Bob Barker, Dapper ‘Price Is Right’ and ‘Truth or Consequences’ Host and Animal Advocate, Dies at 99 

Bob Barker, host of the television game show 'The Price is Right', smiles near his birthday cake at CBS Studios in Los Angeles December 12, 2006. (Reuters)
Bob Barker, host of the television game show 'The Price is Right', smiles near his birthday cake at CBS Studios in Los Angeles December 12, 2006. (Reuters)
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Bob Barker, Dapper ‘Price Is Right’ and ‘Truth or Consequences’ Host and Animal Advocate, Dies at 99 

Bob Barker, host of the television game show 'The Price is Right', smiles near his birthday cake at CBS Studios in Los Angeles December 12, 2006. (Reuters)
Bob Barker, host of the television game show 'The Price is Right', smiles near his birthday cake at CBS Studios in Los Angeles December 12, 2006. (Reuters)

Bob Barker, the enduring, dapper game show host who became a household name over a half century of hosting “Truth or Consequences” and “The Price Is Right,” has died. He was 99.

Barker — also a longtime animal rights activist — died Saturday morning at his home in Los Angeles, publicist Roger Neal said.

“I am so proud of the trailblazing work Barker and I did together to expose the cruelty to animals in the entertainment industry and including working to improve the plight of abused and exploited animals in the United States and internationally,” said Nancy Burnet, his longtime friend and co-executor of his estate, in a statement.

Barker retired in June 2007, telling his studio audience: “I thank you, thank you, thank you for inviting me into your home for more than 50 years.”

Barker was working in radio in 1956 when producer Ralph Edwards invited him to audition as the new host of “Truth or Consequences,” a game show in which audience members had to do wacky stunts — the “consequence” — if they failed to answer a question — the “truth,” which was always the silly punchline to a riddle no one was ever meant to furnish. (Q: What did one eye say to another? A: Just between us, something smells.)

In a 1996 interview with The Associated Press, Barker recalled receiving the news that he had been hired: “I know exactly where I was, I know exactly how I felt: I hung up the phone and said to my wife, ‘Dorothy Jo, I got it!’”

Barker stayed with “Truth or Consequences” for 18 years — including several years in a syndicated version.

Meanwhile, he began hosting a resurrected version of “The Price Is Right” on CBS in 1972. (The original host in the 1950s and ‘60s was Bill Cullen.) It would become TV’s longest-running game show and the last on a broadcast network of what in TV’s early days had numbered dozens.

“I have grown old in your service,” the silver-haired, perennially tanned Barker joked on a prime-time television retrospective in the mid-'90s.

CBS said in a statement that daytime television has lost one of its “most iconic stars.

“We lost a beloved member of the CBS family today with the passing of Bob Barker,” the network said, noting that he had “made countless people’s dreams come true and everyone feel like a winner when they were called to ‘come on down.’”

In all, he taped more than 5,000 shows in his career. He said he was retiring because “I’m just reaching the age where the constant effort to be there and do the show physically is a lot for me. ... Better (to leave) a year too soon than a year too late.” Comedian Drew Carey was chosen to replace him.

Barker was back with Carey for one show broadcast in April 2009. He was there to promote the publication of his memoir, “Priceless Memories,” in which he summed up his joy from hosting the show as the opportunity “to watch people reveal themselves and to watch the excitement and humor unfold.”

“There hasn’t been a day on set that I didn’t think of Bob Barker and thank him. I will carry his memory in my heart forever,” Carey wrote in a post on X, the site formerly known as Twitter.

Barker well understood the attraction of “The Price Is Right,” in which audience members — invited to “Come on down!” to the stage — competed for prizes by trying to guess their retail value.

“Everyone can identify with prices, even the president of the United States. Viewers at home become involved because they all have an opinion on the bids,” Barker once said. His own appeal was clear: Barker played it straight — warm, gracious and witty — refusing to mock the game show format or his contestants.

“I want the contestants to feel as though they’re guests in my home,” he said in 1996. “Perhaps my feeling of respect for them comes across to viewers, and that may be one of the reasons why I’ve lasted.”

As a TV personality, Barker retained a touch of the old school — for instance, no wireless microphone for him. Like the mic itself, the mic cord served him well as a prop, insouciantly flicked and finessed.

His career longevity, he said, was the result of being content. “I had the opportunity to do this type of show and I discovered I enjoyed it ... People who do something that they thoroughly enjoy and they started doing it when they’re very young, I don’t think they want to stop.”

Barker also spent 20 years as host of the Miss USA Pageant and the Miss Universe Pageant. A longtime animal rights activist who daily urged his viewers to “have your pets spayed or neutered” and successfully lobbied to ban fur coats as prizes on “The Price Is Right,” he quit the Miss USA Pageant in 1987 in protest over the presentation of fur coats to the winners.

Among his activities on behalf of animals was a $250,000 donation to Save the Chimps, the Fort Pierce, Florida-based organization said in an emailed statement Saturday.

“Bob Barker’s kind spirit lives on at Save the Chimps, where we walk every day on the road named for him after his game-changing contribution,” said Save the Chimps’ CEO Ana Paula Tavares. At the time of the donation, Barker said that he hoped chimpanzees tortured “physically and mentally” for years when being used for research experiments would find “the first peace, contentment and love they have ever known at Save the Chimps.”

In 1997, Barker declined to be a presenter at the Daytime Emmy awards ceremony because he said it snubbed game shows by not airing awards in the category. He called game shows “the pillars of daytime TV.”

He had a memorable cameo appearance on the big screen in 1996, sparring with Adam Sandler in the movie “Happy Gilmore.” “I did `The Price Is Right’ for 35 years, and they’re asking me how it was to beat up Adam Sandler,” Barker later joked.

Sandler paid tribute to Barker on Instagram Saturday with a series of images of them together. “The man. The myth. The best. Such a sweet funny guy to hang out with.” Sandler captioned the post. “Loved talking to him. Loved laughing with him. Loved him kicking the crap out of me.”

In 1994, the widowed Barker was sued for sexual harassment by Dian Parkinson, a “Price is Right” model for 18 years. Barker admitted engaging in “hanky panky” with Parkinson from 1989-91 but said she initiated the relationship. Parkinson dropped the lawsuit in 1995, saying it was hurting her health.

Barker became embroiled in a dispute with another former “Price Is Right” model, Holly Hallstrom, who claimed she was fired in 1995 because the show’s producers believed she was fat. Barker denied the allegations.

Born in Darrington, Washington, in 1923, Barker spent part of his childhood on the Rosebud Indian Reservation in South Dakota, where his widowed mother had taken a teaching job. The family later moved to Springfield, Mo., where he attended high school. He served in the Navy in World War II.

He married Dorothy Jo Gideon, his high school sweetheart; she died in 1981 after 37 years of marriage. They had no children.

Barker was given a lifetime achievement award at the 26th annual Daytime Emmy Awards in 1999. He closed his acceptance remarks with the signoff: “Have your pets spayed or neutered.”



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.