange of expertise, expanding partnerships with international organizations and the private sector, and recognizing and rewarding community initiatives to ensure their long-term continuity.

For future Forums, participants recommended greater involvement of universities and institutes, the creation of a dedicated digital archive for the Forum alongside youth-oriented content such as podcasts, and organizing deeper sessions for problem-solving and creative solutions.

They also proposed inviting diverse sectors beyond the heritage field, including the private sector and investors, to support initiatives financially. Finally, participants suggested launching a youth award and financially-supported women-led initiatives to enhance sustainability, reflecting the Forum’s commitment to consolidating the role of heritage in both the present and the future.



A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
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A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)

A rare first-edition copy of “Wuthering Heights,” complete with spelling mistakes, is up for auction for the first time in more than a century, as Emily Brontë’s tragic, tempestuous romance gains new fans through a big-screen adaptation.

Christie’s auction house said Monday that it's the first copy of the novel in the publisher’s original cloth binding to be auctioned since 1908. Only about 250 copies of the first edition were printed, and this one has been in a private library since shortly after its publication in 1847.

“The vast majority of surviving copies were rebound for collectors or libraries, meaning original cloth examples are now extremely scarce,” said Christie’s books and manuscripts specialist Mark Wiltshire.

Being sold along with a copy of sister Anne Brontë’s “Agnes Grey,” it’s expected to sell for between 400,000 pounds and 600,000 pounds ($540,000 and $800,000) at a June 30 auction in London. Both books carry the male pen names the sisters adopted to get published: Ellis Bell for Emily and Acton Bell for Anne.

“Wuthering Heights” was rushed to publication after the success of Charlotte Brontë’s “Jane Eyre,” and the first edition is notorious for its typographical errors including, Wiltshire noted, the occasional misspelling of the word “heights.”

Emerald Fennell ’s recent movie with Margot Robbie and Jacob Elordi as mismatched pair Cathy and Heathcliff is the latest work to be inspired by — and take liberties with — Brontë’s brooding, Gothic tale.

The novel shocked some critics when it was published, with one in 1848 decrying its “vulgar depravity and unnatural horrors.”

Since then, Wiltshire said, it has “moved beyond literature to become a cultural touchstone,” inspiring art, music — notably Kate Bush’s pop-operatic 1978 song — and multiple film adaptations.

“It remains a work that artists return to again and again because of its emotional force, its atmosphere, and its psychological intensity, ensuring its place not only in literary history but in wider cultural imagination,” Wiltshire said.


Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4
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Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

The Red Sea Film Foundation has extended the application deadline for the sixth edition of the 48-Hour Film Challenge to July 4, 2026, allowing more young Saudi citizens and residents the opportunity to take part in the initiative aimed at discovering and supporting emerging filmmakers, SPA reported.

Organized in partnership with the Red Sea International Film Festival, the French Consulate General in Jeddah, and Alliance Française, the challenge is open to aspiring filmmakers aged 18 to 25, SPA reported.

Participants will form creative teams and compete to produce a short film within 48 hours after completing specialized mentorship workshops.

The two winning teams will receive awards, while their team leaders will earn an artistic residency in France in 2027. The winning films will also be screened at the next edition of the Red Sea International Film Festival.


The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)
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The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)

Though electric machines are now standard, the Venezuelan weaver Margarita Mora has clung to a mix of ancestral Indigenous and Spanish practices to create surprisingly modern work, reported the New York Times.

As she sat at her loom on the rooftop of her home in Mucuchies, a town high in the Venezuelan Andes, Margarita Mora, recalled the morning when, at 5, she delivered some wool her mother had spun to a local weaver in nearby Mitivivó. It was her first encounter with the very loom she would use for decades to come.

“This loom has made me very happy,” she said during an interview at her home in 2024. “When I learned to weave, I was able to buy my own clothes and shoes.”

It was also how she discovered the craft that she has dedicated her life to. All those decades ago, Mitivivó was a remote settlement with just a few families, set where the mountains met the sky. It was here that she began selling her weavings.

In most parts of the world, electric machines have replaced ancient weaving techniques, but Mora, who is 91 and tiny, wearing head scarves around her weathered face, has clung to a mix of ancestral Indigenous and Spanish traditions.

Her weavings have gained her a modest level of fame in Venezuela. For years, she was an instructor at the Moconoque School of Trade, Arts and Crafts, a nonprofit with the mission of preserving and promoting traditional crafts.

In 2008, her face adorned a huge billboard on the facade of a convention center hosting an art exposition in the city of Mérida, southwest of Mucuchies, along with two other weavers and former president Hugo Chávez. She has also received multiple honorary degrees.

*Silvia Benedetti for the New York Times