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Britney Spears Says Hit in Face by Wembanyama's Security

French basketball player Victor Wembanyama was caught up in an incident involving his security and pop star Britney Spears. Patrick T. Fallon / AFP
French basketball player Victor Wembanyama was caught up in an incident involving his security and pop star Britney Spears. Patrick T. Fallon / AFP
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Britney Spears Says Hit in Face by Wembanyama's Security

French basketball player Victor Wembanyama was caught up in an incident involving his security and pop star Britney Spears. Patrick T. Fallon / AFP
French basketball player Victor Wembanyama was caught up in an incident involving his security and pop star Britney Spears. Patrick T. Fallon / AFP

Las Vegas police said Thursday they had investigated an incident between French NBA top draft pick Victor Wembanyama's security and pop star Britney Spears, who said she had been hit in the face.

Wembanyama is in Las Vegas ahead of his first game in the NBA Summer League against Charlotte on Friday and was heading to a restaurant when he was spotted by fans -- and Spears.

Media reports said that Spears was pushed away by Wembanyama's security, which the singer's husband Sam Asghari said was "violent" and "out of control."

Wembanyama told reporters after practice that he only heard of Spears' involvement some hours after his dinner, AFP said.

"There was one person who was calling me but we talked before with the security (to not) stop because it's gonna make a crowd," said the Frenchman.

"That person was calling me 'sir sir' and that person grabbed me from behind, so I didn't see what happened because I was walking straight.

"I don't know with how much force but security pushed her away and I didn't stop to look so I kept walking and enjoyed a nice dinner."

Spears said she had simply wanted to greet the player and questioned Wembanyama's account.

"I recognized an athlete in my hotel lobby as I was heading to dinner. I later went to a restaurant at a different hotel and saw him again. I decided to approach him and congratulate him on his success," she said on Instagram.

"I tapped him on the shoulder to get his attention. I am aware of the players statement where he mentions 'I grabbed him from behind' but I simply tapped him on the shoulder," she said.

"His security then backhanded me in the face without looking back, in front of a crowd. Nearly knocking me down and causing my glasses [to fall] off my face."

The Las Vegas Police Department investigated the incident but did not take any action.

"On July 5, 2023, at approximately 11 p.m., LVMPD officers responded to a property in the 3700 block of Las Vegas Boulevard regarding a battery investigation," the police said in a statement.

"The incident has been documented on a police report and no arrest or citations have been issued. No further details will be provided at this time."

Asghari posted on social media that Spears had been "assaulted."

"The violent behavior of an out-of-control security guard should not cast a shadow on the accomplishment of a great young man on the rise @wemby," he wrote.

"I can't imagine a scenario where an unarmed female fan, showing any kind of excitement or appreciation for a celebrity would cause her to be physically assaulted, much less being hit in the face for tapping someone on the shoulder."

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Entertainment

Beyonce and the Grammys: A Tense Relationship again at a Head

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
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Beyonce and the Grammys: A Tense Relationship again at a Head

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File

Beyonce is the most decorated artist in Grammys history, and her album releases have both triggered cultural earthquakes and reshaped music industry norms.

But few artists have ever been snubbed so conspicuously by the Recording Academy -- for all her trailblazing accomplishments, Beyonce has never won the prestigious prizes for best album or record, said AFP.

Once again on Sunday, she will head to the Grammys gala with the most chances to win, after "Cowboy Carter" -- her genre-spanning, sociopolitically charged conversation piece of an album -- dropped last spring to critical acclaim.

It earned her a fifth nomination for Album of the Year: in years past, she has lost to Taylor Swift, Beck, Adele and, most recently, Harry Styles.

As for Record of the Year, this is her ninth shot at a golden gramophone.

And in a glaringly consistent pattern, nearly all of Beyonce's losses have been to white pop and rock artists.

"If she wins the Album of the Year category for 'Cowboy Carter,' it would be -- for me, personally -- similar to when Barack Obama won the presidency," said Birgitta Johnson, a professor of African American studies and music history at the University of South Carolina.

To explain the parallel, Johnson said that upon Obama's victory, "as a Black person in America... I was totally shocked."

'Fault lines'

For Johnson, Grammy voters tend to dismiss collaborative projects, which is Beyonce's bread and butter: the megastar showcases Black music and traditions while elevating fellow artists.

Musicologist Lauron Kehrer seconded that point, citing Beyonce's 2015 loss to Beck for Album of the Year; the chatter afterwards was that while Beyonce worked with a team, Beck put the album together himself.

Voter "values have been more aligned with white-dominated genres like rock and alternative," said Kehrer.

"When we look at pop and R&B and other genres, they take a more collaborative approach -- but that approach to collaboration hasn't really been valued by Grammy voters."

Kehrer said Beyonce's career is emblematic of "fault lines in how organizations think about style and think about genre, especially around race and gender lines."

And though the Grammys have increased the number of contenders in the top categories -- it used to be five, was bumped to 10, and is currently eight -- in a bid to promote diversity, the change has actually meant votes are split to a degree that people of color and less conventional artists still rarely win.

"All those things are coming into play when it comes to Beyonce, this iconic global star that keeps missing this particular brass ring," Johnson said.

No 'one-trick pony'

Beyonce's work is difficult to define -- beyond the top categories, her 11 Grammy nominations this year span Americana, country, pop and rap.

She has previously scooped awards for dance and electronic music.

"She refuses to be a one-trick pony," Kehrer said.

"It does feel like 'Cowboy Carter' especially was a project to show, among other things, that she's a versatile artist who can't be pigeon-holed, and to kind of force institutions in the industry to pay attention to that."

Beyonce has thus challenged the Recording Academy to keep up with her by improving on its categorization of music to better reflect industry trends -- something that the Grammy organizers have indeed endeavored to do.

In the end, the Grammys need Beyonce a whole lot more than she needs the Grammys, Johnson says.

Her touch is vital to the gala "so they can seem not only relevant, but as inclusive as they claim they have been trying to be," she told AFP.

'Litmus test'

As for winning prizes, if that were Beyonce's primary concern, she would write music tailored for that, Johnson notes.

Instead, "she's trying to do more work around narratives and identity," the professor said.

"She's one of those rare artists who are free creatively, but also has the wealth to propel her vision."

That vision trickles down to the artists who routinely win the big prizes, Johnson said, pointing to Grammys darling Billie Eilish as an example of how younger generations take inspiration from Beyonce to work across genres.

Ultimately, even if Queen Bey doesn't need institutional approval, wins matter for fans -- and, in turn, representation.

"It's hard to get around the fact that it's such a significant recognition," Kehrer said, calling the Grammys a "litmus test for where we are on race and genre in the music industry."