New Discoveries Bridge Chronological Gap between Nabataean, Early Islamic Periods in AlUla’s Wadi al-Qura

The study presents, for the first time, detailed evidence documenting a historical phase in Wadi al-Qura (modern-day AlUla) spanning the 3rd to 7th centuries CE. (SPA)
The study presents, for the first time, detailed evidence documenting a historical phase in Wadi al-Qura (modern-day AlUla) spanning the 3rd to 7th centuries CE. (SPA)
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New Discoveries Bridge Chronological Gap between Nabataean, Early Islamic Periods in AlUla’s Wadi al-Qura

The study presents, for the first time, detailed evidence documenting a historical phase in Wadi al-Qura (modern-day AlUla) spanning the 3rd to 7th centuries CE. (SPA)
The study presents, for the first time, detailed evidence documenting a historical phase in Wadi al-Qura (modern-day AlUla) spanning the 3rd to 7th centuries CE. (SPA)

A joint research team from the Saudi Arabia’s Royal Commission for AlUla (RCU) and the French National Centre for Scientific Research (CNRS) published a new peer-reviewed paper in “Arabian Archaeology and Epigraphy, one of the leading international journals dedicated to Arabian Peninsula and Middle Eastern archaeology.

The study presents, for the first time, detailed evidence documenting a historical phase in Wadi al-Qura (modern-day AlUla) spanning the 3rd to 7th centuries CE.

An RCU statement said the research focuses on a period long regarded as a knowledge gap between the end of the Nabataean era and the beginning of the early Islamic period in northwest Arabia, a time traditionally assumed to have witnessed a widespread decline in settled occupation across sites such as Tayma, Khaybar, and Hegra.

Building on fieldwork from the Dadan Archaeological Project, a collaboration between RCU, CNRS, and AFALULA, the study compiles findings from three consecutive excavation seasons (2021–2023) at an archaeological mound located within the boundaries of the Dadan site, less than one kilometer south of ancient Dadan.

Excavations uncovered a substantial structure built in the late 3rd or early 4th century CE and occupied continuously until the first half of the 7th century CE. This discovery provides the first integrated archaeological evidence of sustained settlement in the region from the early 5th to the early 7th century CE.

The findings reveal a clear architectural and cultural sequence, featuring a network of organized rooms and courtyards, a central square equipped with a well, basin, and water channels, as well as evidence of agricultural practices, crop storage, food production, and craft activities, indicating a stable, structured community.

The study adopts a multidisciplinary approach, incorporating ceramic and lithic analysis, archaeobotany, zooarchaeology, and geoarchaeology. Together, these methods offer new insights into diet, agriculture, and the oasis environment during this extended period.

Collectively, the results challenge long-held assumptions about the history of Wadi al-Qura. Rather than experiencing a complete interruption in settlement between the 4th and 6th centuries CE, the region appears to have hosted a continuous, well-organized community with advanced architectural planning and internal water-management systems, illustrating social and economic continuity up to the eve of the Islamic era.

Commenting on the study, Vice President of Culture within RCU’s Tourism Sector Dr. Abdulrahman AlSuhaibani, who is also a principal contributor to the research, said that "these findings reveal an important chapter in the history of Wadi al-Qura and show that AlUla was part of a vibrant settlement network in the centuries preceding the rise of Islam.”

“This research enriches our understanding of local communities in northwest Arabia and further reinforces AlUla’s position as a place of enduring cultural continuity,” he added.

This achievement reflects RCU’s commitment to advancing world-class archaeological research and building international partnerships with leading scientific institutions.

It supports the ongoing rediscovery of AlUla’s heritage and strengthens its role as a global reference for the study of Arabian history, aligning with Saudi Vision 2030 objectives to boost cultural tourism, grow the knowledge economy, and protect natural and cultural heritage.



AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
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AlUla’s Cultural Legacy Takes Center Stage at the Marvels of Saudi Orchestra

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)
The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall. (SPA)

The Music Commission's Marvels of Saudi Orchestra concert at AlUla's Maraya Hall showcased the region's rich cultural heritage by seamlessly blending traditional folk arts into a professional, contemporary symphonic performance.

The event featured renowned local folk arts integrated into an artistic tableau, demonstrating Saudi heritage's ability to thrive in modern contexts while maintaining its historical depth, the Saudi Press Agency reported.

This successful convergence of global musical standards and local tradition further establishes AlUla as a premier international hub for creative and cultural expression.


Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine
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Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

Saudi Cultural Development Fund Debuts at Davos to Showcase Culture as Economic Engine

The Cultural Development Fund (CDF) successfully concluded its participation at the 2026 Annual Meeting of the World Economic Forum, held from January 19 to 23 in Davos, Switzerland, marking a historic and groundbreaking presence for Saudi culture at the world’s premier economic event.

Hosted at the Saudi House, the CDF engaged over 200 international experts, including leading economists and investors, through a series of dynamic activities such as a networking breakfast, panel discussion, and beneficiary talks on the NextOn platform. The CDF emphasized culture not only as a form of artistic and creative expression, but also as a vital economic driver and a strategic pillar for national development, SPA reported.

Reinforcing this vision, CDF CEO Majed Al-Hugail highlighted in a Davos panel Saudi Arabia's belief in culture as a pivotal force for economic diversification and quality of life. By 2030, he stated, the cultural sector is set to contribute $48 billion to GDP, create more than 346,000 jobs, and attract 22 million visitors.

The CDF also underscored the critical role of financing in empowering entrepreneurship and amplifying the economic potential of the cultural sector. Notable participants in the NextOn talk series included Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, who addressed “Culture as Economic Infrastructure: Unlocking Human Capital Through the Creative Industries.” Additionally, CEO of the Arabian Housing & Building (AHB) Company Eng. Khalid Alhenaidy contributed insights during a session titled “The Value in Cultural Assets.”

Looking ahead, the CDF organized six strategic side meetings aimed at exploring new opportunities and fostering collaborations to accelerate the development of the Saudi cultural sector and attract global investment. It also distributed 150 copies of the comprehensive investment report, Saudi Cultural Market Outlook 2025: Vision, Impact, and Opportunities, developed in partnership with the Ministry of Culture, the Ministry of Investment, and the Invest Saudi initiative.

Furthermore, the CDF showcased Saudi creativity by exporting 60 cultural products from Samuda, a fashion-sector beneficiary brand, highlighting the growing economic significance of the Saudi fashion market.

This milestone reflects the CDF’s commitment to serving as a center of excellence and financial enabler for the Kingdom’s cultural sector. It underscores ongoing efforts to elevate Saudi culture on the global stage, maximizing its economic and social impact in alignment with the ambitious objectives of Saudi Vision 2030.


Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
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Five Artists Shortlisted for the Seventh Edition of Ithra Art Prize

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA
The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine) - SPA

The King Abdulaziz Center for World Culture (Ithra) announced the five shortlisted artists for the seventh edition of the Ithra Art Prize, which celebrates artists from or based in the 22 Arab countries.

Recognized as one of the most distinguished honors in the Middle East, the Prize is dedicated to empowering artists, fostering innovation, and deepening cultural dialogue across the Arab world.

The shortlisted artists are Aseel AlYaqoub (Kuwait), Bady Dalloul (Syria), Heba Y. Amin (Egypt), Ala Younis (Jordan), and Jawad Al Malhi (Palestine), SPA reported.

Head of Ithra’s Museum Farah Abushullaih said: “The development and expansion of the Ithra Art Prize since its launch have established it as an important platform for artistic expression.

This year’s shortlist reflects the incredible diversity, creativity, and critical thought shaping contemporary art in the Arab world. The open call received more than 500 artistic submissions, which underwent an initial review process before a selected group of works was evaluated by the jury.”

She added that the award, in its current edition, is witnessing an expansion in scope compared to previous years, as the judging panel is providing production grants to the five finalists, with their works to be showcased in a dedicated exhibition at the King Abdulaziz Center for World Culture (Ithra) during the spring of 2026.