How France Fell for Re-imagined 19th-Century Workers’ Canteens

A general view shows the diner room of French brasserie Bouillon Chartier, on July 24, 2013, in Paris. (AFP)
A general view shows the diner room of French brasserie Bouillon Chartier, on July 24, 2013, in Paris. (AFP)
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How France Fell for Re-imagined 19th-Century Workers’ Canteens

A general view shows the diner room of French brasserie Bouillon Chartier, on July 24, 2013, in Paris. (AFP)
A general view shows the diner room of French brasserie Bouillon Chartier, on July 24, 2013, in Paris. (AFP)

So-called bouillon restaurants are mushrooming all over France, reviving a traditional low-cost Gallic meal concept that can compete with fast-food on prices and easily beat it on quality.

"It's exploding! 253 bouillon restaurants have opened in France in four years," Bernard Boutboul, a restaurant consultant, told AFP.

"It's an ultra-intensive expansion, driven by a trend of returning to traditions, with the reappearance of iconic French dishes at very low prices."

Created in the 1850s by the butcher Adolphe-Baptiste Duval to fill workers' stomachs with hearty meals, Duval's ran 250 restaurants in the capital by the turn of the 20th century.

That made them France's first mass chain of restaurants, serving traditional recipes at low prices in high-volume and bustling restaurants.

But as eating habits changed, with higher quality and more expensive brasseries dominating the French food market, and international and fast-food trends appearing, the bouillon concept fell out of favor.

Its revival began in 2005 with the resurrection of the Bouillon Chartier, an ornate Parisian landmark that had been slowly fading.

"A bouillon is the gateway to French gastronomy," explained Christophe Joulie, part of the gastronomic family who took over the Chartier.

He modernized the kitchens and put beef bourguignon with macaroni back on the menu.

"For me, you have to be able to have a starter, main course and dessert for under 20 euros," he said.

With its leek vinaigrette for one euro and bills scribbled on paper tablecloths by apron-clad waiters, the restaurant hums with activity as locals and tourists alike pack out its tables, which crucially cannot be reserved.

"In a world where fast food is taking up more space, it's French-style fast food, because we serve a full dish for less than a sandwich at McDonald's," said Joulie.

- 'Dust off' -

Even multi-Michelin-starred French chef Thierry Marx has got in on the act, attracted by the idea of providing quality food at affordable prices.

He has opened a bouillon in a northern Paris suburb.

"In the 1960s, it took the equivalent of an hour of the minimum wage to eat at a bistro," he told AFP. "Today, with an hour of minimum wage, you only get fast food, something from the bakery -- or a bouillon dish."

Other restaurateurs with a keen eye for the market have sensed an opportunity.

"We looked at needs and changing habits and realized there was demand for intergenerational social spaces with no price-based exclusion," Enguerran Lavaud, director of Groupe Bouillon Restaurants, told AFP.

"I wanted to dust off the bouillon -- its mass-market French dishes available from noon to midnight."

Boosted by its Instagram presence, his Bouillon Pigalle now serves 2,300 customers a day, often with long queues along the pavement.

Since 2017, the concept has spread, attracting more and more restaurateurs across France from Angers to Nancy and Toulouse.

Some are adapting the concept.

In the Romainville suburb northeast of Paris, a family of Mauritian origin took over a large brasserie in 2026 to turn it into a "Mauritian-style bouillon".

There is an Italian bouillon in Paris too.

Industry insiders say they do not fear competition around what has become a "bouillon culture".

"But there are bouillons and bouillons: those that can't sustain the low prices over time, and whose menus change all the time, won't make it to 2027 or 2028 because you have to protect the quality of the experience to protect volume - and therefore prices," warned Lavaud.

According to consultant Bernard Boutboul, you specifically need "at least 300 seats and not exceed an average bill of 18 euros".



Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
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Heat Forces Yodelers at Annual Swiss Festival to Sing in Fountains

 Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)
Yodelers prepare for TV broadcast on the main festival stage at Petersplatz in Basel, Switzerland, Saturday, June 27, 2026. (AP)

City fountains became impromptu rehearsal spaces this weekend as yodelers at a festival in Basel, Switzerland, squeezed in last-minute practice while cooling off during Europe’s June heat wave.

At one fountain, a folk band dipped their toes in the water on Saturday, as festivalgoers clapped along or cooled their hands under the flowing stream.

From Friday to Sunday, singers and alphorn players filled the streets and spontaneous bursts of yodeling echoed through restaurants, where diners initially reacted with surprise before joining in.

In Petersplatz, in central Basel, seamstresses remained on call throughout the festival to repair the traditional Alpine folk costumes worn by participants in case of emergency.

This year, however, it was the fountain rehearsals that became the festival’s defining image, as the city battled record temperatures of around 39 degrees Celsius (102 degrees Fahrenheit).

Around 12,000 performers and nearly 200,000 visitors traveled to Basel for the Eidgenössisches Jodlerfest, Switzerland’s national yodeling festival. It was the first time the northwestern Swiss city hosted the event since 1924.

Swiss yodeling was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in December 2025, making this the first national festival since the tradition received international recognition. It is a distinction many Swiss take great pride in.

Unlike the brighter, more melodic style often associated with Austria and the Tyrol region, Swiss yodeling is slower and more melancholic — an emotionally nuanced tradition rooted in distinct regional dialects.

"I’ve always loved music, and I left here as a child. When I moved back to New Zealand, I wanted to stay connected to Swiss culture, so I joined a New Zealand-Swiss-Kiwi yodeling club,” said Freddie Conquer, a member of Jodlerclub Echo Basel, one of the clubs hosting the festival.

The participants competed in three disciplines: yodeling, alphorn playing and flag-throwing.

The alphorn is a long wooden instrument traditionally used by herdsmen in the Alps. It can stretch to more than 3 meters (10 feet) in length, with its sound carrying across valleys — or, during the festival, through Basel’s streets. It produces all of its pitches using natural harmonics alone, with no valves or keys.

“Everything is down to the mouthpiece, hearing the note in your head, and then using your lips to shape the pitch. The higher the note, the harder you have to blow,” said Pierre-André Karlen, who was rehearsing on a school lawn.

On Sunday morning, participants gathered outside the town hall, eagerly awaiting the competition results. Members of Jodlerklub Balfrin, from the town of Visp in the canton of Valais, were nervously examining the lists and later celebrated loudly after receiving a perfect score of one, one of several such teams.

As flags were carried through the old town during the festival’s closing parade, members of Jodlerklub Muttenz rode past on a tractor to cheers from the crowd. Alphorn players followed — their instruments and costumes almost certainly a burden in the heavy heat, but the smiles remained.


GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo
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GASTAT: 75.3% of Saudi Arabia's Population Visited Cultural Event Venues in 2025

The General Authority for Statistics (GASTAT) logo
The General Authority for Statistics (GASTAT) logo

The General Authority for Statistics (GASTAT) said that 75.3% of Saudi Arabia's population visited venues hosting cultural events or activities in 2025. The figure highlights growing cultural momentum and increasing public participation in cultural events across the Kingdom.

The data was released as part of an initiative identified by the Arabic phrase, transliterated as "Raqam Saudi" ("Saudi Number"). The initiative aims to showcase national achievements, promote national pride and citizenship values, and demonstrate the role of official statistics in tracking progress toward the goals of Saudi Vision 2030 and sustainable development.

Under the initiative, the authority publishes a range of statistics each month through its social media platforms. The initiative highlights the Kingdom's economic, social, and developmental transformation while reinforcing the role of official statistics in raising public awareness.

The initiative targets government entities and their clients, media professionals and outlets, social media users, opinion writers, and the international community. It aims to promote the dissemination of statistical content and expand the use of official data.

GASTAT said the initiative highlights national collaboration in achieving development goals by tracking and measuring progress through statistical indicators. It also raises public awareness of the role of statistics and data in monitoring the country's development.


12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation
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12th Saudi Film Festival Opens at Ithra with Broad International Participation

12th Saudi Film Festival Opens at Ithra with Broad International Participation

The 12th edition of the Saudi Film Festival has opened at the King Abdulaziz Center for World Culture (Ithra), an initiative of Saudi Aramco, bringing together prominent figures from the local, regional, and international film communities, as well as filmmakers, film critics, and cinema enthusiasts from across the industry.

Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival runs from June 26 to July 2, 2026, under the theme “Every Story is a Journey.” The theme celebrates filmmaking as a creative journey that begins with the spark of an idea and scriptwriting, moves through the challenges of production, and culminates in screening, where stories meet their audiences, SPA reported.

This year’s edition received 314 submissions, including 249 films and 65 production market projects. A total of 27 films were selected for the official competitions, while six films will be presented in parallel screenings, bringing the festival lineup to 50 films from more than 15 countries.

Participating films will compete for nine Golden Palm Awards across feature-length fiction, short fiction, and documentary categories, highlighting Saudi, Gulf, Arab, and international cinematic talent.

The festival program also features specialized panel discussions, masterclasses, training workshops, book-signing sessions for publications from the Saudi Cinema Encyclopedia, and the “Meet the Experts” program, which offers one-on-one mentoring sessions with professionals in production, directing, editing, film criticism, festival programming, and project development.