Alan Arkin, Oscar-Winning ‘Little Miss Sunshine’ Actor, Dies at 89

Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
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Alan Arkin, Oscar-Winning ‘Little Miss Sunshine’ Actor, Dies at 89

Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)

Alan Arkin, the wry character actor who demonstrated his versatility in everything from farcical comedy to chilling drama as he received four Academy Award nominations and won an Oscar in 2007 for "Little Miss Sunshine," has died. He was 89.

His sons Adam, Matthew and Anthony confirmed their father's death through the actor's publicist on Friday. "Our father was a uniquely talented force of nature, both as an artist and a man," they said in a statement.

A member of Chicago's famed Second City comedy troupe, Arkin was an immediate success in movies with the Cold War spoof "The Russians Are Coming, The Russians Are Coming" and peaked late in life with his win as best supporting actor for the surprise 2006 hit "Little Miss Sunshine." More than 40 years separated his first Oscar nomination, for "The Russians are Coming," from his nomination for playing a conniving Hollywood producer in the Oscar-winning "Argo."

In recent years he starred opposite Michael Douglas in the Netflix comedy series "The Kominsky Method," a role that earned him two Emmy nominations.

"When I was a young actor people wanted to know if I wanted to be a serious actor or a funny one," Michael McKean tweeted Friday. ‘I’d answer 'Which kind is Alan Arkin?’ and that shut them up."

Arkin once joked to The Associated Press that the beauty of being a character actor was not having to take his clothes off for a role. He wasn't a sex symbol or superstar, but was rarely out of work, appearing in more than 100 TV and feature films. His trademarks were likability, relatability and complete immersion in his roles, no matter how unusual, whether playing a Russian submarine officer in "The Russians are Coming" who struggles to communicate with the equally jittery Americans, or standing out as the foul-mouthed, drug-addicted grandfather in "Little Miss Sunshine."

"Alan's never had an identifiable screen personality because he just disappears into his characters," director Norman Jewison of "The Russians are Coming" once observed. "His accents are impeccable, and he's even able to change his looks. ... He's always been underestimated, partly because he's never been in service of his own success."

While still with Second City, Arkin was chosen by Carl Reiner to play the young protagonist in the 1963 Broadway play "Enter Laughing," based on Reiner's semi-autobiographical novel.

He attracted strong reviews and the notice of Jewison, who was preparing to direct a 1966 comedy about a Russian sub that creates a panic when it ventures too close to a small New England town. In Arkin's next major film, he proved he could also play a villain, however reluctantly. Arkin starred in "Wait Until Dark" as a vicious drug dealer who holds a blind woman (Audrey Hepburn) captive in her own apartment, believing a drug shipment is hidden there.

He recalled in a 1998 interview how difficult it was to terrorize Hepburn's character.

"Just awful," he said. "She was an exquisite lady, so being mean to her was hard."

Arkin's rise continued in 1968 with "The Heart Is a Lonely Hunter," in which he played a sensitive man who could not hear or speak. He starred as the bumbling French detective in "Inspector Clouseau" that same year, but the film would become overlooked in favor of Peter Sellers' Clouseau in the "Pink Panther" movies.

Arkin's career as a character actor continued to blossom when Mike Nichols, a fellow Second City alumnus, cast him in the starring role as Yossarian, the victim of wartime red tape in 1970's "Catch-22," based on Joseph Heller's million-selling novel.

Through the years, Arkin turned up in such favorites as "Edward Scissorhands," playing Johnny Depp's neighbor; and in the film version of David Mamet’s "Glengarry Glen Ross" as a dogged real estate salesman. He and Reiner played brothers, one successful (Reiner), one struggling (Arkin), in the 1998 film "The Slums of Beverly Hills."

"I used to think that my stuff had a lot of variety. But I realized that for the first twenty years or so, most of the characters I played were outsiders, strangers to their environment, foreigners in one way or another," he told The Associated Press in 2007.

"As I started to get more and more comfortable with myself, that started to shift. I got one of the nicest compliments I've ever gotten from someone a few days ago. They said that they thought my characters were very often the heart, the moral center of a film. I didn't particularly understand it, but I liked it; it made me happy."

Other recent credits included "Going in Style," a 2017 remake featuring fellow Oscar winners Michael Caine and Morgan Freeman, and "The Kominsky Method." He played a Hollywood talent agent and friend of Douglas' character, a once-promising actor who ran an acting school after his career sputtered.

He also was the voice of Wild Knuckles in the 2022 animated film "Minions: The Rise of Gru."

Arkin also directed the film version of Jules Feiffer's 1971 dark comedy "Little Murders" and Neil Simon's 1972 play about bickering old vaudeville partners, "The Sunshine Boys." On television, Arkin appeared in the short-lived series "Fay" and "Harry" and played a night court judge in Sidney Lumet's drama series "100 Centre Street" on A&E. He also wrote several books for children.

Born in New York City's borough of Brooklyn, he and his family, which included two younger brothers, moved to Los Angeles when he was 11. His parents found jobs as teachers, but were fired during the post-World War II Red Scare because they were Communists.

"We were dirt poor so I couldn't afford to go to the movies often," he told the AP in 1998. "But I went whenever I could and focused in on movies, as they were more important than anything in my life."

He studied acting at Los Angeles City College; California State University, Los Angeles; and Bennington College in Vermont, where he earned a scholarship to the formerly all-girls school.

He married a fellow student, Jeremy Yaffe, and they had two sons, Adam and Matthew.

After he and Yaffe divorced in 1961, Arkin married actress-writer Barbara Dana, and they had a son, Anthony. All three sons became actors: Adam starred in the TV series "Chicago Hope."

"It was certainly nothing that I pushed them into," Arkin said in 1998. "It made absolutely no difference to me what they did, as long as it allowed them to grow."

Arkin began his entertainment career as an organizer and singer with The Tarriers, a group that briefly rode the folk musical revival wave of the late 1950s. Later, he turned to stage acting, off-Broadway and always in dramatic roles.

At Second City, he worked with Nichols, Elaine May, Jerry Stiller, Anne Meara and others in creating intellectual, high-speed impromptu riffs the fads and follies of the day.

"I never knew that I could be funny until I joined Second City," he said.



Quincy Jones, Music Titan Who Worked with Everyone from Frank Sinatra to Michael Jackson, Dies at 91

US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)
US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)
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Quincy Jones, Music Titan Who Worked with Everyone from Frank Sinatra to Michael Jackson, Dies at 91

US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)
US musician and producer Quincy Jones poses after being awarded Grand Commandeur de l'Ordre des Arts et des Lettres at the Institut du Monde Arabe (Arabic World Institute) in Paris, on October 6, 2014. (AFP)

Quincy Jones, the multi-talented music titan whose vast legacy ranged from producing Michael Jackson’s historic “Thriller” album to writing prize-winning film and television scores and collaborating with Frank Sinatra, Ray Charles and hundreds of other recording artists, has died at 91.

Jones’ publicist, Arnold Robinson, says he died Sunday night at his home in the Bel Air section of Los Angeles, surrounded by his family.

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing,” the family said in a statement. “And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Jones rose from running with gangs on the South Side of Chicago to the very heights of show business, becoming one of the first Black executives to thrive in Hollywood and leaving behind a vast musical catalog that includes some of the richest moments of American song and rhythm. Over the past half century, it was hard to find a music lover who did not own at least one record with Jones’ name on it or someone in the music, television or movie industries who did not have some connection to him.

Jones kept company with presidents and foreign leaders, movie stars and musicians, philanthropists and business leaders. He toured with Count Basie and Lionel Hampton, arranged records for Sinatra and Ella Fitzgerald, composed the soundtracks for “Roots” and “In the Heat of the Night,” organized President Clinton’s first inaugural celebration and oversaw the all-star recording of “We Are the World.”

In a career that began when records were still played on vinyl at 78 rpm, singling out any work seems unfair. But honors likely go to his productions with Jackson on “Off the Wall,” “Thriller” and “Bad,” albums universal in their style and appeal. Jones’ versatility and imagination fit perfectly with the bursting talents of Jackson as he sensationally transformed from child star to the “King of Pop.” On such classic tracks as “Billie Jean” and “Wanna Be Startin’ Somethin’,” Jones and Jackson drew upon disco, funk, rock, pop, R&B and jazz and African chants. For “Thriller,” some of the most memorable touches originated with Jones, who recruited Eddie Van Halen for a guitar solo on the genre-defying “Beat It” and brought in Vincent Price for a ghoulish voiceover on the title track.

“Thriller” sold more than 20 million copies in 1983 alone, helped Jackson become the first major Black artist to have a video played on MTV and influenced countless performers.

“Michael had the look and the voice, and I had every sound you can think of,” Jones would explain.

The list of his honors and awards fills 18 pages in his 2001 autobiography “Q”: 28 Grammys (out of 80 nominations), an honorary Academy Award and an Emmy for “Roots.” He also received France’s Legion d’Honneur and the Rudolph Valentino Award from the Republic of Italy. In 2001, Jones was named a Kennedy Center Honoree for his contributions to American culture. He was the subject of a 1990 documentary, “Listen Up: The Lives of Quincy Jones,” and his memoir made him a best-selling author.

“Despite all the Grammys and the special awards and testimonials that maturity bestows, it will always be the values you carry within yourself — of work, love, and integrity — that carry the greatest worth, because these are what get you through with your dreams intact, your heart held firm and your spirit ready for another day,” he wrote in his book.

Born in Chicago in 1933, Jones would cite the hymns his mother sang around the house as the first music he could remember. But he looked back sadly on his childhood, telling Oprah Winfrey: “There are two kinds of people: those who have nurturing parents or caretakers, and those who don’t. Nothing’s in between.” Jones’ mother suffered from emotional problems and was eventually institutionalized, a loss that made the world seem “senseless” for Quincy. He spent much of his time in Chicago on the streets, with gangs, stealing and fighting.

Music was his passion, and, almost literally, his salvation. As a boy, he learned that a Chicago neighbor owned a piano and he soon played it constantly himself. His father moved to Washington state when Quincy was 10 and his world changed at a neighborhood recreation center. Jones and some friends had broken into the kitchen and helped themselves to lemon meringue pie when Jones noticed a small room nearby with a stage. On the stage was a piano.

“I went up there, paused, stared, and then tinkled on it for a moment,” he wrote in his autobiography. “That’s where I began to find peace. I was 11. I knew this was it for me. Forever.”

Within a few years he was playing trumpet and befriending a young blind musician named Ray Charles, who became a lifelong friend. He was gifted enough to win a scholarship at the Berklee College of Music in Boston, but dropped out when Hampton invited him to tour with his band. Jones went on to work as a freelance composer, conductor, arranger and producer. As a teen, he backed Billie Holiday. By his mid-20s, he was touring with his own band.

“We had the best jazz band on the planet, and yet we were literally starving,” Jones later told Musician magazine. “That’s when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two.”

His survivors include actor Rashida Jones and five other daughters: Jolie Jones Levine, Rachel Jones, Martina Jones, Kidada Jones and Kenya Kinski-Jones; son Quincy Jones III; brother Richard Jones and sisters Theresa Frank and Margie Jay.