'Total Frenzy': Swift Fever Grows in Latin America

Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File
Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File
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'Total Frenzy': Swift Fever Grows in Latin America

Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File
Taylor Swift performs during her Eras tour at Sofi stadium in Inglewood, California. Michael Tran / AFP/File

Excitement is building among Taylor Swift fans in Latin America who have endured months-long queues, expensive tickets and, in one case, assault to realize their dream of seeing the pop superstar.

The 33-year-old singer-songwriter, who holds the women's record for most number one albums, will bring her "Eras" tour to the region from Thursday starting in Mexico, followed by Argentina and Brazil, said AFP.

In Rio de Janeiro, Renan Rodrigues camped out for several nights to buy tickets for Swift's November 17-19 concerts at the Nilton Santos stadium.

The 24-year-old DJ, who performs at parties for Swifties, as the pop star's devoted fans are known, got tickets to all three performances.

But he paid a high price -- an assailant hit him on the head with a bottle for resisting an attempted robbery while he was waiting.

"They wanted to take my cell phone, and inside the case was my card from the only bank authorized for ticket sales. I just thought: they won't take my card," said Rodrigues, who suffered superficial injuries.

Tickets for Taylor Swift shows in Brazil cost between $35 and $468.

In Mexico, where young people earn an average salary of $366 a month according to official data, fans had to pay between $55 and $614.

Ingrid Cruz, founder of the official Mexican fan club, described the high cost as "abuse" and complained that VIP packages were prioritized over regular tickets.

Fans also reported problems with the platform of US retail giant Ticketmaster.

The vendor operates in Mexico as part of the powerful CIE entertainment and media group, which in turn controls around two-thirds of the local market for live shows.

Pre-sales for the four concerts in Mexico City were based on a previous registration of "verified fans" by email.

But even Joel Aguilar, creator of Taylor Swift MX, a fan site with some 20,000 followers from 20 countries, failed to qualify, he said.

Denisse Castro, 26, who has been unemployed for six months, hoped that building a credit history and obtaining a card from the bank sponsoring the concert would help her to secure good seats.

Unfortunately for her, the bank recently tightened its credit restrictions, so Castro could only afford the cheapest tickets.

In the Argentine capital Buenos Aires, a group set up camp outside the River stadium in June, five months before the concert, to ensure they have places near the stage.

"It's going to be a total frenzy," said Lara Palavencino, one of the fans, who take it in turns to reserve their spots.

Tickets sold out quickly in Argentina, despite the country's serious economic crisis.

In Chile, President Gabriel Boric, a self-proclaimed Swiftie, made an unsuccessful appeal to Swift to include his country on her tour.

And in Mexico, proving that the pop star's popularity transcends age, a 64-year-old Supreme Court judge outed himself as a Swiftie earlier this year.

"There's nothing trivial about Taylor Swift," Arturo Zaldivar wrote in a newspaper in June.



Netflix War Epic to Open Asia’s Largest Film Festival

In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)
In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)
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Netflix War Epic to Open Asia’s Largest Film Festival

In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)
In this file photo taken on October 4, 2023, children pose for photos next to large letters displayed for the 28th Busan International Film Festival (BIFF) at the Busan Cinema Center in Busan. (AFP)

A Netflix period war drama produced by South Korean filmmaker Park Chan-wook will open Asia's largest film festival Wednesday, the first time a streaming title has kicked off the event.

Directed by Kim Sang-man and featuring Korean megastar Gang Dong-won in a lead role, "Uprising" is one of 224 official entries at this year's Busan International Film Festival (BIFF), which runs until October 11.

The film has attracted significant attention ahead of its world premiere thanks largely to the involvement of Park, best-known for ultra-violent thrillers like 2003's "Old Boy", which played a key role in bringing South Korean cinema to the global forefront.

Park was a screenwriter and producer on "Uprising", a story set during Korea's Joseon Dynasty about two friends who grow up together -- but become enemies when war breaks out in the country.

"I believed it was a work that could appeal to the public (the most) among all the (BIFF) opening films in history," Park Do-shin, the festival's acting director, has said of the choice.

Streaming-only content like Netflix's "Squid Game" and the Apple TV+ series "Pachinko" have contributed to a significant surge in the global visibility of Korean and Korean diaspora stories in recent years.

Busan's 2024 line-up reflects how that content has become an "important part of our culture," BIFF programmer Jung Han-seok said.

On Wednesday morning, ahead of the opening ceremony, visitors were already queuing at festival venues, while the red carpet for the star-studded opening ceremony had been laid out.

- Why streaming? -

The decision to open this year's edition with a major streaming title, however, has sparked criticism within South Korea's cinema community, as BIFF has long been dedicated to supporting emerging talents in Asia as well as small-scale, independent films.

"I find it disappointing that a streaming title was selected as the opening film," Kay Heeyoung Kim, who owns film studio K-Dragon, told AFP.

"The challenges confronting the theatre-based physical film market and filmmakers can be partly attributed to the streaming platforms."

This year's edition also comes as organizers still grapple with the fallout from former festival director Huh Moon-yung, who resigned last year amid accusations of sexual misconduct. The director position remains vacant.

The South Korean government's budget for supporting film festivals including BIFF was also slashed by half this year.

Despite those setbacks, this year's 29th edition is presenting about 15 more films than last year, organizers said, with 86 world premieres.

- Award winners -

BIFF will posthumously honor South Korean actor Lee Sun-kyun, screening six of the actor's film and television works, including "Parasite", "Our Sunhi" (2013) and a portion of TV series "My Mister" (2018).

Best known globally for his starring role in Bong Joon-ho's 2019 Oscar-winner "Parasite", Lee was found dead in an apparent suicide last year after a two-month investigation into suspected drug use, sparking public outrage over what many perceived as an excessive police interrogation.

Meanwhile, filmmaker Kiyoshi Kurosawa, best known for his contributions to the Japanese horror genre, will receive the festival's Asian Filmmaker of the Year award, joining the ranks of previous winners such as Hong Kong legends Tony Leung and Chow Yun Fat.

The Japanese filmmaker is showcasing two new films at BIFF this year: the violent thriller "Cloud" and "Serpent's Path", a French-language remake of his 1998 film of the same name.

Other notable world premieres include "RM: Right People, Wrong Place", a documentary on K-pop sensation BTS member RM and the making of his second solo album.

Chung, Yu Chieh, a 39-year-old visitor from Taiwan, said she was excited about South Korean director Hur Jin-ho's latest film, "A Normal Family" - a psychological thriller featuring two upper-class couples seemingly leading perfect lives.

Featuring some of the most celebrated veteran performers in South Korea - including actress Kim Hee-ae and actor Jang Dong-gun - the film is one of the most anticipated homegrown films to be featured at BIFF this year.

"I believe (the festival) will be very special," she told AFP.

BIFF's industry platform, the Asian Contents and Film Market, will host a conference focused on the integration of AI in content production -- a current hot-button issue in Hollywood.

Companies including South Korea's CJ ENM, Chinese VOD service iQIYI and Microsoft will take part.