TELFAZ11 Commits to 9 Productions at NEOM Over Next 3 Years

The collaboration between NEOM and TELFAZ11 will accelerate the growth of NEOM’s media industries ecosystem
The collaboration between NEOM and TELFAZ11 will accelerate the growth of NEOM’s media industries ecosystem
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TELFAZ11 Commits to 9 Productions at NEOM Over Next 3 Years

The collaboration between NEOM and TELFAZ11 will accelerate the growth of NEOM’s media industries ecosystem
The collaboration between NEOM and TELFAZ11 will accelerate the growth of NEOM’s media industries ecosystem

Saudi Arabia’s NEOM and TELFAZ11 have announced a key partnership to create up to nine TV and film productions over the next three years, the Saudi Press Agency reported.

The collaboration between NEOM and TELFAZ11 will accelerate the growth of NEOM’s media industries ecosystem, ensuring a rich pipeline of productions, including two feature films and one series currently in development under the new arrangement, SPA said.

Saturday’s announcement follows a recent drumbeat of high-profile TELFAZ11 successes, including the debut of its latest theatrical feature film ‘Sattar,’ which has become the highest-grossing Saudi film to date.

In addition to productions, TELFAZ11 plans to establish a physical presence at NEOM by opening offices in NEOM’s media hub this year. This new office will complement TELFAZ11’s existing offices in Riyadh and Dubai. NEOM will also leverage TELFAZ11’s new NEOM offices to diversify its industry learning activities and multi-disciplinary talent development programs, creating a vibrant talent pool across the value chain and vital career pathways for graduates.

“Our mission is to create a new world-class media hub at NEOM, one that supports the region’s industry to compete and succeed globally. This partnership with TELFAZ11 complements and accelerates this partnership, coupled with our evolving infrastructure, crew depth, industry learning programs, and highly competitive incentive scheme, showing we are well on our way to achieving these goals,” said Wayne Borg, Managing Director of Media Industries, Entertainment, and Culture at NEOM.

Alaa Faden, CEO and Co-Founder of TELFAZ11 said that TELFAZ11 has consistently operated on the leading edge of innovation.

NEOM has provided the backdrop for 30 productions in the last 18 months, including Rupert Wyatt’s ‘Desert Warrior’, starring Anthony Mackie and Sir Ben Kingsley; ‘Dunki’ directed by Rajkumar Hirani and starring Shah Rukh Khan; local acclaimed Saudi feature ‘Within Sand’ directed by Moe Alatawi; the first regional reality TV show ‘Million Dollar Island;’ and ‘Rise of The Witches’, the region’s biggest-ever budget TV show. MBC’s ‘Exceptional,’ a 200-episode-per-year TV drama series, is set to begin shooting in July.



Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”