Disney Cracks Open Vast Archive for Centennial Celebrations

In celebration of the company's upcoming centennial -- officially marked on October 16 -- Disney recently allowed a glimpse into its vaults. Robyn Beck / AFP
In celebration of the company's upcoming centennial -- officially marked on October 16 -- Disney recently allowed a glimpse into its vaults. Robyn Beck / AFP
TT

Disney Cracks Open Vast Archive for Centennial Celebrations

In celebration of the company's upcoming centennial -- officially marked on October 16 -- Disney recently allowed a glimpse into its vaults. Robyn Beck / AFP
In celebration of the company's upcoming centennial -- officially marked on October 16 -- Disney recently allowed a glimpse into its vaults. Robyn Beck / AFP

From princess costumes and cute character sketches to century-old toys, photos and documents, Disney's backrooms and warehouses are stacked to the rafters with "hundreds of millions" of filmmaking treasures, its archivists say.

In celebration of the company's upcoming centennial -- officially marked on October 16 -- Disney recently allowed a glimpse into its vaults, hosting a media visit to its film studio lot in Burbank, near Los Angeles, AFP said.

"This is what we call the tip of the iceberg," said Walt Disney Archives director Becky Cline, before presenting artifacts ranging from the studio's founding legal document and the first Mickey Mouse cartoon script to costumes from the latest Marvel films.

Many more items are currently out touring the world, with "Disney100: The Exhibition" on display simultaneously in Munich and Philadelphia. More locations including London will be added soon.

Paris is currently hosting an immersive, multi-sensory experience, centered around the friendships between Disney's iconic characters.

But a major portion of the studio's archives is in "five or six" warehouses "scattered around" the Los Angeles area, including larger items such as former theme park ride vehicles and movie props, said archivist Nicole Carroll.

"We make so much stuff, we're always looking for more space!" she said.

Founded in 1970, the 30-strong team of archivists aim to keep a "small representation" of everything, Carroll explained.

For example, if a recently wrapped movie has 250 lavish costumes, including four or five for each of the heroes, the archive team will select "a couple of iconic looks from each character" for posterity.

Even with this selective approach, every time a film wraps, "we could be adding hundreds of things" to the archive, said Carroll.

'Cry'
Among the studio's most treasured memorabilia are the giant storybooks featured at the start of "Snow White and the Seven Dwarfs" and "Sleeping Beauty," and a crystal slipper from the live action version of Cinderella.

Some items end up serving a practical purpose -- an original snow globe from 1964's "Mary Poppins" was pulled from the archive and replicated by filmmakers creating the 2018 sequel.

Factor in photo and document archives containing first-edition cartoons, tickets to Disneyland's 1955 opening, plus corporate reports and press clippings, and the total collection extends to "hundreds of millions" of items, said Cline.

But perhaps the most hallowed space for Disney obsessives is located right on the Burbank lot -- founder Walt Disney's personal offices, from which he managed his entertainment empire from 1940 until his death in 1966.

A painstaking inventory of every item he left behind was taken, right down to the exact resting angle of his books, including volumes on Nikola Tesla, Salvador Dali and trains.

Just under a decade ago, those offices were restored by Walt Disney Archives employees.

They now contain everything from unfinished plans for theme parks to figurines of beloved fairy tale characters.

And, of course, several Oscars.
Just a few tour groups are admitted each year to this space, considered sacred by cognoscenti of a company renowned for the almost unparalleled obsession of its fandom.

"People come in and cry at this amazing human," said tour guide Laura Sanchez.

"They get to walk in the past."



Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
TT

Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File

Singer Rod Stewart, who helped British rock conquer the world with a string of megahits, turns 80 on Friday -- with no plans to slow down.
Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s with hits like "Da Ya Think I'm Sexy?" and "Young Turks", notching up more than 250 million record sales worldwide.
He also made headlines for a prolific love life that included relationships with a string of models and actresses including Britt Ekland.
Despite his landmark birthday, Stewart says he has no plans to retire.
"I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds at the jolly old age of 79," he wrote last year.
The star will play the legends slot at the famed Glastonbury music festival this summer.
Although his forthcoming European and North American tour dates will be his last large-scale project, he has said he plans to concentrate on more intimate venues in the future.
He will headline a new residency in Las Vegas from March to June.
A tour is also slated for 2026 for Swing Fever, the album he released last year with pianist and ex-Squeeze band member Jools Holland.
As he has approached his ninth decade, Stewart has also made headlines for quirkier reasons such as his passion for model railways and his battle with potholes that have prevented him from driving his Ferrari near his home in eastern England.
The singer, who was knighted by Queen Elizabeth in 2016, has been married three times and has fathered eight children. His third wife is model and television personality Penny Lancaster.
From London to global star
Stewart's story began in north London on 10 January 1945, when Roderick Stewart was born into a middle-class family.
After a "fantastically happy childhood", he developed a love of music when his father bought him a guitar in 1959, and he formed a skiffle band with school friends a year later.
He joined the band Dimensions in 1963 as a harmonica player, exploring his love of folk, blues and soul music while learning from other artists such as Rolling Stones frontman Mick Jagger in London's blossoming rhythm and blues scene.
Stewart's career took off in 1967 when he joined the renowned guitarist Jeff Beck's eponymous new band, which also included future Rolling Stone Ronnie Wood, allowing him to develop his raw and soulful vocal style and stagecraft while exposing him to a US audience.
He and Wood took up the offer to join mod pioneers Small Faces following the departure of their singer Steve Marriott in 1969 -- the band soon changing its name to The Faces -- shortly before Stewart released his debut solo album.
It was his 1971 third solo release, "Every Picture Tells a Story", that confirmed him as one of the world's most successful artists, reaching number one in Britain, Australia and the United States, where it went platinum.
The album helped define Stewart's rock/folk sound, featuring heartfelt lyrics and heavy use of unusual instruments such as the mandolin, particularly prominent on the album's standout hit "Maggie May".
"I just love stories with a beginning, middle and end," he once said.
'I had the last laugh'
Focusing on his solo career after 1975, Stewart's "Da Ya Think I'm Sexy?" released in 1978 was not to everyone's taste.
"Once the most compassionate presence in music, he has become a bilious self-parody -– and sells more records than ever," Rolling Stone magazine said in 1980.
Never one to be cowed by the critics, Stewart defended this phase, telling an interviewer that audiences "absolutely love it, so I had the last laugh".
Richard Houghton, author of the book "Tell Everyone -- A People's History of the Faces" said that Stewart had "possibly the most distinctive voice in rock music".
The singer had successfully combined writing classic songs of his own such as "Maggie May" or "You Wear It Well" with taking other people's songs -- from Bob Dylan to Tom Waits -- and making them his own .
More recently, there had been four albums of the "classic songs of the 1930s from his Great American Songbook catalogue".
Houghton said audiences could expect to see plenty more of Stewart.
"He's like any entertainer. He loves the spotlight. He's not going to sit at home watching the television when somewhere around the world there's a crowd wanting to hear him sing 'Mandolin Wind' or 'First Cut Is The Deepest' one more time.
"Rod will keep singing until the day he drops," he added.