Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'
TT

Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

Saudi Museums Commission Announces Readiness to Open 'Black Gold Museum'

The Museums Commission organized a virtual meeting titled “Black Gold Museum: Connecting Art, Heritage, History, and Sustainable Development”, as part of a series of cultural meetings aimed at enhancing public awareness of museums' role in Saudi society and highlighting their importance in preserving national heritage and cultural identity.

The meeting featured the participation of Chairman of the Saudi Association for Energy Economics Dr. Majid Al-Moneef, Director of the Black Gold Museum Jack Persekian, and artist Dr. Ahmed Mater. The session was moderated by Atiyah Al-Rajhi, SPA reported.

Discussions explored the story behind the establishment of the Black Gold Museum and its role in showcasing the evolution of the oil industry and its profound impact on societies and the environment.

 

The museum presents an innovative artistic narrative that reflects the relationship between humans and oil, from its discovery as a raw material to its contemporary implications for life, the economy, and the environment.

 

The dialogue also addressed how the museum embodies historical and economic transformations and incorporates contemporary art methodologies to present its exhibits with the principles of sustainable development.

The Ministry of Culture, represented by the Museums Commission, is preparing to open the Black Gold Museum in the near future. The museum will be the first of its kind globally to present the story of oil from a humanistic perspective, illustrating its influence on people’s lives. They emphasized that petroleum has been a cornerstone of human progress and quality of life, contributing significantly to the advancement of modern civilization.

The speakers highlighted the museum’s role in documenting the history of oil and demonstrating its economic and environmental impacts on humanity. The Black Gold Museum offers a distinctive experience that sheds light on the Second Industrial Revolution through a rich and mature concept combining beauty and knowledge. Its contemporary artistic exhibits portray the human–oil relationship through an integrated artistic narrative inside a temporary exhibition hall.

 

Visitors will journey through the stages of oil discovery and development, its connection to human life, and its role in improving the quality of life, offering an informative experience that enables them to appreciate oil’s significance and future influence.

The participants also discussed the museum’s role in promoting cultural and environmental awareness about oil, reviewing future projects and programs to educate future generations, encourage research and innovation, and deepen understanding of the relationship between energy, the economy, society, and the environment.

They underscored the importance of collaboration between cultural and research institutions and the private sector—such as the King Abdullah Petroleum Studies and Research Center (KAPSARC)—to contribute to documenting oil’s history, envisioning its future, and fostering dialogue among the fields of art, technology, and economics in support of sustainable development goals.

This initiative is part of the commission’s strategy to activate the role of regional museums as community institutions that connect the past with the present and open avenues for cultural interaction, thereby strengthening national identity and contributing to building a vibrant cultural future for the Kingdom. It also falls within the series of monthly public meetings organized by the commission as part of its general cultural program.



A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
TT

A Rare First Edition of ‘Wuthering Heights’ Complete with Spelling Mistakes Is up for Auction

 A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)
A first edition of Emily Bronte's "Wuthering Heights", is on display for sale at Christie's auction house in London, Monday, June 15, 2026. (AP)

A rare first-edition copy of “Wuthering Heights,” complete with spelling mistakes, is up for auction for the first time in more than a century, as Emily Brontë’s tragic, tempestuous romance gains new fans through a big-screen adaptation.

Christie’s auction house said Monday that it's the first copy of the novel in the publisher’s original cloth binding to be auctioned since 1908. Only about 250 copies of the first edition were printed, and this one has been in a private library since shortly after its publication in 1847.

“The vast majority of surviving copies were rebound for collectors or libraries, meaning original cloth examples are now extremely scarce,” said Christie’s books and manuscripts specialist Mark Wiltshire.

Being sold along with a copy of sister Anne Brontë’s “Agnes Grey,” it’s expected to sell for between 400,000 pounds and 600,000 pounds ($540,000 and $800,000) at a June 30 auction in London. Both books carry the male pen names the sisters adopted to get published: Ellis Bell for Emily and Acton Bell for Anne.

“Wuthering Heights” was rushed to publication after the success of Charlotte Brontë’s “Jane Eyre,” and the first edition is notorious for its typographical errors including, Wiltshire noted, the occasional misspelling of the word “heights.”

Emerald Fennell ’s recent movie with Margot Robbie and Jacob Elordi as mismatched pair Cathy and Heathcliff is the latest work to be inspired by — and take liberties with — Brontë’s brooding, Gothic tale.

The novel shocked some critics when it was published, with one in 1848 decrying its “vulgar depravity and unnatural horrors.”

Since then, Wiltshire said, it has “moved beyond literature to become a cultural touchstone,” inspiring art, music — notably Kate Bush’s pop-operatic 1978 song — and multiple film adaptations.

“It remains a work that artists return to again and again because of its emotional force, its atmosphere, and its psychological intensity, ensuring its place not only in literary history but in wider cultural imagination,” Wiltshire said.


Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4
TT

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

Red Sea Film Foundation Extends 48-Hour Film Challenge Deadline to July 4

The Red Sea Film Foundation has extended the application deadline for the sixth edition of the 48-Hour Film Challenge to July 4, 2026, allowing more young Saudi citizens and residents the opportunity to take part in the initiative aimed at discovering and supporting emerging filmmakers, SPA reported.

Organized in partnership with the Red Sea International Film Festival, the French Consulate General in Jeddah, and Alliance Française, the challenge is open to aspiring filmmakers aged 18 to 25, SPA reported.

Participants will form creative teams and compete to produce a short film within 48 hours after completing specialized mentorship workshops.

The two winning teams will receive awards, while their team leaders will earn an artistic residency in France in 2027. The winning films will also be screened at the next edition of the Red Sea International Film Festival.


The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)
TT

The 91-Year-Old Weaving Venezuelan Ancestral Tradition into Art

 Venezuelan weaver Margarita Mora. (The New York Times)
Venezuelan weaver Margarita Mora. (The New York Times)

Though electric machines are now standard, the Venezuelan weaver Margarita Mora has clung to a mix of ancestral Indigenous and Spanish practices to create surprisingly modern work, reported the New York Times.

As she sat at her loom on the rooftop of her home in Mucuchies, a town high in the Venezuelan Andes, Margarita Mora, recalled the morning when, at 5, she delivered some wool her mother had spun to a local weaver in nearby Mitivivó. It was her first encounter with the very loom she would use for decades to come.

“This loom has made me very happy,” she said during an interview at her home in 2024. “When I learned to weave, I was able to buy my own clothes and shoes.”

It was also how she discovered the craft that she has dedicated her life to. All those decades ago, Mitivivó was a remote settlement with just a few families, set where the mountains met the sky. It was here that she began selling her weavings.

In most parts of the world, electric machines have replaced ancient weaving techniques, but Mora, who is 91 and tiny, wearing head scarves around her weathered face, has clung to a mix of ancestral Indigenous and Spanish traditions.

Her weavings have gained her a modest level of fame in Venezuela. For years, she was an instructor at the Moconoque School of Trade, Arts and Crafts, a nonprofit with the mission of preserving and promoting traditional crafts.

In 2008, her face adorned a huge billboard on the facade of a convention center hosting an art exposition in the city of Mérida, southwest of Mucuchies, along with two other weavers and former president Hugo Chávez. She has also received multiple honorary degrees.

*Silvia Benedetti for the New York Times