French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.



Twice a Year, a Golden Sunbeam Illuminates a 3,000-Year-Old Pharaonic Temple

 Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)
Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)
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Twice a Year, a Golden Sunbeam Illuminates a 3,000-Year-Old Pharaonic Temple

 Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)
Tourists crowd to film the sun as it sends a beam of light into the Great Temple of Ramses II's dark inner chamber in Abu Simbel, 870 kilometers (540 miles) south of Cairo, Egypt, Thursday, Oct. 22, 2026, a rare 3,200-year-old astronomical ceremony that happens twice a year. (AP)

Hundreds of tourists from around the world and locals gathered at dawn Thursday at a temple in southern Egypt, with some sleeping outside it overnight to witness a solar phenomenon that has taken place here for millennia.

Twice a year, on Oct. 22 and Feb. 22 — dates believed to mark the ascension of Ramesses II to the throne and his birthday — the sun sends a beam of light into the Great Temple of Ramses II’s dark inner chamber to illuminate the statues of the pharaoh and two gods beside him.

The illumination, a result of the temple's alignment with the sun, lasts about 20 minutes.

“Today is a very special day, as you can see. It’s a celebration and a historic holiday," Hisham Khela, a local tour guide for Italian tourists, told The Associated Press.

Egyptology enthusiasts and other visitors stood in a messy single-file line with phone cameras in hand, some with selfie sticks and most with bags under their eyes from waking up so early. Although huge crowds turned up, they looked tiny beside the giant statues lining the temple, which overlooks the Nile.

To mark the phenomenon, colorfully dressed performers scattered in front of the temple smiled and danced in unison to meditative chimes, the percussion of the tabla and the distinct sound of mizmars, an ancient Egyptian trumpet.

Inside the temple, visitors huddled tightly in near-total darkness in front of the statues of Ramesses II and the gods Amun-Ra and Ra-Horakhty, lit by a beam of sunlight that traveled about 60 meters (200 feet) into the temple, according to the National Research Institute of Astronomy and Geophysics.

For first-timers, ancient history created modern memories.

Janice Souudi, who traveled from Atlanta, Georgia, said it was her first time in Egypt, and she said it won’t be her last.

“I came here today for the huge temple statues and how well preserved they are. But I was most impressed with the colors of the carvings and hieroglyphics and imagery," she said. "Beautiful, stunning, worth it!”

In the 1960s, archaeologists carried out a massive project to dismantle and relocate the temple, moving it out of the path of rising waters created by the Aswan High Dam.

Engineers took care to preserve the temple’s alignment with the sun, so that more than 3,000 years after it was built, the light still finds its way inside.


AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
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AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)

Archaeological excavations and research are continuing at Dadan in AlUla as part of the 2026–2027 archaeology season, launched by the Royal Commission for AlUla in AlUla and Khaybar.

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia.

Photographs taken by the Saudi Press Agency (SPA) have documented ongoing excavations at Dadan, focusing on funerary and residential areas as part of the second phase of the archaeological project. Building on five years of research, the work aims to trace the development of the ancient city and provide further insights into patterns of human settlement and daily life.

This season's work includes specialized archaeological studies and digital documentation of historical sites and findings.

Saudi specialists and university students are also participating in fieldwork and research, gaining practical experience and developing their skills in excavation, documentation, and archaeological analysis.

In Khaybar, research projects are exploring the relationship between people and the ancient oasis across different historical periods.

The projects involve studying ancient environments, sediment records, and natural resources, while other studies trace human activity in Khaybar from the Neolithic period through the Islamic eras.

The work is part of the Royal Commission for AlUla's efforts to support scientific research, preserve cultural heritage, and develop national expertise in archaeology and documentation. Together, these efforts aim to expand knowledge of the region's history and successive civilizations.


Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts
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Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

The Saudi Visual Arts Commission has signed a memorandum of understanding with Cité Internationale des arts in Paris to strengthen collaboration, exchange expertise in the visual arts, and explore areas of cooperation that support artists and practitioners and broaden their access to artistic, cultural, and professional exchange.

Areas of collaboration include developing visual arts-related initiatives and residency programs, exploring opportunities to involve local and international artists and talent in programs organized by both parties, and supporting Saudi artists and expanding their opportunities to connect with the global art scene, SPA reported.

The two parties will also collaborate on organizing joint initiatives and exhibitions, exchanging expertise and knowledge, and engaging experts and professionals in mentorship, professional guidance, and talent development initiatives.

The MoU forms part of the commission’s efforts to support the visual arts ecosystem in Saudi Arabia, strengthen international cultural exchange and collaboration, and expand opportunities for artists and cultural practitioners to engage and develop professionally, in line with the objectives of Saudi Vision 2030 to support the growth of the cultural sector, empower practitioners, and enhance the Kingdom’s cultural presence internationally.