Review: Tom Hanks’ Novel Shares Inside Look at Moviemaking 

Tom Hanks. (AP)
Tom Hanks. (AP)
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Review: Tom Hanks’ Novel Shares Inside Look at Moviemaking 

Tom Hanks. (AP)
Tom Hanks. (AP)

“The Making of Another Motion Picture Masterpiece,” by Tom Hanks (Knopf)

There may be no one better suited to tell the tale of how a movie gets made than Hollywood icon and master of the motion picture Tom Hanks.

His debut novel follows the life of a story from its inspiration to when it hits the silver screen. The fictional tale captures the magic of the process, yes, but also the crawling, detail-packed moviemaking step, presented just so in the bulk of the novel.

The first act takes place in the ’70s, introducing readers to Robby Anderson, a 5-year-old with a knack for drawing comic strips, and his hero and Marine veteran uncle, Bob Falls. When Uncle Bob exits Robby’s life as quickly as he entered it, all Robby has left of him is a comic likeness he drew of his uncle as a World War II flamethrower superhero.

Robby grows up to create a fully fledged comic strip based on said character, and after fast-forwarding to present day, the strip is discovered in a collection of old comics by genius movie director Bill Johnson, who’s seeking inspiration for a Marvel-esque superhero movie he’s itching to make.

From there, the novel takes readers by the hand through the ins and outs of moviemaking. Straying from the plot frequently to delve into the many, many characters involved, not a detail is spared. Readers leave each lengthy introduction knowing the character’s drink of choice, relationship history and sense of humor.

Perhaps at its heart, this novel acts as a thank you to the unsung heroes of movie production. Drivers, makeup artists and personal assistants alike all get a shot in the spotlight, sometimes at the expense of some semblance of any story progression.

At one point, Bill’s agent says his script has “too many scenes, too many characters, too many pages and not enough conflict.” The same could be said for this novel, but if you have the patience to sit back and get to know each lovingly crafted character as much as Hanks wants you to, you can learn some interesting aspects of moviemaking and get a glimpse of what it takes to make a motion picture masterpiece.



Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
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Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)

Eminem's latest album, “The Death of Slim Shady (Coup de Grâce),” has debuted at No. 1 on the Billboard 200, unseating Taylor Swift's "The Tortured Poets Department" after 12 weeks.
In its first week, “The Tortured Poets Department” hit 891.34 million album streams stateside, according to Luminate, the biggest streaming week for an album in history, The Associated Press said.
Swift's album debuted at No. 1 in April and held the top spot for three months. She is the only woman to have done so; Swift beat the previous record held by Whitney Houston's 1987 album, “Whitney.” It spent its first 11 weeks at No. 1.
“The Tortured Poets Department” tied Morgan Wallen's 2023 album “One Thing at a Time,” which also debuted at No. 1 and stayed there for 12 consecutive weeks. (It would later remerge at the top spot, spending 19 weeks total at No. 1.)
The only album to outperform them is Stevie Wonder’s 1976 masterpiece, “Songs in the Key of Life.” It spent 13 weeks at No. 1 after debuting in the top spot; 14 weeks there in total.
“The Death of Slim Shady (Coup de Grâce)" is Eminem's 12th album and his 11th to hit No. 1. “The Tortured Poets Department” dropped to No. 4 as a result. In the second slot is K-pop boy band ENHYPHEN's “ROMANCE:UNTOLD” and irreverent country Zach Bryan's “The Great American Bar Scene” is at No. 3.