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Saudi Arabia Highlights Founding Role, Commitment to Global Cultural Cooperation

The Kingdom extended appreciation to the Republic of South Africa for its hospitality and efforts in organizing the Sixth Meeting of G20 Ministers of Culture - SPA
The Kingdom extended appreciation to the Republic of South Africa for its hospitality and efforts in organizing the Sixth Meeting of G20 Ministers of Culture - SPA
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Saudi Arabia Highlights Founding Role, Commitment to Global Cultural Cooperation

The Kingdom extended appreciation to the Republic of South Africa for its hospitality and efforts in organizing the Sixth Meeting of G20 Ministers of Culture - SPA
The Kingdom extended appreciation to the Republic of South Africa for its hospitality and efforts in organizing the Sixth Meeting of G20 Ministers of Culture - SPA

The Kingdom of Saudi Arabia reaffirmed its commitment to advancing culture as a driver of sustainable development and international collaboration during the Sixth Meeting of G20 Ministers of Culture, held under the Presidency of the Republic of South Africa.

The official statement of Minister of Culture Prince Bader bin Abdullah bin Farhan was delivered on his behalf by Assistant Minister of Culture Rakan AlTouq, SPA reported.

In the statement, the assistant minister underscored the Kingdom’s pioneering role in convening the first-ever G20 Ministers of Culture Meeting in 2020 under the Saudi Presidency, held under the theme “The Rise of the Cultural Economy: A New Paradigm.”

That milestone established culture as a universal public good and created an enduring platform for integrating culture into the global policy agenda — an initiative that continues to inspire successive G20 presidencies.

AlTouq commended the Republic of South Africa for its leadership in hosting this year’s meeting under the theme “Solidarity, Equality, and Sustainability.”

He expressed the Kingdom’s strong support for these priorities, emphasizing culture’s role in fostering inclusion, equality, and collective progress. He also emphasized the need for stronger international cooperation to position culture at the heart of sustainable development.

Reflecting the ambitions of Saudi Vision 2030, the statement spotlighted several initiatives that demonstrate the Kingdom’s continued engagement in global cultural efforts. Among them, the Virtual Museum of Stolen Cultural Objects, developed in partnership with UNESCO, stands as the first-of-its-kind global platform harnessing artificial intelligence to protect heritage and combat illicit trafficking.

Building on these efforts, the Kingdom is currently hosting a Conference on Combating Illicit Trafficking in Cultural Property, a milestone initiative that brought together international experts and institutions to address one of the most pressing challenges facing the culture sector today.

In addition, the Kingdom’s upcoming hosting of the UNESCO World Conference on Cultural Policies and Sustainable Development (MONDIACULT 2029) highlights Saudi Arabia’s ongoing efforts to work with international partners to develop cultural frameworks that empower communities and strengthen global cultural resilience.

In closing, the Kingdom extended appreciation to the Republic of South Africa for its hospitality and efforts in organizing the meeting, reiterating its readiness to collaborate with G20 partners to promote culture as a force for connection, sustainability, and shared human creativity.

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Culture

Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
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Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.

Culture

Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
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Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)

Sudanese authorities displayed ancient figurines, ornate vases and scarab-shaped amulets at a ceremony Tuesday in Port Sudan celebrating the recovery of more than 570 antiquities stolen from the national museum during the country's long-running war.

The artifacts, arranged on large tables under heavy security, were recovered after months of investigation and brought to the wartime capital of Port Sudan.

The National Museum in Khartoum, which housed some of Sudan's most important archaeological collections, was looted and badly damaged after the paramilitary Rapid Support Forces (RSF) seized the capital in the early days of its war with the army, its former ally.

At the time, satellite images showed trucks carrying artifacts west, towards the vast region of Darfur -- now completely under RSF control.

Since then, Sudanese authorities have worked with UNESCO and Interpol to track down the stolen items.

Authorities did not detail on Tuesday exactly how the artifacts were recovered.

"Sudan heritage is not only of national importance, it is a treasure of humanity," said UNESCO's representative in Sudan, Ahmed Junaid, referring to international efforts to combat illicit trafficking of cultural property.

"Many people do not know the value of the objects displayed on the tables, but they reflect the identity of the nation and its history," said Sudan's finance minister Gibril Ibrahim.

Khalid Aleisir, minister of information and culture, announced a "financial reward" for anyone returning antiquities to the authorities, without specifying an amount.

Officials estimate that the recovered items account for about 30 percent of the objects looted from the museum.

Still missing are the contents of the so-called "gold room", the museum's most valuable collection, which included ancient jewellery and 24-carat gold pieces, some nearly 8,000 years old.

Culture

Louvre Museum Says Shutting for the Day Due to Strike

People walk next to the Louvre Museum covered in snow in Paris, France, 07 January 2026. (EPA)
People walk next to the Louvre Museum covered in snow in Paris, France, 07 January 2026. (EPA)
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Louvre Museum Says Shutting for the Day Due to Strike

People walk next to the Louvre Museum covered in snow in Paris, France, 07 January 2026. (EPA)
People walk next to the Louvre Museum covered in snow in Paris, France, 07 January 2026. (EPA)

The Louvre Museum was forced to close on Monday due to strike action from staff in the latest disruption at the world's most-visited museum, management said.

"Due to public strikes, the Musee du Louvre is closed today," the museum said in a message posted on its website, informing disappointed tourists and art lovers that their entry tickets would be automatically reimbursed.

The museum closed for a full day last month and has been only partially open on several other days since.

Nearly three months after an embarrassing daylight heist, which has heaped pressure on Louvre bosses, staff are calling for more recruitment and better maintenance of the vast former royal palace.

Questions continue to swirl since the October 19 break-in over whether it was avoidable and why thieves were able to steal crown jewels worth more than $100 million.

Two intruders used a truck-mounted extendable platform to access a gallery containing the jewels, slicing through a glass door with disk-cutters in front of startled visitors before stealing eight priceless items.

As well as the robbery, two other recent incidents have highlighted maintenance problems inside the building, which chief architect Francois Chatillon has described as "not in a good state".

A water leak in November damaged hundreds of books and manuscripts in the Egyptian department, while management had to shut a gallery housing ancient Greek ceramics in October because ceiling beams above it risked giving way.