On Arab Palm Day, AlUla Celebrates Agricultural Heritage Spanning Generations

AlUla is home to more than 4.2 million palm trees covering 16,484 hectares - SPA
AlUla is home to more than 4.2 million palm trees covering 16,484 hectares - SPA
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On Arab Palm Day, AlUla Celebrates Agricultural Heritage Spanning Generations

AlUla is home to more than 4.2 million palm trees covering 16,484 hectares - SPA
AlUla is home to more than 4.2 million palm trees covering 16,484 hectares - SPA

Palm trees are an integral part of AlUla Governorate's agricultural landscape and social and economic history. They remain a prominent feature of the governorate as a major crop and a source of food and income, coinciding with Arab Palm Day, observed annually on September 15.

According to SPA, AlUla is home to more than 4.2 million palm trees covering 16,484 hectares, while the governorate produces around 130,000 tons of dates annually.

These figures reflect the importance of palm trees to the governorate's agricultural sector and the significance of dates within its food production system.

Arab Palm Day highlights the importance of the palm tree in the Arab environment and culture. The designation of Arab Palm Day originated from a proposal submitted by Iraq's Ministry of Agriculture to the Arab League in 1981 to establish an annual day highlighting the palm tree and its importance across Arab countries.

In Saudi Arabia, the palm tree holds a firmly established place in the agricultural, cultural, and economic landscape. AlUla is among the most prominent examples, with its long-standing association with palm cultivation and its oases reflecting an agricultural heritage passed down through generations.



Huge Van Gogh Collection Reunited for First Time Since 1984

Vincent Van Gogh's "The Potato Eaters." (Getty Images)
Vincent Van Gogh's "The Potato Eaters." (Getty Images)
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Huge Van Gogh Collection Reunited for First Time Since 1984

Vincent Van Gogh's "The Potato Eaters." (Getty Images)
Vincent Van Gogh's "The Potato Eaters." (Getty Images)

A Dutch museum Tuesday put its entire collection of 88 paintings by Vincent Van Gogh on display for the first time since 1984, featuring masterpieces such as "The Potato Eaters".

The Kroller-Muller museum in central Netherlands holds one of the world's largest private collection of paintings by the 19th century Dutch master, but they are rarely displayed together.

"This makes it one of the largest Van Gogh exhibitions of this century," the museum said in a statement, with the display opening to the public from Tuesday until January.

Alongside "The Potato Eaters", the artist's world-famous depiction of peasant life from 1885, the collection includes "Terrace of a Cafe at Night" (1888) and "The Old Tower at Neunen" (1884).

"The exhibition presents all the paintings in relation to the three divine virtues: faith, hope and love," said the museum.

"These three themes play a central role in Van Gogh's life and work. Through his art, he aims to offer hope and comfort to others."

The post-Impressionist painter is among the most celebrated and prolific artists in history, creating around 900 paintings over a short career.

He produced many of his best-known works during his time in France, where he painted masterpieces, including the famous "Sunflowers" series and a number of well-known self-portraits.

The artist died in 1890 at the age of 37, two days after shooting himself in the chest following well-documented mental health struggles.

Most of the works acquired in Tuesday's exhibition, entitled "Van Gogh, All Our Paintings", were acquired by the museum's founder Helene Kroller-Muller between 1908 and 1930.


Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector

Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector
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Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector

Saudi Culture Ministry Issues Guide on Ethical Use of AI in Cultural Sector

Saudi Arabia's Ministry of Culture has issued a guide on the ethics of using artificial intelligence in the cultural sector, one of the products of the Cultural Policy Lab.

The guide aims to promote informed, responsible and fair practices in using AI technologies across the creative industries and mitigate the risks of misuse. It balances harnessing AI’s potential with preserving the authenticity of Saudi creativity and culture.

The guide can be downloaded through the ministry’s website.

The guide covers 11 cultural sectors and targets cultural institutions and practitioners, as well as AI technology developers. It outlines potential forms of misuse in each sector and provides guidance to help cultural-sector workers keep pace with emerging technologies and use them responsibly. It also seeks to promote innovation that supports the sector’s development and growth and raise awareness of ethical and unethical practices related to AI use.

The guide is based on seven guiding principles: cultural safety and authenticity; ownership and attribution of creative works; transparency, explainability and lawful data use; ethical and fair use of AI; AI as a tool to empower creativity; enhancing access to cultural content; and protecting data privacy and security.

The guide stresses that humans remain responsible for the creative vision and final artistic output, while AI should serve as a supporting tool that enhances creators’ capabilities. It calls for disclosure of AI use, obtaining the necessary approvals, verifying the integrity of data and outputs, and respecting copyright and intellectual property rights.

The guide aligns with guidelines issued by the Saudi Authority for Intellectual Property (SAIP) and is consistent with UNESCO’s Recommendation on the Ethics of Artificial Intelligence, as well as relevant frameworks issued by the Saudi Data & AI Authority (SDAIA).

The guide is a non-binding document, with applicable laws and regulations in Saudi Arabia remaining the overriding reference.


Brazil is in Fashion, as Brazilians Like to Say. Here’s Why

A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
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Brazil is in Fashion, as Brazilians Like to Say. Here’s Why

A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)

Brazil is having a moment. Celebrities and record numbers of tourists donning green, yellow and blue are flooding into the country. Brazilian culture — from its Oscar-nominated films to funk music — is taking the world by storm. Global fashion brands and influencers are leaning into the hype.

For decades, Brazilians have lamented that the country and its cultural makeup and output have long gone under-appreciated in what has become known as the “mongrel complex”, The Associated Press said.

But as attention from abroad pours in and consolidates itself in 2026, some say a shift may be underway with the rise of “caramelo pride” — a ubiquitous celebration by Brazilians of caramel-colored street mutts that have come to represent the country.

Here’s a look at the phenomenon.

Brazilcore kicks off the trend

Brazil has captured the world’s attention and admiration before, and Brazilians cyclically observe that “Brasil está na moda,” or Brazil is in fashion.

Many trace the current popularity of the phase to 2023, when Brazilcore, a fashion trend featuring the colors of the Brazilian flag and inspired by Brazilian culture, gained widespread global traction. Celebrities including Bad Bunny, Emily Ratajkowski, Hailey Bieber, Tina Kunakey, Sabrina Carpenter, Alex Consani and Addison Rae have all participated in the trend.

Fashion was “very rigid, with many uniformized clothes. Suddenly came this wave from Brazil showing more skin, using more color,” said Néli Pereira, a PhD candidate at the University of Sao Paulo in cultural studies who specializes in Brazil. The spontaneity and vivid color palettes resonated amid a craving for more light-heartedness.

Recently, the popularity of Brazilcore has morphed into a massive, multi-faceted global phenomenon that celebrates “brasilidade,” or Brazilianness, moving beyond fashion to include music, dance, cinema and sport.

Trend seen in fashion, increased tourism and star power

Brazilcore can be spotted on high streets around the world and takes the forms of bikinis, micro-shorts, crochet pieces, soccer shirts and accessories. Brands including fast fashion giants, such as Zara and H&M, have put out tops in green and yellow or emblazoned with Rio de Janeiro, while Chanel, Jil Sander and Schiaparelli have all made references to Brazil’s national colors.

The hype around Brazil has also translated into record numbers of tourists visiting the country. More than 9 million tourists came to Brazil last year, a 37% increase compared with 2024. Jokes on the internet abound about the CPF — an individual’s fiscal identity in Brazil — being the new sought-after green card.

In Rio, visitors head to Rocinha favela, kitted out in Brazilcore, and pay for footage of themselves striding out onto a terrace, plonking themselves down as a drone captures the scene before panning out to capture Rio’s stunning urban landscape. These videos have gone viral in recent months.

“If you don’t do the video with the drone, it’s as if you didn’t come to the favela,” said Eduardo Maristany, a 30-year-old tourist from Barcelona, who recently partook in a tour of Rocinha. Like many others, he chose the country as a destination after seeing an influx of videos on social media about Brazil’s famed favelas, beaches and parties.

It’s not just tourists who are engaging with Brazil. Madonna, Lady Gaga and Shakira performed free shows on Copacabana Beach in 2024, 2025 and 2026 respectively, drawing at least a million concert-goers each time, according to Rio City Hall numbers.

And in 2024, Bruno Mars posted a video of himself dancing to funk music, seemingly getting a Christ the Redeemer tattoo on his chest and posing with a caramelo dog. With more than 13 million likes on Instagram, the video ends with the words: “I love you Brazil.” Rosalia and Dua Lipa have also professed their love for Brazil online.

Meanwhile, Brazilian culture — from Anitta’s funk music to Academy Award-nominated films such as ‘I’m Still Here’ and ‘The Secret Agent’ — is being celebrated on the world’s biggest stages and across the internet, turbocharging Brazil’s soft power.

Brazil is renowned for its complexity and online presence It's frequently said about the country that “Brazil is not for amateurs.” The oft-repeated phrase taps into the complexity of the continental-sized country, where exuberant celebrations of life – epitomized by Carnival — coexist alongside violence, poverty and political scandals reminiscent of telenovelas.

Brazil’s ambiguities “make sense in a world filled with conflicts, inequalities and scarcity,” said Bruno Pompeu, a professor at the University of Sao Paulo’s school of communications and arts.

The country’s formidable presence online is also contributing to the current wave of interest in Brazil. Brazil — with a population of over 200 million — is one of the most connected countries in the world and social media users are showcasing the country’s seemingly infinitely multilayered culture.

“Brazil pulsates creativity and has this very particular characteristic of interacting on the internet in a collective manner. It’s common for content to be quickly transformed into memes and cultural references,” said Eduardo Lorenzi, general director of operations for Latin America at TikTok.

Brazilians are known for their high engagement, a much-sought-after characteristic in the attention economy.

Courtney Henning Novak, a Californian and prolific reader and writer, developed an online community composed mostly of Brazilian followers after her rave review of a 1881 book by Brazilian author Joaquim Maria Machado de Assis went viral.

“Brazilians love to comment. I get more messages than I can keep up with, and there’s a lot of positive energy,” she said.

For the global entertainment industry, brands, event organizers, businesses and influencers, Brazil represents a key market and an exceptionally valuable fan base.

Vitor Oliveira, a 36-year-old tour guide from Rocinha, credits social networks for the explosion of tourism in his neighborhood. “Influencers coming here were a game changer and primordial to the increase of tourism in Rio and especially in Rocinha,” he said.

Beyond digital engagement, Brazil’s current moment in the spotlight is the result of a confluence of factors involving politics, diplomacy, culture and economics, said Pereira, pointing to policies that support the showcasing of Brazilian culture and a huge effort to attract tourists by Embratur, Brazil’s government tourism agency.

Brazil's popularity might begin to fade

Like all trends, this one is likely to fade, experts say, predicting that the upcoming election and the return of political polarization may diminish the association of yellow and green with joy.

French comedian Paul Cabannes, who is based in Sao Paulo and has millions of followers across different platforms, posts humorous content about Brazil and has watched as the number of foreigners producing content almost exclusively about Brazil soared.

“It’s a formula that’s getting a bit tired. I think it’s harder to succeed doing this than before,” he said.

In an increasingly multipolar world, many Brazilians believe that the country’s soft power is here to stay. But Pereira predicts that Brazil’s “mongrel complex” will resurface if the current attention from abroad fades. “Once people stop giving us those little pats on the head, it’ll all come back," she said.