Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
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Top Prosecutor: Louvre Heist Probe Still Aims to Recover Jewelry

FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)
FILE - People wait for the Louvre museum to open, Thursday, Dec. 18, 2025 in Paris. (AP Photo/Thibault Camus, File)

French investigators remain determined to find the imperial jewels stolen from the Louvre in October, a prosecutor has told AFP.

Police believe they have arrested all four thieves who carried out the brazen October 19 robbery, making off with jewelry worth an estimated $102 million from the world-famous museum.

"The interrogations have not produced any new investigative elements," top Paris prosecutor Laure Beccuau said this week, three months after the broad-daylight heist.

But the case remains a top priority, she underlined.

"Our main objective is still to recover the jewelry," she said.

That Sunday morning in October, thieves parked a mover's truck with an extendable ladder below the Louvre's Apollo Gallery housing the French crown jewels.

Two of the thieves climbed up the ladder, broke a window and used angle grinders to cut glass display booths containing the treasures, while the other two waited below, investigators say.

The four then fled on high-powered motor scooters, dropping a diamond-and-emerald crown in their hurry.

But eight other items of jewelry -- including an emerald-and-diamond necklace that Napoleon I gave his second wife, Empress Marie-Louise -- remain at large.

Beccuau said investigators were keeping an open mind as to where the loot might be.

"We don't have any signals indicating that the jewelry is likely to have crossed the border," she said, though she added: "Anything is possible."

Detectives benefitted from contacts with "intermediaries in the art world, including internationally" as they pursued their probe.

"They have ways of receiving warning signals about networks of receivers of stolen goods, including abroad," Beccuau said.

As for anyone coming forward to hand over the jewels, that would be considered to be "active repentance, which could be taken into consideration" later during a trial, she said.

A fifth suspect, a 38-year-old woman who is the partner of one of the men, has been charged with being an accomplice but was released under judicial supervision pending a trial.

Investigators still had no idea if someone had ordered the theft.

"We refuse to have any preconceived notions about what might have led the individuals concerned to commit this theft," the prosecutor said.

But she said detectives and investigating magistrates were resolute.

"We haven't said our last word. It will take as long as it takes," she said.



Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.


Makkah Quran Museum Displays Rare ‘Blue Quran’ Manuscript

The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)
The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)
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Makkah Quran Museum Displays Rare ‘Blue Quran’ Manuscript

The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)
The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)

The Holy Quran Museum in the Hira Cultural District in Makkah is displaying a rare folio from the famed “Al-Muṣḥaf Al-Azraq” (Blue Quran), featuring verses from Surah Al-Baqarah, from the end of verse 37 to the beginning of verse 42, reported the Saudi Press Agency on Monday.

The exhibit highlights the richness of Islamic Quranic heritage and its ancient artistic legacy.

The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. It was written in pure gold ink in early Kufic script on a deep blue background, reflecting a distinctive artistic style that underscores early Muslims’ reverence for the Quranic text and their dedication to the aesthetics of its calligraphy.

Dating back to the 9th century, the manuscript holds exceptional historical and scholarly value. It stands as a testament to the development of Arabic calligraphy and illumination during the early Islamic period.

Surviving pages of the Blue Quran are extremely rare and are now dispersed among a limited number of museums and private collections worldwide.

The display forms part of the museum’s efforts to introduce visitors to the history of the mushaf and the artistic stages of its transcription, offering access to extraordinary examples of Quranic manuscripts.

The initiative aims to deepen cultural awareness and enrich the experience of visitors to the Hira Cultural District from within the Kingdom and abroad.

The Holy Quran Museum serves as a cultural and educational landmark, highlighting the history of the Quran and its journey since the revelation. It houses rare manuscripts and historic copies of the Quran, alongside interactive exhibits and modern technologies that reflect Muslims’ enduring devotion to the Quran throughout the centuries, in a location closely associated with the dawn of the Islamic message.


Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.