Ron Cephas Jones, ‘This Is Us’ Actor Who Won 2 Emmys, Dies at 66

Ron Cephas Jones attends the LA Premiere of "Truth Be Told," at the Samuel Goldwyn Theater, Monday, Nov. 11, 2019, in Beverly Hills, Calif. (AP)
Ron Cephas Jones attends the LA Premiere of "Truth Be Told," at the Samuel Goldwyn Theater, Monday, Nov. 11, 2019, in Beverly Hills, Calif. (AP)
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Ron Cephas Jones, ‘This Is Us’ Actor Who Won 2 Emmys, Dies at 66

Ron Cephas Jones attends the LA Premiere of "Truth Be Told," at the Samuel Goldwyn Theater, Monday, Nov. 11, 2019, in Beverly Hills, Calif. (AP)
Ron Cephas Jones attends the LA Premiere of "Truth Be Told," at the Samuel Goldwyn Theater, Monday, Nov. 11, 2019, in Beverly Hills, Calif. (AP)

Ron Cephas Jones, a veteran stage actor who won two Emmy Awards for his role as a long-lost father who finds redemption on the NBC television drama series “This Is Us,” has died at age 66, a representative said Saturday.

Jones' manager, Dan Spilo, said in an emailed statement the actor died “due to a long-standing pulmonary issue.”

“Throughout the course of his career, his warmth, beauty, generosity, kindness and heart were felt by anyone who had the good fortune of knowing him,” Spilo said.

Jones had a double lung transplant in 2020 because of chronic obstructive pulmonary disease and spent nearly two months in a Los Angeles hospital.

On “This Is Us,” Jones played William “Shakespeare” Hill, a biological father whose life is renewed through his relationship with the family of his son Randall Pearson, played by Sterling K. Brown.

“One of the most wonderful people the world has ever seen is no longer with us,” Brown said in an Instagram post after Jones' death. “The world is a little less bright. Brother, you are loved. And you will be missed.”

Jones played a more central role in the series' early seasons, but appeared in some form in all six seasons of the show, which included time-jumping narratives offering recurring opportunities for its actors even after their characters' deaths.

Jones won Emmys for best guest actor in a drama series in 2018 and 2020 and was nominated for two more.

“Ron was the best of the best — on screen, on stage, and in real life,” “This Is Us” creator Dan Fogelman said on X, the social media site formerly known as Twitter. “My God: what an actor. I don’t think I ever changed a single take of his in a cut because everything he did was perfect.”

Jones spent most of his career in the theater before and after “This Is Us,” returning to Broadway even after his transplant forced him to learn to breathe and walk again.

“My whole life has been the stage,” Jones said in a late 2021 interview with the The New York Times, in which he revealed he had quietly been suffering from respiratory problems since about the time he began on “This Is Us.”

“The idea of not performing again seemed worse to me than death,” Jones said.

He was nominated for a Tony Award and won a 2022 Drama Desk Award for the Broadway role as a truck-stop cook in playwright Lynn Nottage's “Clyde's.”

A native of Paterson, New Jersey, Jones graduated from nearby Ramapo College, where he had intended to study jazz but switched to theater during his sophomore year. He spent the late 1970s and early 1980s traveling the country, working as a bus driver in Southern California for several years.

In the mid 1980s he moved to New York, where his career got a jumpstart when he began hanging out and collaborating at the Nuyorican Poets Café, a vital creative hub for poetry, hip-hop and the performing arts.

A breakout role came in 1994, when he landed the lead in playwright Cheryl West's drama, “Holiday Heart.”

He would spend the ensuing decades constantly in the theater, often in Off Broadway plays in New York, including a title turn as Shakespeare's “Richard III” at The Public Theater, and in roles with the Steppenwolf Theatre Company in Chicago.

Jones also had TV guest stints on “Mr. Robot,” “Luke Cage” and “Lisey's Story.”

His film appearances included 2006's “Half Nelson” with Ryan Gosling and 2019's “Dolemite Is My Name” with Eddie Murphy.

He is survived by his daughter, Jasmine Cephas Jones.



Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
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Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)

Israa was 11 years ‌old and selling cigarettes with her father on a street corner in Türkiye when filmmakers Jack MacInnes and Itab Azzam met the Syrian refugee in 2015.

They were charmed by the bubbly young girl and wanted to tell her story as her family, who had fled war-ravaged Aleppo, journeyed across eight countries to settle in Germany.

"We were with them the whole time ... we slept with them ... in the street, in the rain. We were, like, in freezing conditions in Serbia and Croatia ... And ‌by the time ‌we arrived in Germany, it was like ‌we ⁠became like a ⁠family and we really bonded," Azzam told Reuters.

That was when the idea came about for "One in a Million," the couple's documentary filmed over 10 years following Israa to adulthood.

The intimate coming-of-age story shows Israa and her family crossing borders and adapting in Germany, where new-found freedoms jar with old traditions.

Viewers follow Israa ⁠into adolescence, marriage and motherhood as she seeks ‌to find herself amid fracturing ‌shifts at home. A married Israa eventually returns to visit Syria with her ‌husband after the 2024 overthrow of Bashar al-Assad.

“Migration ...(has) become ‌such a sort of political football that has so much to do with the way we feel about each other and the way we feel about our own country and has so little ‌to do with what it's actually like to be a refugee," MacInnes said.

"And what we ⁠hope is ⁠that you can watch this film and walk for an hour and a half in a refugee's shoes and understand the complexity of it."

"One in a Million", which opens in UK cinemas on Friday, premiered at January's Sundance Film Festival where it won the Audience Award.

“We... brought Israa out as a surprise, and the place just went wild," MacInnes said.

"It was so emotional for us to see this girl... who we'd met 11 years previously ... selling cigarettes on a street corner, being beaten up by police, no one gave a damn about her. And ... suddenly here she is getting her moment."


Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)
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Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)

The manager of US country music legend Dolly Parton dropped a civil lawsuit against the singer's nephew on Thursday, US media reported, after a row enveloped the late musician's estate.

The lawsuit filed in September by Parton's longtime manager Danny Nozell accused her nephew, Bryan Seaver, of attempting to extort money from the estate, which includes an amusement park, a hotel and a soon-to-be-opened museum.

Seaver, who broke the news of the singer's death at age 80 in an emotional video in August, had provided security for Parton for years but was abruptly fired, according to TMZ.

Court filings alleged that Seaver sent threats including a text message warning he would become "the hand of retribution for my entire family," The New York Times reported.

A judge had issued a temporary restraining order against Seaver as part of the proceedings, which were voluntarily dismissed Thursday in a Nashville court, multiple US media said.

Parton rose from grinding poverty to become a rhinestone-studded legend with hits like "Jolene" and "I Will Always Love You."

She also starred in multiple films and donated millions of dollars to charities as she built a vast business empire that includes her popular Dollywood theme park in Tennessee, cosmetics, pet apparel, baking mixes and even a truck stop.


South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
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South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)

Twelve South Korean industry groups warned on Wednesday that the country's television drama production base was at risk and called on the government to set up a 1 trillion won ($746 million) investment fund to support production of Korean dramas, known as K-dramas.

K-dramas have been hugely popular globally, ‌but the number produced ‌has fallen from 141 titles in 2022 ‌to ⁠about 115 in 2025, ⁠according to research by Korea IR Service.

Three domestic broadcast networks cut drama output from 91 titles in 2012 to 32 in 2023, and some channels have stopped airing weekday dramas altogether, the groups said.

Such an environment makes it difficult for "a new writer's second work, a supporting actor's first lead role and an assistant ⁠crew member's directing debut", said Song Byeong-joon, chairman ‌of the Korea Drama Production Association.

The ‌groups, which represent industry workers including TV drama producers, directors, writers, ‌actors, cinematographers and crew, attributed the decline in long-form drama production to ‌rising production costs, which they linked to competition with global streaming platforms such as Netflix, and broadcasters' reduced capacity to invest.

They also cited competition from short-form content and AI for audiences and production.

Pay for top-billed ‌stars was the main driver of production costs, Korea IR Service said in a 2025 report, ⁠with pay ⁠climbing as streaming services competed for audience-drawing talent.

Kim Yong-hee, a professor of business administration at Sun Moon University, said the difficulties the groups cited largely reflected the decline of terrestrial broadcasting rather than the sector as a whole.

Official data showed employment across the content industry edged up to 693,090 in 2025 from 688,122 a year earlier, according to the Korea Creative Content Agency.

Broadcasting employment, however, fell 2.3% in 2024, according to a government survey.

A Netflix Korea spokesperson was reached but did not have an immediate comment.

Netflix launched in South Korea in 2016 and in 2023 pledged to invest $2.5 billion in the market over four years.