Lawsuit by Former Dancers Accuses Lizzo of Harassment, Creating Hostile Work Environment

US singer Lizzo performs during the second day of the Nos Alive Festival in Oeiras, Portugal, 07 July 2023. The festival runs until 08 July 2023. (EPA)
US singer Lizzo performs during the second day of the Nos Alive Festival in Oeiras, Portugal, 07 July 2023. The festival runs until 08 July 2023. (EPA)
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Lawsuit by Former Dancers Accuses Lizzo of Harassment, Creating Hostile Work Environment

US singer Lizzo performs during the second day of the Nos Alive Festival in Oeiras, Portugal, 07 July 2023. The festival runs until 08 July 2023. (EPA)
US singer Lizzo performs during the second day of the Nos Alive Festival in Oeiras, Portugal, 07 July 2023. The festival runs until 08 July 2023. (EPA)

Lizzo has been sued by three former dancers who accuse the Grammy winner of sexual harassment and allege the singer and her production company created a hostile work environment.

The civil lawsuit filed Tuesday in Los Angeles County Superior Court claims Lizzo pressured the dancers to engage with nude performers at a club in Amsterdam and shamed one of them for her weight gain before firing her.

Plaintiffs Arianna Davis, Crystal Williams and Noelle Rodriguez make numerous charges including sexual, religious and racial harassment, disability discrimination, assault and false imprisonment.

The legal complaint seeks unspecified damages and names Melissa Viviane Jefferson, known professionally as Lizzo, her production company Big Grrrl Big Touring, Inc., and Shirlene Quigley, captain of the performer’s dance team.

Representatives for Lizzo didn't immediately respond to emails seeking comment on the lawsuit.

The court filing claims that after performing a concert in Amsterdam, Lizzo and her crew attended a sexually themed show at a club in the city's notorious Red Light District where “Lizzo began inviting cast members to take turns touching the nude performers.” During the show, Lizzo led a chant pressuring Davis to touch a nude women performing at the club, the filing states.

“Finally, the chorus became overwhelming, and a mortified Ms. Davis acquiesced in an attempt to bring an end to the chants,” the complaint states. “Plaintiffs were aghast with how little regard Lizzo showed for the bodily autonomy of her employees and those around her, especially in the presence of many people whom she employed.”

Lizzo, who routinely champions body positivity, is also accused of calling out Davis for her weight gain after accusing the dancer of not being committed to her role. Davis was fired in May for recording a meeting during which Lizzo had given out notes to dancers about their performances, according to the complaint.

Quigley, who served as a judge on the singer's reality show “Lizzo's Watch Out for the Big Grrrls,” is accused in the lawsuit of pushing her Christian beliefs onto dancers. The court filing claims Quigley referred to Davis as a “non-believer" and told co-workers that “No job and no one will stop me from talking about the Lord.”

Earlier this year, Lizzo won the Grammy for record of the year for her hit “About Damn Time." A global tour supporting her fourth studio album, 2022's “Special,” wrapped up last month.



‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.