Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'
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Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

The Museums Commission organized a virtual meeting titled “Black Gold Museum: Connecting Art, Heritage, History, and Sustainable Development”, as part of a series of cultural meetings aimed at enhancing public awareness of museums' role in Saudi society and highlighting their importance in preserving national heritage and cultural identity.

The meeting featured the participation of Chairman of the Saudi Association for Energy Economics Dr. Majid Al-Moneef, Director of the Black Gold Museum Jack Persekian, and artist Dr. Ahmed Mater. The session was moderated by Atiyah Al-Rajhi, SPA reported.

Discussions explored the story behind the establishment of the Black Gold Museum and its role in showcasing the evolution of the oil industry and its profound impact on societies and the environment.

 

The museum presents an innovative artistic narrative that reflects the relationship between humans and oil, from its discovery as a raw material to its contemporary implications for life, the economy, and the environment.

 

The dialogue also addressed how the museum embodies historical and economic transformations and incorporates contemporary art methodologies to present its exhibits with the principles of sustainable development.

The Ministry of Culture, represented by the Museums Commission, is preparing to open the Black Gold Museum in the near future. The museum will be the first of its kind globally to present the story of oil from a humanistic perspective, illustrating its influence on people’s lives. They emphasized that petroleum has been a cornerstone of human progress and quality of life, contributing significantly to the advancement of modern civilization.

The speakers highlighted the museum’s role in documenting the history of oil and demonstrating its economic and environmental impacts on humanity. The Black Gold Museum offers a distinctive experience that sheds light on the Second Industrial Revolution through a rich and mature concept combining beauty and knowledge. Its contemporary artistic exhibits portray the human–oil relationship through an integrated artistic narrative inside a temporary exhibition hall.

 

Visitors will journey through the stages of oil discovery and development, its connection to human life, and its role in improving the quality of life, offering an informative experience that enables them to appreciate oil’s significance and future influence.

The participants also discussed the museum’s role in promoting cultural and environmental awareness about oil, reviewing future projects and programs to educate future generations, encourage research and innovation, and deepen understanding of the relationship between energy, the economy, society, and the environment.

They underscored the importance of collaboration between cultural and research institutions and the private sector—such as the King Abdullah Petroleum Studies and Research Center (KAPSARC)—to contribute to documenting oil’s history, envisioning its future, and fostering dialogue among the fields of art, technology, and economics in support of sustainable development goals.

This initiative is part of the commission’s strategy to activate the role of regional museums as community institutions that connect the past with the present and open avenues for cultural interaction, thereby strengthening national identity and contributing to building a vibrant cultural future for the Kingdom. It also falls within the series of monthly public meetings organized by the commission as part of its general cultural program.



Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.


Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
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Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

 Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.


Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
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Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)

Sudanese authorities displayed ancient figurines, ornate vases and scarab-shaped amulets at a ceremony Tuesday in Port Sudan celebrating the recovery of more than 570 antiquities stolen from the national museum during the country's long-running war.

The artifacts, arranged on large tables under heavy security, were recovered after months of investigation and brought to the wartime capital of Port Sudan.

The National Museum in Khartoum, which housed some of Sudan's most important archaeological collections, was looted and badly damaged after the paramilitary Rapid Support Forces (RSF) seized the capital in the early days of its war with the army, its former ally.

At the time, satellite images showed trucks carrying artifacts west, towards the vast region of Darfur -- now completely under RSF control.

Since then, Sudanese authorities have worked with UNESCO and Interpol to track down the stolen items.

Authorities did not detail on Tuesday exactly how the artifacts were recovered.

"Sudan heritage is not only of national importance, it is a treasure of humanity," said UNESCO's representative in Sudan, Ahmed Junaid, referring to international efforts to combat illicit trafficking of cultural property.

"Many people do not know the value of the objects displayed on the tables, but they reflect the identity of the nation and its history," said Sudan's finance minister Gibril Ibrahim.

Khalid Aleisir, minister of information and culture, announced a "financial reward" for anyone returning antiquities to the authorities, without specifying an amount.

Officials estimate that the recovered items account for about 30 percent of the objects looted from the museum.

Still missing are the contents of the so-called "gold room", the museum's most valuable collection, which included ancient jewellery and 24-carat gold pieces, some nearly 8,000 years old.