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AlUla Arts Festival to be Held in January with Diverse Artistic Programs

AlUla Arts Festival will hold its fifth edition from January 16 to February 14, 2026. SPA
AlUla Arts Festival will hold its fifth edition from January 16 to February 14, 2026. SPA
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AlUla Arts Festival to be Held in January with Diverse Artistic Programs

AlUla Arts Festival will hold its fifth edition from January 16 to February 14, 2026. SPA
AlUla Arts Festival will hold its fifth edition from January 16 to February 14, 2026. SPA

AlUla Arts Festival will launch its fifth edition on January 16, 2026, transforming Saudi Arabia's historic AlUla Oasis into a vibrant platform for contemporary art, design, and culture.

The edition, which lasts until February 14, is described as the festival’s broadest and most diverse to date, featuring art exhibitions, performances, and immersive experiences that enrich the region’s cultural and artistic landscape.

This year’s edition marks the return of Desert X AlUla in its fourth edition, alongside a global exhibition presented for the first time as part of the pre-opening program for the anticipated contemporary art museum in collaboration with the Centre Pompidou.

The festival offers its most extensive design program to date through Design Space AlUla, hosting the AlUla Design Exhibition and events featuring Saudi and international designers. A public cultural program will run in parallel, including live performances, immersive shows, and interactive educational activities.

Desert X AlUla 2026 returns from January 16 to February 28 with a new selection of artwork inspired by the theme “Space Without Measure,” drawn from the writings of Gibran Khalil Gibran. The installations act as luminous points, mapping an expansive realm of imagination that explores the interplay between art and nature.

“Arduna” Exhibition, which will be held from January 15 to April 15, features a curated selection of more than 80 artworks by artists from the Kingdom, the region, and around the world.

The exhibition highlights the relationship between humanity and nature and forms part of the preparatory program for the forthcoming Contemporary Art Museum in AlUla, presented in collaboration with the Centre Pompidou and the French Agency for AlUla Development (AFALULA).

During the festival, AlJadidah Arts District transforms into a dynamic creative hub, showcasing new artwork along Incense Road. The program also includes performances by the AlUla Music Hub and an exhibition by Saudi artist Sara Abdu at the Athr Gallery.

Meanwhile, Madrasat Addeera offers visitors direct interaction with artisans and demonstrations of how traditional crafts are being revitalized with a contemporary approach.

Moreover, Cinema AlJadidah will screen a selection of documentary and short films focused on art, while Design Space AlUla highlights the governorate’s growing role as a global creative hub through the AlUla Design Exhibition, along with works produced under its residency programs and the AlUla Design Award.

Villa Hegra will host a photography exhibition, featuring rare images from the early 20th century, alongside a contemporary visual show capturing desert scenes through the lens of Saudi filmmaker Saad Tahaitah.

AlUla will present “Vertige” in partnership with the Chaillot theater in France, with performers from AlUla's community.

In addition, art initiatives held in collaboration with the British Council will include “Reflections,” a fashion exhibition inspired by AlUla’s heritage.

At the nearby “Daimumah” site, visitors can enjoy an experience that blends art with nature through public-art workshops, planting sessions, and traditional-arts classes, offering a space that highlights the bond between people and place and the cultural identity of AlUla.

The AlUla Arts Festival 2026 offers an integrated artistic and cultural experience in one of the world’s notable natural and heritage destinations, further cementing AlUla’s position as an international platform for arts and creativity.

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Culture

Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
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Libyans Savor Shared Heritage at Reopened National Museum

Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)
Libyans visit the National Museum after its reopening, following a closure of more than a decade in the Libyan capital Tripoli on December 23, 2025. (AFP)

In a historic building in central Tripoli, Libyans wander past ancient statues and artifacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising.

"I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.

In the waterfront building known as the red citadel -- once the seat of power -- visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.

Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.

Libya plunged into chaos after a NATO-backed uprising toppled and killed longtime leader Moammar al-Gadhafi in 2011, and the country has struggled to regain stability.

Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based Government of National Unity and an administration based in Benghazi in the country's east.

Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".

Fearing looting and vandalism after Gadhafi's overthrow, the antiquities department removed "all the artifacts until the country re-stabilized", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.

- 'National symbol' -

Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.

She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".

This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.

The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.

Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna -- now a UNESCO World Heritage site east of Tripoli.

Another room is dedicated to stolen items that have since been returned, including from the United States and the United Kingdom, he added.

Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".

It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.

- 'Not without past' -

Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.

This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from Roman statues to stuffed animals in the natural history section.

The Tripoli government has invested more than five million dollars in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.

Fakroun said the six-year renovations were carried out in cooperation with the French mission and the ALIPH foundation -- the International Alliance for the Protection of Heritage.

The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.

Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".

She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilization".

Culture

Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
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Cultural Camp at King Abdulaziz Camel Festival Showcases Saudi Heritage

The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA
The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity - SPA

The cultural camp is a key feature of the 10th King Abdulaziz Camel Festival, held in Al-Sayahid desert. The camp celebrates authentic Saudi heritage and reinforces culture as a cornerstone of national identity, according to SPA.

It offers a range of programs, including live performances and interactive events, that highlight camels' historical significance in Arab culture and illustrate the values of patience, strength, and belonging.

The camp has attracted over 2,000 guests from 71 nationalities, emphasizing its global appeal as a cultural platform for diversity and tradition.

Visitors engage with cultural content through innovative methods that merge authenticity with modern technology, enhancing awareness of the camel's cultural legacy. This initiative aligns with Saudi Vision 2030 by preserving heritage and connecting younger generations with their roots.

Culture

Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
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Tuwaiq Sculpture 2026 Announces 25 Participating Artists for Seventh Edition

The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA
The 2026 edition features a month-long live sculpting phase alongside a community engagement program - SPA

Under the Royal Commission for Riyadh City and Riyadh Art, Tuwaiq Sculpture has announced the selection of 25 artists for the seventh edition of the annual sculpture symposium and exhibition, taking place from January 10 to February 22, 2026.

This year’s edition unfolds under the curatorial theme “Traces of What Will Be,” inviting artists to reflect on how sculptural form can express the physical, cultural and conceptual traces that shape the future of cities and communities, SPA reported.

A total of 25 artists from 18 countries, including Saudi artists, have been selected for the seventh edition. Their proposals reflect a diverse range of artistic approaches, responding to the theme through explorations of transformation, place, and materiality.

Director of the Tuwaiq Sculpture Symposium Sarah Alruwayti said: "The seventh edition of Tuwaiq Sculpture received more than 590 applications, reflecting the cultural diversity and global interest in the symposium. The selection of the 25 participating artists was carried out by a jury of industry experts and specialists. Their proposals show meaningful engagement with the theme and reflect the strength and diversity of contemporary sculptural practice. We look forward to welcoming them to Riyadh for the creation of new works that will become lasting additions to the city.”

Building on the evolving material practice of the symposium, Tuwaiq Sculpture 2026 introduces two sculpting categories: granite with optional stainless-steel integration and reclaimed metal. Twenty artists will work in granite, while five will create new works in reclaimed metal. Over four weeks, they will produce large-scale sculptures that will later be added to Riyadh Art’s permanent public art collection.

The 2026 edition features a month-long live sculpting phase alongside a community engagement program, inviting visitors to witness the creation of artworks and take part in panel discussions and workshops. The symposium will conclude with a public exhibition showcasing the completed sculptures from its seventh edition.