In Lebanon’s Tyre, Ancient Site Threatened by Israeli Bombs

This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
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In Lebanon’s Tyre, Ancient Site Threatened by Israeli Bombs

This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)

At an archaeological site in southern Lebanon's Tyre, small signs bearing a blue and white emblem provide a symbolic shield, meant to protect the ancient ruins from bombardment.

One of the oldest cities on the Mediterranean coast, Tyre is located around 20 kilometers (12 miles) from the Israeli border, and has been the target of several strikes since Lebanon was drawn into the Middle East war by Hezbollah's March 2 rocket attack on Israel.

The Al-Bass site is centered on a necropolis that dates back three millennia to Tyre's time as a major Phoenician city and was still in use until the Arab conquests of the 7h Century.

An organization linked to UNESCO, the United Nations' cultural heritage agency, launched the signs initiative near the site, part of a push that covers more than 30 locations across the country.

It is a reminder that the 1954 Hague Convention obliges warring parties to protect cultural property.

On March 6, an Israeli strike hit just a few meters away, killing eight people according to Lebanon's health ministry.

The target, a family home, is now a pile of rubble.

"They were our neighbors... They thought that being close to an archaeological site protected them, that because this is a World Heritage site it would not be struck," said Nader Saqlawi, director of archaeological excavations in the south for Lebanon's culture ministry.

Museum employees place Enhanced Protection Emblems, a special symbol used under international humanitarian law to protect critical sites during armed conflict, at the archaeological site of the Roman hippodrome in the southern Lebanese city of Tyre, on March 23, 2026. (AFP)

- Human remains -

The team from the ministry that came to inspect possible damage to the monuments found human remains -- "a hand and pieces of flesh" -- on the roof of the site's museum, which is still under construction, he said.

The museum suffered damage, its windows were blown out, but the explosion did not reach the necropolis nor the Roman-era triumphal arch, aqueducts and hippodrome that are also part of the site.

In antiquity, the city of Tyre was at various times Phoenician, Persian, Hellenistic, Roman and Byzantine.

While many of its inhabitants have fled the latest war, others remain alongside the city's precious relics.

Lebanese Culture Minister Ghassan Salame condemned what he called Israel's aggression.

"The archaeological sites do not contain any military or security presence. Therefore, this argument cannot be used to justify their bombing," he said.

There was no immediate comment in response to AFP's request from the Israeli army, which usually says it is targeting Hezbollah sites or operatives with its attacks.

"Lebanon is full of archaeological riches... and the Beirut depots do not have the capacity to accommodate all these threatened objects," said David Sassine, an expert at the International Alliance for the Protection of Heritage.

This photograph taken on March 23, 2026, shows boxes filled with fragments of ancient pottery collected after an Israeli strike near the archaeological site of the Roman hippodrome in the southern Lebanese city of Tyre. (AFP)

- 'No one cares' -

There is also no guarantee that the objects would be safer in the capital, which is itself regularly bombed by Israel, and transporting the items from the south of the country, even under military escort, "remains risky", Sassine said.

During the previous Israel-Hezbollah conflict in 2024, gold coins, millennia-old amphorae and valuable sarcophagi were transferred to Beirut, where they have remained.

Tyre was heavily damaged by Israeli strikes during that war, while much of the population evacuated at the time.

Closer to the border, the citadel in the village of Shamaa was also partly destroyed by the Israeli military.

Saqlawi of the culture ministry said he believed attacks on historic sites were intentional.

"The Israelis know everything. They know your shoe size... and they know very well this is an archaeological site," he said.

Mustapha Najdi, a guard at the archaeological sites, was at the Al-Bass site when the March 6 strike hit.

"I heard a very violent impact. I fled and alerted the authorities," he said.

"No one cares about us," Najdi lamented, calling on "everyone who can to exert pressure to stop this barbarity".

"This civilization represents history, represents us all, Lebanese and non-Lebanese."



UK's Bayeux Tapestry Exhibition Set to Wow Visitors with Battle Scenes, Scale

 The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)
The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)
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UK's Bayeux Tapestry Exhibition Set to Wow Visitors with Battle Scenes, Scale

 The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)
The 70-meter-long Bayeux Tapestry is displayed during a press preview at the British Museum in London after returning to England, following a historic agreement between the UK and France, Monday, Sept. 7, 2026. (AP)

Visitors to the sell-out Bayeux Tapestry Exhibition should be ready for the "brutal reality" of battle scenes and expect to be astonished by the scale of the 1,000-year-old embroidery, as excitement mounts ahead of the London show's opening on Thursday.

King Charles and French President Emmanuel Macron were among the first viewers at the British Museum last week, where the monarch celebrated ‌the artwork ‌that depicts the conquest of England by his ancestor ‌William ⁠I in 1066.

Thought ⁠to have been stitched in Kent, southern England, the tapestry was subsequently taken across the Channel and is being shown outside France for the first time, generating a wave of interest in its significance to English history.

Millie Horton-Insch, a curator of the Bayeux Tapestry exhibition, told Reuters on Monday that its 70-meter (230-foot) length would stun visitors.

"No matter how many times ⁠I see it, I'm still blown away by its ‌size," she said.

The tapestry recounts ‌the events leading up to the famous Battle of Hastings and the subsequent ‌Norman defeat of Anglo-Saxon King Harold II.

"We see an incredible battle that ‌really doesn't shy away from the brutal reality of medieval warfare and how devastating it was for both sides," the curator added.

Initial tickets for the nine-month show sold out within hours, generating sales of £2.5 million and making it ‌the museum's best-selling exhibition. Another batch of tickets will go on sale in October.

William's conquest was the last ⁠time England was successfully ⁠invaded, and 1066 remains the most famous year in the nation's history.

The loan from France is seen as a sign of closer ties between the countries after the discord caused by the 2016 Brexit vote, and Macron talked of the unifying role of art to show "what humanity is capable of creating".

Horton-Insch said that it was difficult for a modern audience to comprehend the thousands of hours it would have taken the English seamstresses to weave it, including spinning the wool thread and mastering the natural dyes.

The Bayeux Tapestry arrived in Britain in July having travelled in an air-conditioned, anti-vibration crate under police escort from France.

"It seems to have borne the journey incredibly well," Horton-Insch said.


Makkah Advances Preservation and Development of Historical and Cultural Sites

Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA
Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA
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Makkah Advances Preservation and Development of Historical and Cultural Sites

Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA
Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026 - SPA

The historical and cultural sites of Makkah bear witness to the city’s rich history, encompassing places associated with events from the life of the Prophet and Islamic history, as well as roads, markets, wells, inscriptions, and landmarks that have shaped the city's identity over the centuries.

With growing attention to these sites, a comprehensive system is now in place to preserve, study, and rehabilitate them, while presenting them in an accessible manner that enables visitors to learn their stories and appreciate their significance, SPA reported.

This approach builds on the strategy for historical and cultural sites in Makkah, which seeks to establish an integrated system covering documentation, protection, rehabilitation, experience development, partnership activation, and enhanced site readiness and sustainability.

Under the strategy, 65 development studies have been conducted, 56 sites documented, 32 rehabilitated, and 23 enhanced, with 28 sites now open to visitors.

Visitors to historical and cultural sites reached 5.9 million by the end of the second quarter of 2026, up 47% from 3.6 million during the same period in 2025. Visitor satisfaction reached 95.8%.

Since the strategy’s launch, total visits to historical and cultural sites have exceeded 19 million, reflecting not only increased visitation but also the expansion of the network of sites and experiences, improved access, and the transition of more sites from study and preservation to visitation and engagement.

Makkah’s historical and cultural sites thus remain an integral part of the city’s story: a heritage to be preserved, landmarks to be explored, and experiences that offer visitors a deeper understanding of Makkah and its history.


Saudi Arabia's King Abdulaziz Foundation Showcases Publications at Moscow Book Fair

King Abdulaziz Foundation (Darah) logo
King Abdulaziz Foundation (Darah) logo
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Saudi Arabia's King Abdulaziz Foundation Showcases Publications at Moscow Book Fair

King Abdulaziz Foundation (Darah) logo
King Abdulaziz Foundation (Darah) logo

The King Abdulaziz Foundation (Darah) is participating in the Moscow International Book Fair 2026, which began Wednesday in the Russian capital, as part of the Saudi pavilion.

Darah has a dedicated section featuring its publications and scientific and cultural projects, highlighting its efforts to promote the Kingdom's history, heritage, and culture.

The section also provides an opportunity to connect with academics, researchers, and others interested in historical and cultural affairs from various countries.

The section has attracted visitors interested in the Kingdom's history, heritage, and culture, as well as Darah's specialized publications on history, studies, sources, and cultural heritage.

Darah's participation reflects its efforts to promote the Kingdom's history, heritage, and culture internationally and strengthen its presence at cultural events. It also helps build connections with researchers and others interested in Saudi history and culture.