Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'
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Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

The Museums Commission organized a virtual meeting titled “Black Gold Museum: Connecting Art, Heritage, History, and Sustainable Development”, as part of a series of cultural meetings aimed at enhancing public awareness of museums' role in Saudi society and highlighting their importance in preserving national heritage and cultural identity.

The meeting featured the participation of Chairman of the Saudi Association for Energy Economics Dr. Majid Al-Moneef, Director of the Black Gold Museum Jack Persekian, and artist Dr. Ahmed Mater. The session was moderated by Atiyah Al-Rajhi, SPA reported.

Discussions explored the story behind the establishment of the Black Gold Museum and its role in showcasing the evolution of the oil industry and its profound impact on societies and the environment.

 

The museum presents an innovative artistic narrative that reflects the relationship between humans and oil, from its discovery as a raw material to its contemporary implications for life, the economy, and the environment.

 

The dialogue also addressed how the museum embodies historical and economic transformations and incorporates contemporary art methodologies to present its exhibits with the principles of sustainable development.

The Ministry of Culture, represented by the Museums Commission, is preparing to open the Black Gold Museum in the near future. The museum will be the first of its kind globally to present the story of oil from a humanistic perspective, illustrating its influence on people’s lives. They emphasized that petroleum has been a cornerstone of human progress and quality of life, contributing significantly to the advancement of modern civilization.

The speakers highlighted the museum’s role in documenting the history of oil and demonstrating its economic and environmental impacts on humanity. The Black Gold Museum offers a distinctive experience that sheds light on the Second Industrial Revolution through a rich and mature concept combining beauty and knowledge. Its contemporary artistic exhibits portray the human–oil relationship through an integrated artistic narrative inside a temporary exhibition hall.

 

Visitors will journey through the stages of oil discovery and development, its connection to human life, and its role in improving the quality of life, offering an informative experience that enables them to appreciate oil’s significance and future influence.

The participants also discussed the museum’s role in promoting cultural and environmental awareness about oil, reviewing future projects and programs to educate future generations, encourage research and innovation, and deepen understanding of the relationship between energy, the economy, society, and the environment.

They underscored the importance of collaboration between cultural and research institutions and the private sector—such as the King Abdullah Petroleum Studies and Research Center (KAPSARC)—to contribute to documenting oil’s history, envisioning its future, and fostering dialogue among the fields of art, technology, and economics in support of sustainable development goals.

This initiative is part of the commission’s strategy to activate the role of regional museums as community institutions that connect the past with the present and open avenues for cultural interaction, thereby strengthening national identity and contributing to building a vibrant cultural future for the Kingdom. It also falls within the series of monthly public meetings organized by the commission as part of its general cultural program.



AlUla Royal Commission, National Museum of Asian Art Strengthen Cooperation Through Residence Program

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
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AlUla Royal Commission, National Museum of Asian Art Strengthen Cooperation Through Residence Program

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)
The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage. (SPA)

Saudi Arabia’s Royal Commission for AlUla has strengthened its cultural partnership with the National Museum of Asian Art, part of the Smithsonian Institution in Washington DC, by launching the “Rawi in Residence” program, with the participation of storytellers Atif AlBalawi and Wedad Yaseen.

The initiative is part of the commission’s efforts to promote international cultural dialogue and highlight the region’s exceptional cultural heritage, reported the Saudi Press Agency on Sunday.

The program is the first public-facing initiative under the partnership agreement between the commission and the museum. It was delivered through three interactive sessions involving museum visitors, families, curators, guides, and specialists in heritage and culture.

During the program, the two storytellers led a series of talks and interactive experiences highlighting AlUla’s cultural landscape and historical sites. They also highlighted its historical role as a major hub of cultural exchange along the Incense Route, drawing on storytelling and heritage interpretation techniques.

The initiative builds on field visits and the exchange of expertise between the commission and the museum, which contributed to shaping the “Rawi” concept and incorporating it into the museum’s summer program in Washington. This strengthened shared understanding of heritage interpretation methods and enhanced the visitor experience in line with the highest international standards.

The program is aligned with the Royal Commission for AlUla’s objectives of empowering AlUla’s young men and women and showcasing their capabilities at international forums. It builds on previous participation by storytellers at prominent global venues in Beijing, the UNESCO pavilion at the Venice Biennale, and the organization’s headquarters in Paris.

These efforts are in line with the objectives of Saudi Vision 2030 to celebrate Saudi national heritage and strengthen its cultural presence on the international stage.


Athens Is Cleaning Its All-Marble Olympic Stadium for the First Time in More Than a Century

A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
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Athens Is Cleaning Its All-Marble Olympic Stadium for the First Time in More Than a Century

A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)
A worker cleans the marble surfaces of the Panathenaic Stadium, also known as "Kallimarmaro," or beautiful marble, which hosted the first modern Olympic Games in 1896, using a high-pressure water hose during renovation work in Athens, Greece, Thursday, Aug. 13, 2026. (AP Photo/Thanassis Stavrakis)

It has welcomed marathon runners, rock stars and the first modern Olympic athletes. Now it’s time for a monumental scrub.

Athens’ U-shaped Panathenaic Stadium — made entirely of white marble — is getting its first systematic cleaning in more than a century.

Rebuilt for the first modern Olympics in 1896, the site is the ceremonial send-off point for the Olympic flame, including for Los Angeles 2028.

A fresh look in Athens ahead of LA 2028 The stadium is made of the same glittering marble used on the Acropolis, making the cleanup job delicate.

The work is revealing a monument changed by time, weather and millions of visitors. Cleaners in white and blue overalls move across the stadium’s 47 steep tiers with thin spray lances, using clean water at carefully controlled, low pressure. Machines vacuum up the runoff as they go.

“The goal of cleaning is not to make everything white. It’s to remove the dirt and the first layers of organic material that are deposited on the surface,” said Dimitris Selemis, a senior conservator at the site.

“The idea is to clean all the material that (contains) dirt from the surface, so we have a better understanding of the monument,” he said, noting that there is more weed growth and dirt in areas that receive less direct sunlight.

Crews are also using steam to remove blotches of chewing gum, which have turned black over time. Stadium officials say chewing gum, high heels and soft-drink stains are among the main culprits that stain the marble.

Now slowly being revealed, the original gleaming look of the venue earned it the widely used Greek nickname “Kallimarmaro,” or beautiful marble.

“We call it Kallimarmaro because it is made of the finest marble, the best that was ever produced ... We are very proud of it,” Isidoros Kouvelos, president of the Hellenic Olympic Committee, told The Associated Press in an interview.

“It needed to be cleaned of everything that has accumulated over all these years," he said. "This way the Panathenaic Stadium will show all its brilliance and will once again be the foremost monument of humanity for the Olympic Movement.”

Built into a natural ravine, the stadium’s site was used for ancient Greek athletic contests and later Roman spectacles before falling into centuries of disuse.

An African celebration planned in Athens Since its 1896 revival, it has staged fashion shows, rock concerts, boxing matches and national celebrations — as well as lavish patriotic ceremonies ordered by a military dictatorship in the 1960s.

Today, it’s a popular draw for tourists. Apart from the cleanup, the Kallimarmaro is also getting a new track, upgraded lighting and fresh support facilities. The project is privately funded by a shipping company and overseen by the Hellenic Olympic Committee with guidance from Culture Ministry experts.

The work will continue through 2026 but is currently concentrated on the stadium’s “sling,” or curved end, in time for the next torch-passing ceremony on Sept. 10.

That will be for the Dakar Youth Olympics, scheduled for Oct. 31-Nov. 13 in Senegal, which will be the first Olympic competition ever hosted in Africa.

IOC President Kirsty Coventry, a swimming gold medal winner from Zimbabwe, is due to attend the Sept. 10 ceremony, Kouvelos said.


Italian Police Recover Stolen Renoir, Cezanne and Matisse Worth 9 mn Euros

Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
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Italian Police Recover Stolen Renoir, Cezanne and Matisse Worth 9 mn Euros

Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS
Carabinieri officers pose with three paintings by Paul Cezanne, Henri Matisse and Pierre-Auguste Renoir recovered after they were stolen from the Magnani Rocca Foundation in Mamiano, Italy, in this handout image released on August 14, 2026. Carabinieri/Handout via REUTERS

Paintings by Renoir, Cezanne and Matisse worth over nine million euros which were stolen from a museum in Italy in March have been recovered, Italian police said Friday.

The paintings were taken by masked thieves from the villa of the Magnani Rocca Foundation, near Parma in northern Italy, in a heist that lasted under three minutes.

Video footage released by the police showed two thieves wearing headlamps and with their faces covered entering the villa by breaking through a window, Reuters reported.

They headed straight into the room where the three paintings hung and took them off the wall, before heading back to the window and passing them through to an accomplice waiting outside.

They made off with "Fish" by Auguste Renoir, "Still Life with Cherries" by Paul Cezanne, and "Odalisque on the Terrace" by Henri Matisse.

The Renoir is worth six million euros, the Cezanne three million and the Matisse some 20,000 euros, police said.

The Magnani Rocca Foundation -- 20 kilometres (12 miles) from Parma -- houses the collection of art historian Luigi Magnani, which also includes works by Durer, Rubens, Van Dyck, Goya and Monet.

The theft is the latest in a series of robberies targeting major museums in Europe.

Last October, thieves broke into the Louvre in Paris -- the most visited museum in the world -- in broad daylight, escaping in less than eight minutes with jewellery worth $102 million.