India’s Historic Haveli Homes Caught Between Revival and Ruin

 This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)
This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)
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India’s Historic Haveli Homes Caught Between Revival and Ruin

 This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)
This photograph taken on February 2, 2026 shows a hospitality staff arranging tableware at the Dharampura Haveli, an 18th-century haveli-turned-heritage hotel in the old quarters of Delhi. (AFP)

Once the grand residences of Mughal-era nobility, the Indian capital's haveli homes now stand at a fragile crossroads -- a handful lovingly restored but many more sliding quietly into ruin.

Across Old Delhi -- the 17th century walled city founded as the Mughal capital Shahjahanabad -- cracked facades, shuttered gateways and sagging balconies tell the story of a heritage under siege from neglect, inheritance battles and relentless urban pressure.

Only a few restored pockets provide a glimpse of what once was -- airy courtyards, carved sandstone pillars and homes built around a deeply social way of life.

Inside one restored mansion that now houses a cultural center, sunlight filters through stained glass onto carved sandstone arches, the air infused with freshly polished wood and rosewater.

Musicians tune their instruments in a frescoed courtyard, where nobles may once have entertained guests, offering a rare peek into Old Delhi's rich architectural past.

But outside in the narrow lanes of Old Delhi's Chandni Chowk district, the contrast is stark.

Many havelis are abandoned or on the verge of collapsing, their carved facades fading beneath peeling paint.

The contrast reflects two futures -- one of careful restoration and the other of gradual decay.

- 'Who will pay?' -

The Kathika Cultural Centre's founder Atul Khanna said his initiative hoped to create an immersive cultural space inside a restored structure.

But he admitted that conservation in Old Delhi remains a huge challenge.

Many havelis are split among multiple heirs, with no single stakeholder willing or able to invest in costly upkeep.

"When there are multiple ownerships, that becomes a challenge," he said.

"If the haveli is decaying, who is going to spend the money?"

Khanna also blamed bureaucratic hurdles for discouraging restoration.

"There should be some kind of a single window for anyone who is working with heritage," he said, arguing that easing red tape would be more effective than offering subsidies for restoration.

Another prominent restoration is the 18th century Haveli Dharampura, now converted into a heritage hotel.

"Restoration in Old Delhi is still isolated unless there is sustained support and awareness," said Vidyun Goel, whose family owns the property.

Residents say family disputes and the push to convert properties into shops or apartments have led to rapid decline.

In nearby Roshanpura, only a scattering of old homes still stand. Among them, the century-old Mathur ki Haveli is a rare example of a lived-in heritage home.

- Showpiece projects -

"We are in love with this house," said Ashok Mathur, a fourth-generation resident who continues to live in the ancestral property despite mounting challenges.

Wooden ceilings are deteriorating, floors are wearing thin and doors require constant repair, he said, walking through rooms that bear only traces of intricate craftsmanship.

Still, he said he has never considered leaving -- although he can only imagine the social world that once defined haveli life.

"There is no community left," Mathur, 56, said. "We are living in a cocoon."

Conservationist K. T. Ravindran said that while Old Delhi is economically vibrant, its havelis suffer from unclear titles and multiple claimants.

"Often buildings that look intact from outside conceal deeper damage," he said, noting that the condition was worse in the inner lanes hidden from public view.

Ravindran said revival was still possible, but only through neighborhood-level regeneration rather than isolated showpiece projects.

Oral historian Sohail Hashmi said each haveli once formed part of "a larger social ecosystem of neighborhoods, crafts and traditions", with architecture and community deeply intertwined.

As Khanna put it, the loss goes beyond architecture.

"When you lose a haveli, you are not only losing the structure," he said.

"Every element in it is a piece of art."



Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
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Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)

City fountains became impromptu rehearsal spaces this weekend as yodelers at a festival in Basel, Switzerland, squeezed in last-minute practice while cooling off during Europe’s June heat wave.

At one fountain, a folk band dipped their toes in the water on Saturday, as festivalgoers clapped along or cooled their hands under the flowing stream.

From Friday to Sunday, singers and alphorn players filled the streets and spontaneous bursts of yodeling echoed through restaurants, where diners initially reacted with surprise before joining in.

In Petersplatz, in central Basel, seamstresses remained on call throughout the festival to repair the traditional Alpine folk costumes worn by participants in case of emergency.

This year, however, it was the fountain rehearsals that became the festival’s defining image, as the city battled record temperatures of around 39 degrees Celsius (102 degrees Fahrenheit).

Around 12,000 performers and nearly 200,000 visitors traveled to Basel for the Eidgenössisches Jodlerfest, Switzerland’s national yodeling festival. It was the first time the northwestern Swiss city hosted the event since 1924.

Swiss yodeling was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in December 2025, making this the first national festival since the tradition received international recognition. It is a distinction many Swiss take great pride in.

Unlike the brighter, more melodic style often associated with Austria and the Tyrol region, Swiss yodeling is slower and more melancholic — an emotionally nuanced tradition rooted in distinct regional dialects.

"I’ve always loved music, and I left here as a child. When I moved back to New Zealand, I wanted to stay connected to Swiss culture, so I joined a New Zealand-Swiss-Kiwi yodeling club,” said Freddie Conquer, a member of Jodlerclub Echo Basel, one of the clubs hosting the festival.

The participants competed in three disciplines: yodeling, alphorn playing and flag-throwing.

The alphorn is a long wooden instrument traditionally used by herdsmen in the Alps. It can stretch to more than 3 meters (10 feet) in length, with its sound carrying across valleys — or, during the festival, through Basel’s streets. It produces all of its pitches using natural harmonics alone, with no valves or keys.

“Everything is down to the mouthpiece, hearing the note in your head, and then using your lips to shape the pitch. The higher the note, the harder you have to blow,” said Pierre-André Karlen, who was rehearsing on a school lawn.

On Sunday morning, participants gathered outside the town hall, eagerly awaiting the competition results. Members of Jodlerklub Balfrin, from the town of Visp in the canton of Valais, were nervously examining the lists and later celebrated loudly after receiving a perfect score of one, one of several such teams.

As flags were carried through the old town during the festival’s closing parade, members of Jodlerklub Muttenz rode past on a tractor to cheers from the crowd. Alphorn players followed — their instruments and costumes almost certainly a burden in the heavy heat, but the smiles remained.


GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo
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GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo

The General Authority for Statistics (GASTAT) said that 75.3% of Saudi Arabia's population visited venues hosting cultural events or activities in 2025. The figure highlights growing cultural momentum and increasing public participation in cultural events across the Kingdom.

The data was released as part of an initiative identified by the Arabic phrase, transliterated as "Raqam Saudi" ("Saudi Number"). The initiative aims to showcase national achievements, promote national pride and citizenship values, and demonstrate the role of official statistics in tracking progress toward the goals of Saudi Vision 2030 and sustainable development.

Under the initiative, the authority publishes a range of statistics each month through its social media platforms. The initiative highlights the Kingdom's economic, social, and developmental transformation while reinforcing the role of official statistics in raising public awareness.

The initiative targets government entities and their clients, media professionals and outlets, social media users, opinion writers, and the international community. It aims to promote the dissemination of statistical content and expand the use of official data.

GASTAT said the initiative highlights national collaboration in achieving development goals by tracking and measuring progress through statistical indicators. It also raises public awareness of the role of statistics and data in monitoring the country's development.


12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation
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12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation

The 12th edition of the Saudi Film Festival has opened at the King Abdulaziz Center for World Culture (Ithra), an initiative of Saudi Aramco, bringing together prominent figures from the local, regional, and international film communities, as well as filmmakers, film critics, and cinema enthusiasts from across the industry.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival runs from June 26 to July 2, 2026, under the theme “Every Story is a Journey.” The theme celebrates filmmaking as a creative journey that begins with the spark of an idea and scriptwriting, moves through the challenges of production, and culminates in screening, where stories meet their audiences, SPA reported.

This year’s edition received 314 submissions, including 249 films and 65 production market projects. A total of 27 films were selected for the official competitions, while six films will be presented in parallel screenings, bringing the festival lineup to 50 films from more than 15 countries.

Participating films will compete for nine Golden Palm Awards across feature-length fiction, short fiction, and documentary categories, highlighting Saudi, Gulf, Arab, and international cinematic talent.

The festival program also features specialized panel discussions, masterclasses, training workshops, book-signing sessions for publications from the Saudi Cinema Encyclopedia, and the “Meet the Experts” program, which offers one-on-one mentoring sessions with professionals in production, directing, editing, film criticism, festival programming, and project development.