Erykah Badu Basks in Her New Era of Reinvention and Expansion 

Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)
Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)
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Erykah Badu Basks in Her New Era of Reinvention and Expansion 

Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)
Erykah Badu arrives at the Valentino ready-to-wear Spring/Summer 2023 fashion collection presented in Paris on Oct. 2, 2022. (AP)

Erykah Badu has unintentionally occupied the role of culture shifter and influencer for 20 plus years, well before it became a trendy, social media descriptor. Her impact has vibrated throughout music and fashion, and the “Green Eyes” songstress sees it clearly.

“I can hear my influence in music. I can see my influence style,” explained the four-time Grammy winner. “I hear my words resonated all over the world...So yeah, I can see it.”

That cultural cache may be why her collaboration with Italian fashion house Marni has been so anticipated. The Marni x Erykah Badu capsule was released in select US Marni boutiques last month. The 42-piece collection features women's ready-to-wear garments, including dresses, accessories and footwear, accented with handmade leather patchwork, heavy wools, bold sequins and lush velvets. Badu, 52, who is known for her creative and eccentric style, was hands on in all aspects.

“I’ve worked the same way in every area of my life; on stage I’m doing sound, I’m doing lighting, set design, costume, hair, makeup,” said Badu, whose 18-year-old daughter Puma modeled for the campaign. “I’m involved in everything. I am a creator. I am a visionary...we put those things together and came up with something really creative.”

Claire Sulmers, CEO of the influential style blog Fashion Bomb Daily, says Badu's versatility has made her a muse for designers.

“She is a trendsetter, but she’s always marched to the beat of her own drum...she can work anything, from a designer you might find at a flea market, to a runway,” said Sulmers, who called Badu an icon. “I think that is what can be attributed to her collaborating with brands because a lot of these brands that might have been under the radar or off the radar, now they’re like, ‘Whoa, there’s this beautiful woman who is an amazing artist, who also has an amazing style, and we want to work with her.’”

As Badu enters the fashion industry and launches other business ventures, the singer-songwriter is keeping her feet firmly planted in music with a tour on the horizon. In a wide-ranging video interview with The Associated Press, Badu discussed her businesses and creativity.

The line between entertainer and philosopher is often blurred when conversing with the “Next Lifetime” artist. When asked what makes her happy, she mentions her diet; when questioned about the creation of her classic records, she brings up the latest theories on the formation of the pyramids.

Her aura has a warm, but intense gravitational pull, and there’s a long-running joke that one can’t look into her eyes without falling into a trance — a myth Badu embraces. She has embarked through life with a creative fearlessness.

“If I’m a little nervous or afraid, I feel brave because of the confidence,” said Badu, who has served as both a birthing and end-of-life doula for the past two decades. “That has always driven my creativity and art. So, it’s easy to be a non-conformist, especially when you feel confident that there’s no such thing as losing because even those moments are lessons. I take all the information and use them to reinvent myself each day.”

Badu has helped bring babies into the world for friends, family and even celebrity mothers like singers Summer Walker and Teyana Taylor, stating the relationships happen organically, and she only agrees if she can dedicate the time. There’s no website or phone number to request the “Love of My Life” singer's doula services, at least not yet.

“(If) the money gets tight, then we’ll see,” she joked.

A champion for Black women and free thinking, she’s not only in an era of reinvention, but expansion.

Draped in Afrocentric garb including statuesque headwraps and ankh jewelry, Badu teleported into the music scene in 1997 with her debut album, “Baduizm.” It earned her a best new artist Grammy nomination and a best R&B album win.

A pioneer of the '90s neo-soul movement with contemporaries like Maxwell, D’Angelo and Jill Scott, Badu crafted soulful classics like “On & On,”“Tyrone,”“Bag Lady,”“Didn’t Cha Know” and “Window Seat.” Her last official project was 2015’s “But You Caint Use My Phone” mixtape.

“I’m always working on new music. I don’t know when I’ll put it out, but I’m waiting for the right time,” said the 2018 Soul Train Legend honoree. “I like to feel necessary for my real audience. My real audience is trees and wind and rain, air — ancestors and things like that.”

Badu says music is the star that her other businesses orbit around.

“Everything is vibration and sound, from the sound of the birds that I’ve heard since I was a child... (to) the clothes I wear — the clothes in my Marni line all have bells on them,” explained the Dallas native, who still resides in the city. “So, if I associate everything with music, it’s very easy for me to create...there’s a variety of things I listen to throughout the day, from wind chimes in the morning to Brent Faiyaz in the afternoon to Bach — I mean, there’s just so many different things. I just love music and frequency. It is my therapy.”

One of her most impactful musical contributions didn’t come from a hit, but from the lesser-known “Master Teacher Medley” on 2008’s “New Amerykah Part One (4th World War)” album. Produced by Shafiq Husayn, that song is largely credited with reintroducing the term “stay woke” — with collaborator Georgia Anne Muldrow chanting those words — to a new generation.

“From the time they started using it for Black Lives Matter (social protests), it was out of my hands because it kind of doesn’t really belong to us anymore,” said Badu, who describes the phrase as a person’s heighted awareness of everything going on around them.

However, when conservatives made the term a political lightening rod, Badu decided to speak out.

“It got a little out of hand. That’s why I had to say something about it, because people were starting to use it as a weapon,” she continued. “If it gets into the wrong hands...I’ve gotta interfere and bring it back in.”

Badu, who has an upcoming Funko Pop! figure that sold out during pre-order, is prepping for a highly anticipated 25-date tour kicking off this month. Yasiin Bey, the hip-hop star formerly known as Mos Def, will join her for the “Unfollow Me” tour.

“I just want people to follow their own heart,” said the active social media user, giggling at the cheekiness of the title. “It’s about your journey.”

As Badu, who will appear in the upcoming film “The Piano Lesson” starring Samuel L. Jackson and John David Washington, continues her own odyssey, her outlook is one of gratefulness and optimism.

“When I open my eyes in the morning, I say, ’Still here! Got another chance today do some good (expletive), create some great (expletive) — be challenged by people and make the right choices. Another chance to discriminate between things that are useful in my brain...(and) thoughts that are not,” she revealed. “That’s woke. That’s awareness — knowing that there is adversity, but also using the tools that you have to navigate through your world.”



Beyoncé, Bad Bunny and Janelle Monáe Take Artistic Liberties with Met Gala Dress Code

US singer and daughter of Jay-Z and Beyonce Blue Ivy Carter arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (Photo by ANGELA WEISS / AFP)
US singer and daughter of Jay-Z and Beyonce Blue Ivy Carter arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (Photo by ANGELA WEISS / AFP)
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Beyoncé, Bad Bunny and Janelle Monáe Take Artistic Liberties with Met Gala Dress Code

US singer and daughter of Jay-Z and Beyonce Blue Ivy Carter arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (Photo by ANGELA WEISS / AFP)
US singer and daughter of Jay-Z and Beyonce Blue Ivy Carter arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (Photo by ANGELA WEISS / AFP)

Met Gala guests from Beyoncé and Naomi Osaka to Emma Chamberlain did not play it safe this year for the Met Gala, delivering custom works of art in honor of the dress code “Fashion is art.”

Beyoncé left the cowboy hat at home and dazzled in a custom Olivier Rousteing sculptural skeleton dress with a cream and dust blue feathered train fitted with a diamond crown for “Queen Bey.” The Grammy winner and her husband Jay-Z and daughter Blue Ivy stopped to pose together on the Metropolitan Museum of Art steps, The Associated Press said.

Osaka stunned in a edgy Robert Wun white sculptural fitted dress featuring exaggerated shoulders and adorned with red feathers and a matching headpiece. To complete her show-stopping look, Osaka wore two-toned red gloves. A similar look by Wun sits inside the Met's Costume Institute exhibit, “Costume Art.”

On the carpet, Osaka opened her dress and removed her headpiece for a grand reveal underneath. She wowed in a sleek red beaded gown embellished with the human anatomy.

Chamberlain arrived in a breathtaking Mugler by Miguel Castro Freitas hand-painted dress. The star was dipped in a rainbow of colors from her décolletage down to the spiral train of her body-hugging dress with fringe falling down the cuffs of the long-sleeve gown.

With all the fanfare around “The Devil Wears Prada 2,” Met Gala co-Chair Anna Wintour opted for a cool mint ensemble — not the trendy cerulean blue from the first film. Wintour’s look featured a feathered cape and a beaded dress by Matthieu Blazy for Chanel that she classically paired with her signature bob and oversized sunglasses.

Other co-Chairs of the evening Nicole Kidman and Venus Williams chose more subdued glamorous looks. Williams wore a sparkling black off-the-shoulder gown with a dazzling Swarovski neckpiece in homage to a painting of herself done by Robert Pruitt for the National Portrait Gallery. Event sponsor Lauren Sánchez Bezos arrived in a form-fitting Schiaparelli gown, which she told Vogue was influenced by John Singer Sargent’s 1884 painting “Madame X.”

Artistic references

When guests were not wearing art, they were making references to it. Head of Editorial Content for US Vogue Chloe Malle wore an apricot orange Colleen Allen dress inspired by Sir Frederic Leighton’s “Flaming June” painting. Actor and author Lena Dunham collaborated with Valentino designer Alessandro Michele for her red feathered dress to depict his interpretation of “Judith Slaying Holofernes.” As a child, Dunham told Vogue, she would visit the Met museum on Sundays and admire the paintings in the Renaissance section.

“One of my favorite painters from that era is Artemisia Gentileschi, who was one of the only women painting professionally in that moment,” she told Vogue. “So I sent some of the images to Alessandro, and because he’s a genius, instead of dressing me like her, he said, ‘You are actually the blood spatter as ... Judith cuts the neck off a man.’”

Stars also celebrated the dress code with their accessories. Actor and fashion muse Gwendoline Christie playfully covered her face on the carpet with a mask of her own face while pop star Katy Perry opened and closed her fencing-like mask on the carpet to smile at the cameras.

Venus Williams was not the only guest to break the fourth wall with an artistic reference to herself. It was a trend of the night, with gala host committee members Amy Sherald in a Thom Browne look inspired by her own work of art and singer Sabrina Carpenter wearing a Dior dress designed with film strips from the 1954 movie “Sabrina.”

Fashion as canvas

Some guests brought out their artistic side as they transformed their dresses into works of art. TikTok followers watched along as Jessica Kayll, who designs colorful silk robes, finished painting her dress in the days leading up to the gala. Kayll painted her own take on the famous Monet water lily scene right on top of her dress for the gala.

While her “The Devil Wears Prada 2” castmates kept it classic in black, Anne Hathaway made a statement in her custom Michael Kors Grecian-inspired strapless dress, which was hand-painted with a dove of peace.

“She is the goddess of peace,” Kors told Vogue.

Performance art Madonna makes any carpet her stage. A group of women circled around her in colorful dresses as they held onto sheer fabric wrapped around her pirate ship headpiece on the carpet.

Janelle Monáe also knows how to stand out. The performer delivered a message with her sculptural art piece that featured cords overtaken by moss wrapped around her form with moving animatronic butterflies.

“Remember what made you human,” Monáe told The Associated Press. “Nature is talking to us.”

Dressed body Rather than wear art, models showed off their toned bodies as part of the “Costume Art” exhibit's theme celebrating artistic representations of the body. Supermodels Gigi Hadid and Irina Shayk both wore revealing looks on the carpet.

Bad Bunny went full costume, carrying a cane and dressing up as an older version of himself with gray hair and special effects makeup to add years to his face. The artist joked with Vogue that it took 53 years to finish the look. Supermodel Heidi Klum, known for taking her Halloween costume to new heights, brought that same dedication to the Met Gala as she arrived as a draped statue.

Instead of opting for a body-hugging gown, Kim Kardashian wore a bright orange metallic body plate from the '60s designed by Allen Jones.

The physical form was modeled throughout the night with body parts draped over gowns or overlaid on garments in printed form in a trompe l’oeil. Theater producer and performer Jordan Roth had a 3D figure looming behind him as part of his velvet Wun getup while other celebrities had carefully placed sculpted hands attached to their gowns.

For her first Met Gala, Chase Infiniti donned a colorful sequined Thom Browne gown with the female form embellished with sequins on the front and back of her dress.

In typical fashion, singer and fashion powerhouse Rihanna shut down the carpet as the final guest to arrive, much earlier than in years past. Dressed in a metallic jewel-encrusted cocoonlike dress, Rihanna emerged onto the carpet with her partner A$AP Rocky.

“I feel like a pearl out of an oyster,” Rihanna said to reporters on the carpet.


Theater Operator AMC Beats Revenue Estimates

FILE PHOTO: People gather outside the AMC theatre at The Grove  in Los Angeles, California, US, January 20, 2026. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: People gather outside the AMC theatre at The Grove in Los Angeles, California, US, January 20, 2026. REUTERS/Mario Anzuoni/File Photo
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Theater Operator AMC Beats Revenue Estimates

FILE PHOTO: People gather outside the AMC theatre at The Grove  in Los Angeles, California, US, January 20, 2026. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: People gather outside the AMC theatre at The Grove in Los Angeles, California, US, January 20, 2026. REUTERS/Mario Anzuoni/File Photo

AMC Entertainment beat quarterly revenue estimates on Tuesday, as a recovering box office and strong demand for its premium movie formats helped the cinema chain draw more moviegoers.

Shares of the Leawood, Kansas-based company rose over 2% in extended trading.

The results suggest AMC's strategy to lean into its network of premium large format screens is paying off, allowing it to capture a larger share ⁠of a recovering market, Reuters reported.

⁠The company benefited from a stronger film slate in early 2026, including Ryan Gosling-starrer "Project Hail Mary."

The theater chain reported first-quarter revenue of $1.05 billion compared with analysts' average estimate of $968.5 million, according to ⁠data compiled by LSEG.

AMC has focused on maximizing revenue from moviegoers through innovative pricing and its popular loyalty programs.

The theater operator also announced "Arena One at AMC," a live entertainment platform launching in June, transforming AMC theater auditoriums into interactive, real-time "arenas."

The exhibitor has also been expanding its footprint of premium screens, including IMAX ⁠and Dolby ⁠Cinema, as well as its own "XL" branded screens.

"We are optimistic about the entire 2026 film slate, especially in the second half of 2026, which we believe will see more continued robust growth, adding up to a record post-pandemic box office for full year 2026," CEO Adam Aron said.

AMC posted a loss of 36 cents per share, in line with estimates.


Blake Lively, Justin Baldoni Agree to End Lengthy Legal Battle

 US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
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Blake Lively, Justin Baldoni Agree to End Lengthy Legal Battle

 US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)
US actress Blake Lively arrives for the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art, in New York, on May 4, 2026. (AFP)

Actor Blake Lively and "It Ends with Us" co-star Justin Baldoni on Monday settled their acrimonious years-long legal battle, avoiding a costly civil trial.

A joint statement provided to AFP said the parties had resolved their dispute -- launched after Lively accused Baldoni of inappropriate on-set behavior -- without disclosing any settlement figure.

"The end product -- the movie 'It Ends with Us' -- is a source of pride to all of us who worked to bring it to life," Baldoni and Lively's attorneys said in a joint statement.

"We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard... It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace."

Hours after the announcement that the case was settled, Lively was all smiles as she unexpectedly appeared at the Met Gala in New York in a full ball gown that erupted in a cloud of pink, purple and yellow tulle.

Baldoni and the studio Wayfarer had previously countersued Lively and her husband Ryan Reynolds with claims of extortion and defamation, but a judge dismissed those claims last year.

Wayfarer previously insisted that neither the studio, its executives, nor its PR team did anything to retaliate against Lively.

A judge dismissed some of Lively's claims, but upheld her allegations of retaliation, which would have proceeded to trial on May 18.

Based on a best-selling novel by the US writer Colleen Hoover, "It Ends with Us" made more than $350 million at the box office in 2024, making it one of the biggest hits of the year.