In Lebanon’s Tyre, Ancient Site Threatened by Israeli Bombs

This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
TT

In Lebanon’s Tyre, Ancient Site Threatened by Israeli Bombs

This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)
This photograph taken on March 23, 2026, shows smoke as it rises from the site of an Israeli air strike at the background of the archaeological site of the ruins of the Phoenician Port in the southern Lebanese city of Tyre. (AFP)

At an archaeological site in southern Lebanon's Tyre, small signs bearing a blue and white emblem provide a symbolic shield, meant to protect the ancient ruins from bombardment.

One of the oldest cities on the Mediterranean coast, Tyre is located around 20 kilometers (12 miles) from the Israeli border, and has been the target of several strikes since Lebanon was drawn into the Middle East war by Hezbollah's March 2 rocket attack on Israel.

The Al-Bass site is centered on a necropolis that dates back three millennia to Tyre's time as a major Phoenician city and was still in use until the Arab conquests of the 7h Century.

An organization linked to UNESCO, the United Nations' cultural heritage agency, launched the signs initiative near the site, part of a push that covers more than 30 locations across the country.

It is a reminder that the 1954 Hague Convention obliges warring parties to protect cultural property.

On March 6, an Israeli strike hit just a few meters away, killing eight people according to Lebanon's health ministry.

The target, a family home, is now a pile of rubble.

"They were our neighbors... They thought that being close to an archaeological site protected them, that because this is a World Heritage site it would not be struck," said Nader Saqlawi, director of archaeological excavations in the south for Lebanon's culture ministry.

Museum employees place Enhanced Protection Emblems, a special symbol used under international humanitarian law to protect critical sites during armed conflict, at the archaeological site of the Roman hippodrome in the southern Lebanese city of Tyre, on March 23, 2026. (AFP)

- Human remains -

The team from the ministry that came to inspect possible damage to the monuments found human remains -- "a hand and pieces of flesh" -- on the roof of the site's museum, which is still under construction, he said.

The museum suffered damage, its windows were blown out, but the explosion did not reach the necropolis nor the Roman-era triumphal arch, aqueducts and hippodrome that are also part of the site.

In antiquity, the city of Tyre was at various times Phoenician, Persian, Hellenistic, Roman and Byzantine.

While many of its inhabitants have fled the latest war, others remain alongside the city's precious relics.

Lebanese Culture Minister Ghassan Salame condemned what he called Israel's aggression.

"The archaeological sites do not contain any military or security presence. Therefore, this argument cannot be used to justify their bombing," he said.

There was no immediate comment in response to AFP's request from the Israeli army, which usually says it is targeting Hezbollah sites or operatives with its attacks.

"Lebanon is full of archaeological riches... and the Beirut depots do not have the capacity to accommodate all these threatened objects," said David Sassine, an expert at the International Alliance for the Protection of Heritage.

This photograph taken on March 23, 2026, shows boxes filled with fragments of ancient pottery collected after an Israeli strike near the archaeological site of the Roman hippodrome in the southern Lebanese city of Tyre. (AFP)

- 'No one cares' -

There is also no guarantee that the objects would be safer in the capital, which is itself regularly bombed by Israel, and transporting the items from the south of the country, even under military escort, "remains risky", Sassine said.

During the previous Israel-Hezbollah conflict in 2024, gold coins, millennia-old amphorae and valuable sarcophagi were transferred to Beirut, where they have remained.

Tyre was heavily damaged by Israeli strikes during that war, while much of the population evacuated at the time.

Closer to the border, the citadel in the village of Shamaa was also partly destroyed by the Israeli military.

Saqlawi of the culture ministry said he believed attacks on historic sites were intentional.

"The Israelis know everything. They know your shoe size... and they know very well this is an archaeological site," he said.

Mustapha Najdi, a guard at the archaeological sites, was at the Al-Bass site when the March 6 strike hit.

"I heard a very violent impact. I fled and alerted the authorities," he said.

"No one cares about us," Najdi lamented, calling on "everyone who can to exert pressure to stop this barbarity".

"This civilization represents history, represents us all, Lebanese and non-Lebanese."



Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
TT

Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)

City fountains became impromptu rehearsal spaces this weekend as yodelers at a festival in Basel, Switzerland, squeezed in last-minute practice while cooling off during Europe’s June heat wave.

At one fountain, a folk band dipped their toes in the water on Saturday, as festivalgoers clapped along or cooled their hands under the flowing stream.

From Friday to Sunday, singers and alphorn players filled the streets and spontaneous bursts of yodeling echoed through restaurants, where diners initially reacted with surprise before joining in.

In Petersplatz, in central Basel, seamstresses remained on call throughout the festival to repair the traditional Alpine folk costumes worn by participants in case of emergency.

This year, however, it was the fountain rehearsals that became the festival’s defining image, as the city battled record temperatures of around 39 degrees Celsius (102 degrees Fahrenheit).

Around 12,000 performers and nearly 200,000 visitors traveled to Basel for the Eidgenössisches Jodlerfest, Switzerland’s national yodeling festival. It was the first time the northwestern Swiss city hosted the event since 1924.

Swiss yodeling was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in December 2025, making this the first national festival since the tradition received international recognition. It is a distinction many Swiss take great pride in.

Unlike the brighter, more melodic style often associated with Austria and the Tyrol region, Swiss yodeling is slower and more melancholic — an emotionally nuanced tradition rooted in distinct regional dialects.

"I’ve always loved music, and I left here as a child. When I moved back to New Zealand, I wanted to stay connected to Swiss culture, so I joined a New Zealand-Swiss-Kiwi yodeling club,” said Freddie Conquer, a member of Jodlerclub Echo Basel, one of the clubs hosting the festival.

The participants competed in three disciplines: yodeling, alphorn playing and flag-throwing.

The alphorn is a long wooden instrument traditionally used by herdsmen in the Alps. It can stretch to more than 3 meters (10 feet) in length, with its sound carrying across valleys — or, during the festival, through Basel’s streets. It produces all of its pitches using natural harmonics alone, with no valves or keys.

“Everything is down to the mouthpiece, hearing the note in your head, and then using your lips to shape the pitch. The higher the note, the harder you have to blow,” said Pierre-André Karlen, who was rehearsing on a school lawn.

On Sunday morning, participants gathered outside the town hall, eagerly awaiting the competition results. Members of Jodlerklub Balfrin, from the town of Visp in the canton of Valais, were nervously examining the lists and later celebrated loudly after receiving a perfect score of one, one of several such teams.

As flags were carried through the old town during the festival’s closing parade, members of Jodlerklub Muttenz rode past on a tractor to cheers from the crowd. Alphorn players followed — their instruments and costumes almost certainly a burden in the heavy heat, but the smiles remained.


GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo
TT

GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo

The General Authority for Statistics (GASTAT) said that 75.3% of Saudi Arabia's population visited venues hosting cultural events or activities in 2025. The figure highlights growing cultural momentum and increasing public participation in cultural events across the Kingdom.

The data was released as part of an initiative identified by the Arabic phrase, transliterated as "Raqam Saudi" ("Saudi Number"). The initiative aims to showcase national achievements, promote national pride and citizenship values, and demonstrate the role of official statistics in tracking progress toward the goals of Saudi Vision 2030 and sustainable development.

Under the initiative, the authority publishes a range of statistics each month through its social media platforms. The initiative highlights the Kingdom's economic, social, and developmental transformation while reinforcing the role of official statistics in raising public awareness.

The initiative targets government entities and their clients, media professionals and outlets, social media users, opinion writers, and the international community. It aims to promote the dissemination of statistical content and expand the use of official data.

GASTAT said the initiative highlights national collaboration in achieving development goals by tracking and measuring progress through statistical indicators. It also raises public awareness of the role of statistics and data in monitoring the country's development.


12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation
TT

12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation

The 12th edition of the Saudi Film Festival has opened at the King Abdulaziz Center for World Culture (Ithra), an initiative of Saudi Aramco, bringing together prominent figures from the local, regional, and international film communities, as well as filmmakers, film critics, and cinema enthusiasts from across the industry.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival runs from June 26 to July 2, 2026, under the theme “Every Story is a Journey.” The theme celebrates filmmaking as a creative journey that begins with the spark of an idea and scriptwriting, moves through the challenges of production, and culminates in screening, where stories meet their audiences, SPA reported.

This year’s edition received 314 submissions, including 249 films and 65 production market projects. A total of 27 films were selected for the official competitions, while six films will be presented in parallel screenings, bringing the festival lineup to 50 films from more than 15 countries.

Participating films will compete for nine Golden Palm Awards across feature-length fiction, short fiction, and documentary categories, highlighting Saudi, Gulf, Arab, and international cinematic talent.

The festival program also features specialized panel discussions, masterclasses, training workshops, book-signing sessions for publications from the Saudi Cinema Encyclopedia, and the “Meet the Experts” program, which offers one-on-one mentoring sessions with professionals in production, directing, editing, film criticism, festival programming, and project development.