'Saudi the Superhero'…Unordinary Film Competes for Septimius Awards

Bader al-Balawi with Saud al-Hazani while shooting the
documentary. (Photo by the director).
Bader al-Balawi with Saud al-Hazani while shooting the documentary. (Photo by the director).
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'Saudi the Superhero'…Unordinary Film Competes for Septimius Awards

Bader al-Balawi with Saud al-Hazani while shooting the
documentary. (Photo by the director).
Bader al-Balawi with Saud al-Hazani while shooting the documentary. (Photo by the director).

Saudi films have made a remarkable attendance in many international cinema events, among which was “Saudi the Superhero” by Director Bader al-Balawi, which is competing in the long documentaries category at the Septimius Festival, in Amsterdam. The winners are expected to be announced in a ceremony on September 26.

Speaking about his film to “Asharq Al-Awsat”, al-Balawi said it revolves around a Saudi man named Saud al-Hazani, and the challenges he faces in his unfamiliar work in a novelty performative art that always prompts him to introduce himself as a “character maker”. In English, his work is known as “Cosplay”, in which participants wear the costumes of characters from anime, manga, and comics productions.

“I am a curiosity-driven person and I love documentaries; their way of narrating stories urges the audience to seek a better search method,” he said, noting that the accelerated social shifts the Saudi community is witnessing have caught his attention, especially the individuals led by their passion without minding the views of their entourage.

“I liked people’s reaction to Saud al-Hazani. Most of them felt astonished by his unfamiliar clothes and practice of a new performative art in several countries,” he said. “From here, I felt I have to know how this man started his journey. I watched him in a TV interview, and noticed that many don’t understand the concept of his work, which made me go forward with my idea,” he added.

This long documentary is al-Balawi’s first work, which he likens to “a risky journey”. Bader collected data for the production from scratch, and signed up for a specialized cinema course on narration in documentaries. He believes he was lucky because “shooting the documentary coincided with the accelerating social shifts in the kingdom, which gave the story an extra dimension and helped document an important period in the country.”

About his “Superhero” philosophy, he said: “Heroism is not only overcoming hardships, it’s persistence and chasing a clear goal,” noting that the main character wasn’t confrontational, and accepted all the hurtful reactions and comments. “Saud keeps up with his society, and focuses on his work, and this why I saw him as a hero for persisting and overcoming the obstacles without complaining or playing the victim.”

Al-Balawi embarked on his journey in 2016, and started shooting the documentary in 2019, which premiered in the 9th edition of the Saudi Film Festival, last May. About his participation in the Septimius Festival, he said his documentary is competing on a global level in the long documentaries category, and the qualification of his first film for an award at such an event is a significant leap.

The organizing committee of the Septimius Festival already announced that the Saudi film “The Journey” has won the Best Experimental Film award. Produced by the Manga Company, of the Mohammed bin Salman Foundation (MISK).

“The Journey” is the first Saudi and Arabic film to win such an award at an international festival. The Septimius Festival, which screens Grammy and Oscar-winning films, provides full support for the high-quality productions with inspiring and insightful views.



'Sonic 3' Bests 'Mufasa: The Lion King' at the Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3." (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3." (Paramount Pictures and Sega of America, Inc. via AP)
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'Sonic 3' Bests 'Mufasa: The Lion King' at the Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3." (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3." (Paramount Pictures and Sega of America, Inc. via AP)

In the holiday season battle of big-budget family movies, Paramount Pictures’ “Sonic the Hedgehog 3” sped past the Walt Disney Co.’s “Mufasa: The Lion King” to take the top spot at the box office ahead of the lucrative Christmas corridor in theaters.

“Sonic the Hedgehog 3” debuted with $62 million in ticket sales over the weekend, according to studio estimates. With strong reviews (86% fresh on Rotten Tomatoes) and a high score from audiences (an “A” on CinemaScore), “Sonic 3” is well positioned to be the top choice in cinemas during the busiest moviegoing period of the year.

It was telling of some wider trends that “Sonic 3” — made for $122 million — bested one of Disney’s top properties. Videogame adaptations, once among the most derided movie genres, have emerged as one of the most dependable box office forces in recent years. The two previous “Sonic” movies together grossed more $700 million worldwide and the third installment appears likely to do better than both of them. A fourth “Sonic” movie is already in development.
“Mufasa,” however, was humbled in its opening weekend, coming in notably shy of expectations with $35 million in domestic ticket sales. The photorealistic “Lion King” prequel even opened wider than “Sonic 3,” launching on 4,100 theaters and gobbling up most IMAX screens, compared with 3,761 locations for “Sonic 3.”
Yet “Sonic 3” nearly doubled the haul for “Mufasa,” which cost more than $200 million to make. Disney could look to $87.2 million in international sales to help make up the difference. The third “Sonic” will rollout in most overseas markets in the coming weeks.
In director Jeff Fowler’s “Sonic 3,” Ben Schwartz returns as the voice of the hedgehog, alongside Tails the Fox (Colleen O’Shaughnessey), Knuckles the Echidna (Idris Elba) and Jim Carrey in scene-stealing dual roles as Dr. Robotnik and his grandfather.
“Moonlight” filmmaker Barry Jenkins directs “Mufasa's” voice cast, including Aaron Pierre, Kelvin Harrison Jr., Donald Glover, Beyoncé Knowles-Carter, Mads Mikkelsen and Blue Ivy Carter. It follows Jon Favreau’s 2019 photorealistic “The Lion King” remake, which made $1.66 billion globally despite mixed reviews. “Mufasa” didn’t come close to that film’s huge $191 million opening weekend.
Many of Disney’s live-action adaptations – including “Aladdin,” “Beauty and the Beast” and “Jungle Book” – have been big hits. Others, such as “Dumbo,” “Mulan” and “The Little Mermaid,” have been less well received. More are on the way, including a new “Snow White” in March, “Lilo & Stitch” in May, and plans for “Moana” and “Tangled” to get the same live-action treatment.
Despite “Mufasa's” muted opening, Disney is still celebrating its strongest annual performance in years. The studio has accounted for more than $5 billion in ticket sales worldwide, including the year’s top two hits: “Inside Out 2” and “Deadpool and Wolverine.” The animated “Moana 2” is poised to round out the top three films of the year. In four weeks of release, it has collected $790.2 million globally, including $13.1 million in US and Canadian theaters over this weekend.
Though Christmas often sees some of the biggest releases of the year, November movies released around Thanksgiving really drove the box office this year. That includes “Moana 2” and Universal Pictures’ “Wicked,” which managed third place in its fifth weekend.
“Wicked,” the hit musical adaption starring Cynthia Erivo and Ariana Grande, added $13.5 million in North American theaters to push its domestic total to $383.9 million.
Those films, among others, have led a Hollywood rebound in 2024. After a significant deficit earlier in the year, overall sales are drawing close to those of 2023. According to Comscore, the gap has narrowed to 4.4% behind last year's results. While that’s still significantly less than pre-pandemic years, it’s enough to flip the script on what once looked like a rough year for the movies.
Family films like “Inside Out 2,” “Moana 2” and “Sonic 3” have played a major role. Paul Dergarabedian, senior media analyst for Comscore, noted animated movies have accounted for 26% of this year's box office.
“The box office year was saved by the family audience being drawn to the multiplex,” said Dergarabedian.