‘Blue Beetle’ Unseats ‘Barbie’ Atop Box Office, Ending Four-Week Reign

A general view of the blue carpet during Warner Bros' "Blue Beetle" premiere at the TCL Chinese Theatre in Hollywood, California, on August 15, 2023. (AFP)
A general view of the blue carpet during Warner Bros' "Blue Beetle" premiere at the TCL Chinese Theatre in Hollywood, California, on August 15, 2023. (AFP)
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‘Blue Beetle’ Unseats ‘Barbie’ Atop Box Office, Ending Four-Week Reign

A general view of the blue carpet during Warner Bros' "Blue Beetle" premiere at the TCL Chinese Theatre in Hollywood, California, on August 15, 2023. (AFP)
A general view of the blue carpet during Warner Bros' "Blue Beetle" premiere at the TCL Chinese Theatre in Hollywood, California, on August 15, 2023. (AFP)

The DC superhero film “Blue Beetle” led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning “Barbie” from the top spot after a record-setting run that left movie theaters colored pink for a month.

The “Barbie” phenomenon is far from over. Greta Gerwig’s film, which earlier this week became the highest grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It's up to $567.3 million in North America and an eye-popping $1.28 billion globally.

The other half of “Barbenheimer” also continues to perform remarkably well for a movie so far into its run.

Christopher Nolan’s “Oppenheimer” took in $10.6 million in its fifth week. With a $285.2 million domestic total, “Oppenheimer” now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016’s “Sing,” which grossed $270.3 million in the shadow of “Rogue One: A Star Wars Story” and “Hidden Figures.”

Universal Pictures' “Oppenheimer” has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday.

“Blue Beetle,” starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put “Blue Beetle,” the first DC movie to star a Latino superhero, into theaters in the late summer, a typically quiet period at the box office.

The production price tag of about $105 million was lower for “Blue Beetle” than the average superhero film. It's one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins of last year.

The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year (“The Flash,” “Black Adam” and “Shazam! Fury of the Gods”). “Blue Beetle” (76% fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and center.

But it also faced some tough luck, and not just in the unexpected staying power of “Barbie” and “Oppenheimer.” Southern California was bracing Sunday for Hurricane Hilary — potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, “Blue Beetle," which added $18 million internationally, didn't have its cast available to promote the movie due to the ongoing actors strike.

Universal’s raunchy R-rated canine comedy “Strays” showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theaters in recent years, but “Strays” had it particularly rough given that its starry cast was unavailable.

“Strays” was very narrowly bested by “Teenage Mutant Ninja Turtles: Mutant Mayhem.” The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.



Pearl Jam Drummer Matt Cameron Says He’s Leaving the Band After Nearly 30 Years

Matt Cameron of Pearl Jam performs during BottleRock Napa Valley on Saturday, May 25, 2024, in Napa, Calif. (AP)
Matt Cameron of Pearl Jam performs during BottleRock Napa Valley on Saturday, May 25, 2024, in Napa, Calif. (AP)
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Pearl Jam Drummer Matt Cameron Says He’s Leaving the Band After Nearly 30 Years

Matt Cameron of Pearl Jam performs during BottleRock Napa Valley on Saturday, May 25, 2024, in Napa, Calif. (AP)
Matt Cameron of Pearl Jam performs during BottleRock Napa Valley on Saturday, May 25, 2024, in Napa, Calif. (AP)

Pearl Jam drummer Matt Cameron said Monday that he’s leaving the band after nearly 30 years.

The 62-year-old Cameron announced his departure in a social media post.

“After 27 fantastic years, I have taken my final steps down the drum riser for the mighty Pearl Jam,” Cameron said. “Much love and respect to Jeff, Ed, Mike and Stone for inviting me into the band in 1998 and for giving me the opportunity of a lifetime, filled with friendships, artistry, challenges and laughter.”

Cameron didn't give a reason for his departure.

“Matt Cameron has been a singular and true powerhouse of a musician and drummer. He has propelled the last 27 years of Pearl Jam live shows and studio recordings. It was a deeply important chapter for our group and we wish him well always,” Pearl Jam members said in a statement posted to the band's social media accounts.

They made no mention of a replacement.

Cameron, who played drums for Soundgarden for more than a decade before joining Pearl Jam, was not a founding member of the band and didn't play drums for the early albums that made them rock superstars.

But he provided some much-needed stability at the drum kit after the band had gone through four others since its inception. He first joined in 1998 as a temporary replacement for Jack Irons, playing on a long tour before making his studio debut with the group on 2000's “Binaural.”

He just finished a yearlong tour with the band in support of its 12th studio album, “Dark Matter.”

Cameron was born and raised in San Diego before moving to Seattle shortly before its music scene became a global phenomenon. He played in proto-grunge band Skin Yard before joining Soundgarden. He did double duty with Pearl Jam and a reunited Soundgarden from 2010 to 2017.