Erykah Badu Basks in Her New Era of Reinvention and Expansion 

Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)
Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)
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Erykah Badu Basks in Her New Era of Reinvention and Expansion 

Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)
Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)

Erykah Badu has unintentionally occupied the role of culture shifter and influencer for 20 plus years, well before it became a trendy, social media descriptor. Her impact has vibrated throughout music and fashion, and the “Green Eyes” songstress sees it clearly.

“I can hear my influence in music. I can see my influence style,” explained the four-time Grammy winner. “I hear my words resonated all over the world...So yeah, I can see it.”

That cultural cache may be why her collaboration with Italian fashion house Marni has been so anticipated. The Marni x Erykah Badu capsule was released in select US Marni boutiques last month. The 42-piece collection features women's ready-to-wear garments, including dresses, accessories and footwear, accented with handmade leather patchwork, heavy wools, bold sequins and lush velvets. Badu, 52, who is known for her creative and eccentric style, was hands on in all aspects.

“I’ve worked the same way in every area of my life; on stage I’m doing sound, I’m doing lighting, set design, costume, hair, makeup,” said Badu, whose 18-year-old daughter Puma modeled for the campaign. “I’m involved in everything. I am a creator. I am a visionary...we put those things together and came up with something really creative.”

Claire Sulmers, CEO of the influential style blog Fashion Bomb Daily, says Badu's versatility has made her a muse for designers.

“She is a trendsetter, but she’s always marched to the beat of her own drum...she can work anything, from a designer you might find at a flea market, to a runway,” said Sulmers, who called Badu an icon. “I think that is what can be attributed to her collaborating with brands because a lot of these brands that might have been under the radar or off the radar, now they’re like, ‘Whoa, there’s this beautiful woman who is an amazing artist, who also has an amazing style, and we want to work with her.’”

As Badu enters the fashion industry and launches other business ventures, the singer-songwriter is keeping her feet firmly planted in music with a tour on the horizon. In a wide-ranging video interview with The Associated Press, Badu discussed her businesses and creativity.

The line between entertainer and philosopher is often blurred when conversing with the “Next Lifetime” artist. When asked what makes her happy, she mentions her diet; when questioned about the creation of her classic records, she brings up the latest theories on the formation of the pyramids.

Her aura has a warm, but intense gravitational pull, and there’s a long-running joke that one can’t look into her eyes without falling into a trance — a myth Badu embraces. She has embarked through life with a creative fearlessness.

“If I’m a little nervous or afraid, I feel brave because of the confidence,” said Badu, who has served as both a birthing and end-of-life doula for the past two decades. “That has always driven my creativity and art. So, it’s easy to be a non-conformist, especially when you feel confident that there’s no such thing as losing because even those moments are lessons. I take all the information and use them to reinvent myself each day.”

Badu has helped bring babies into the world for friends, family and even celebrity mothers like singers Summer Walker and Teyana Taylor, stating the relationships happen organically, and she only agrees if she can dedicate the time. There’s no website or phone number to request the “Love of My Life” singer's doula services, at least not yet.

“(If) the money gets tight, then we’ll see,” she joked.

A champion for Black women and free thinking, she’s not only in an era of reinvention, but expansion.

Draped in Afrocentric garb including statuesque headwraps and ankh jewelry, Badu teleported into the music scene in 1997 with her debut album, “Baduizm.” It earned her a best new artist Grammy nomination and a best R&B album win.

A pioneer of the '90s neo-soul movement with contemporaries like Maxwell, D’Angelo and Jill Scott, Badu crafted soulful classics like “On & On,”“Tyrone,”“Bag Lady,”“Didn’t Cha Know” and “Window Seat.” Her last official project was 2015’s “But You Caint Use My Phone” mixtape.

“I’m always working on new music. I don’t know when I’ll put it out, but I’m waiting for the right time,” said the 2018 Soul Train Legend honoree. “I like to feel necessary for my real audience. My real audience is trees and wind and rain, air — ancestors and things like that.”

Badu says music is the star that her other businesses orbit around.

“Everything is vibration and sound, from the sound of the birds that I’ve heard since I was a child... (to) the clothes I wear — the clothes in my Marni line all have bells on them,” explained the Dallas native, who still resides in the city. “So, if I associate everything with music, it’s very easy for me to create...there’s a variety of things I listen to throughout the day, from wind chimes in the morning to Brent Faiyaz in the afternoon to Bach — I mean, there’s just so many different things. I just love music and frequency. It is my therapy.”

One of her most impactful musical contributions didn’t come from a hit, but from the lesser-known “Master Teacher Medley” on 2008’s “New Amerykah Part One (4th World War)” album. Produced by Shafiq Husayn, that song is largely credited with reintroducing the term “stay woke” — with collaborator Georgia Anne Muldrow chanting those words — to a new generation.

“From the time they started using it for Black Lives Matter (social protests), it was out of my hands because it kind of doesn’t really belong to us anymore,” said Badu, who describes the phrase as a person’s heighted awareness of everything going on around them.

However, when conservatives made the term a political lightening rod, Badu decided to speak out.

“It got a little out of hand. That’s why I had to say something about it, because people were starting to use it as a weapon,” she continued. “If it gets into the wrong hands...I’ve gotta interfere and bring it back in.”

Badu, who has an upcoming Funko Pop! figure that sold out during pre-order, is prepping for a highly anticipated 25-date tour kicking off this month. Yasiin Bey, the hip-hop star formerly known as Mos Def, will join her for the “Unfollow Me” tour.

“I just want people to follow their own heart,” said the active social media user, giggling at the cheekiness of the title. “It’s about your journey.”

As Badu, who will appear in the upcoming film “The Piano Lesson” starring Samuel L. Jackson and John David Washington, continues her own odyssey, her outlook is one of gratefulness and optimism.

“When I open my eyes in the morning, I say, ’Still here! Got another chance today do some good (expletive), create some great (expletive) — be challenged by people and make the right choices. Another chance to discriminate between things that are useful in my brain...(and) thoughts that are not,” she revealed. “That’s woke. That’s awareness — knowing that there is adversity, but also using the tools that you have to navigate through your world.”



Tom Cruise Touts ‘Wild’ Dark Comedy ‘Digger’ to Theater Owners

 Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
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Tom Cruise Touts ‘Wild’ Dark Comedy ‘Digger’ to Theater Owners

 Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)
Cast member Tom Cruise and director Alejandro Gonzalez Inarritu of the upcoming film "Digger" react during the Warner Bros. Pictures presentation at CinemaCon, the official convention of Cinema United, in Las Vegas, Nevada, US, April 14, 2026. (Reuters)

Tom Cruise said he took four decades of acting to get to a place where he could play the eccentric oil tycoon at the center of an upcoming dark comedy, "Digger."

Cruise introduced the first images from the movie on Tuesday at the CinemaCon convention of theater owners in Las Vegas.

They showed the 63-year-old transformed into the character Digger Rockwell, an older man with thinning gray hair, a beer belly, a Southern accent and a fondness ‌for cats.

In ‌the movie, Rockwell inadvertently unleashes an ecological disaster that ‌carries ⁠the world to ⁠the brink of nuclear war, before scrambling to try and save the planet.

"It took 40 years to be able to put on the boots of Digger Rockwell and play the many, many layers of this character," Cruise said. "The movie is wild, it's funny, and I can't wait for you all to see it."

The Warner Bros movie is set ⁠to debut in theaters in October.

Cruise was joined on ‌stage by the film's director, four-time Oscar ‌winner Alejandro Inarritu.

The maker of "Birdman" and "The Revenant" said he and Cruise first discussed ‌the film seven years ago.

Cruise, who was filming "Top Gun: Maverick" ‌at the time, said he had been an admirer of Inarritu's films and rushed over to the director's house on his motorcycle when he asked to meet.

"We know that he is fearless: the stunts, the planes, the jumps," Inarritu ‌said of Cruise. "But I have to say, I think this is another kind of fearless. This ⁠role possibly could ⁠be (his) most challenging," adding, "It was a high-wire act."

Cruise kicked off a celebrity-studded presentation of upcoming films from Warner Bros, the studio coming off a year of commercial success and 11 Oscars. It is in the process of being sold to Paramount Skydance in $110-billion deal.

Zendaya, Timothee Chalamet and Jason Momoa touted "Dune: Part Three," the conclusion to the sci-fi series due for release in December. The film is set 17 years after the events of the second "Dune" movie.

"The years don't seem to have been kind to anyone on Dune," Zendaya said, explaining where the series picks up. "It's been a really difficult, challenging, ungentle and unkind few years, and I think there's so much left still to fight for."


Billy Crystal Will Return to Broadway in One-Man Show About the House He Lost to LA Wildfires

Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
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Billy Crystal Will Return to Broadway in One-Man Show About the House He Lost to LA Wildfires

Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)
Billy Crystal arrives at the Vanity Fair Oscar Party on March 2, 2025, at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif. (AP)

Billy Crystal will return to Broadway this fall in a very intimate one-man show that will take the audience into his family's longtime Los Angeles home that was leveled in wildfires.

“860,” written and performed by the Tony- and Emmy-winner, will begin previews this October at a theater to be revealed later. The title comes from the street address for the home Crystal and his family lived in for 46 years, a house lost in last year's devastating Palisades fires.

“I invite you to come inside 860 and I’ll tell you all the funny and touching things that happened there, not only in my career but to our family,” Crystal said in a statement. “It’s a joyous and heartfelt visit, about how with the love of family and friends and your inner strength, you can get through tough times.”

This is Crystal’s first return to Broadway following his “Mr. Saturday Night,” which he premiered in 2022 and earned Tony nominations for best book and lead actor in a musical. Scott Ellis will direct his new work.

Crystal has had success with one-man shows before. He turned his memoir “700 Sundays” into a stage show — in 2004 and revived in 2013 — that won him a Drama Desk Award in 2005.

The Palisades and Eaton fires erupted in Jan. 7, 2025, killing 31 people and destroying about 13,000 homes and other residential properties. The fires burned for more than three weeks and clean-up efforts took about seven months.

At the televised fundraising concert FireAid, held at the end of January 2025, Crystal appeared as the first host in the same clothes he was wearing when he fled his family home.

Crystal said he returned to the wreckage of his home and began to wail: “I had not cried like that since I was 15 and I was told that my father had just died.” His daughters soon found a rock in the wreckage with the word “Laughter” engraved in it.

Crystal made a name for himself first in comedy, from stand-up to TV’s “Soap” to the films “When Harry Met Sally” and “City Slickers.” Then in 1992, he got serious with the movie “Mr. Saturday Night,” which he directed, co-wrote and starred in.


Inside the Fireproof Vault Housing US Movie History

Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
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Inside the Fireproof Vault Housing US Movie History

Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)
Nitrate Film vault Leader George Willeman explains how the different functions of the vault work at the Packard Campus of the Library of Congress' National Audio-Visual Conservation Center in Culpeper, Virginia, on April 2, 2026. (AFP)

Once upon a time in the golden days of Hollywood, the movies were bigger, the stars brighter and the celluloid they were filmed on was, well, explosive.

Which is why the US Library of Congress maintains a special, fireproof vault in Virginia, near Washington, DC.

There, the highly combustible nitrate film used from the dawn of cinema in the 1890s until the early 1950s has a permanent home, rarely accessed by the public but toured by AFP.

Lost movies on the volatile but durable medium are still being discovered and preserved in the facility. And thanks to digitization, the lost treasures can also be safely viewed for the first time in decades.

Some 145,000 film reels are stored in strictly fireproof conditions in a vast, chilly vault at the library's National Audio-Visual Conservation Center in Culpeper, Virginia.

It is crammed with cinematic treasures that rekindle warm memories of an era when movies ruled.

The vault's leader, George Willeman, reeled off the names of classics with negatives there: "Casablanca," Frank Capra-directed films like "Mr. Smith Goes to Washington," and the grand-daddy of all action movies, "The Great Train Robbery" from 1903.

Down a spartan corridor so long it seemed to recede into the distance, he unlocked a series of cell-like steel doors.

Inside each of the 124 cells -- there's one dedicated just to the Disney archive -- were floor-to-ceiling cubby holes.

Each one held film canisters containing negatives and prints, all arranged meticulously: packed tight to prevent canisters from opening, but far enough apart to prevent any fire from spreading.

Since being set up in 2007 in a former US Federal Reserve building in the foothills of the Blue Ridge Mountains, the vault has maintained a perfect no-fire record.

- Film nerds' delight -

Nitrate film is just part of the center's collection of more than six million items of moving images and recorded sound. They also have supporting scripts, posters and photos.

Willeman, who sports a button badge with the invocation to "Experience Nitrate," said the Library of Congress began preserving the medium when in the 1960s, "it was discovered that so much film was being lost" due to fires and defunct companies throwing negatives away.

With the American Film Institute, the library began collecting and copying nitrate film, including the holdings of big Hollywood studios - RKO, Warner Brothers, Universal, Columbia and Walt Disney.

They also tapped the personal collections of film icons like movie impresario and silent era star Mary Pickford and motion pictures inventor Thomas Edison, whose early studio produced hundreds of films.

"We're 50 some years in, and it (the collection) just keeps growing," Willeman said.

With the arrival of digital media, the mission has expanded beyond preservation for purists and cinema historians -- who say movies just look better on nitrate footage -- to putting old films online.

"Now we can make them available for everybody, which to me, being the film nerd I've been since, like, third grade, is just amazing."

Nitrate film made by early artisans often preserves better than the later safety film, said Courtney Holschuh, nitrate archive technician.

At a workstation with no light bulbs or exposed batteries -- either of which could ignite dust or gas from vintage film -- Holschuh recounted how last September she carefully peeled apart a cache of 10 vintage reels donated by a retired schoolteacher.

There were 42 different titles on the reels -- only 26 of which have been identified. They included a lost film, "Gugusse and the Automaton," by French cinema pioneer Georges Melies.

"So much of our early film history is still out there for us to see and to experience," Willeman said.