Los Angeles City Council Acts to Spare Marilyn Monroe House from Demolition

The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)
The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)
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Los Angeles City Council Acts to Spare Marilyn Monroe House from Demolition

The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)
The official poster of the 65th Cannes Film Festival featuring US actress Marilyn Monroe is seen on the facade of the Festival Palace in Cannes May 14, 2012. (Reuters)

The Los Angeles City Council voted on Friday to launch a process to designate actress Marilyn Monroe's former home, where she died of a drug overdose in 1962, a historic and cultural monument, blocking plans to demolish the property.

The motion to initiate consideration of the Spanish Colonial-style house in L.A.'s Brentwood section for historic preservation was introduced by Councilwoman Traci Park and approved unanimously the same day, according to her spokesperson Jamie Paige.

In response to the 12-0 vote, the city's Board of Building and Safety Commissioners immediately revoked a demolition permit that had been issued a day earlier. The City Council motion itself also bars major alterations to the property while review of its potential status as a landmark is under way.

Paige said she visited the house on Thursday and that no work had been done at the site, currently owned by a little-known entity called Glory of the Snow Trust.

Monroe purchased the single-story, 2,900-square-foot (270-sq-meter) house in the early 1960s for $75,000 after the end of her third marriage, to playwright Arthur Miller, according to the Los Angeles Times. It was the only residence the actress, who spent part of her childhood in an orphanage and foster care, ever independently owned.

The screen legend, star of such films as "Gentlemen Prefer Blondes," "Some Like It Hot" and "The Misfits," was found dead in a bedroom of the home in August 1962 at the age of 36. The cause of death was ruled to be acute barbiturate poisoning.

The Times reported that the half-acre (0.20-hectare) property, which included a swimming pool and guest house, was purchased in 2017 for $7.25 million by Glory of the Snow LLC, then managed by a hedge fund executive. It was sold to the Glory of the Snow Trust for $8.35 million earlier this year.

No representatives for the trust have been identified by Councilwoman Park, and the reason for the planned demolition remained unclear, Paige said. The Times said the trust is not listed in property records alongside any person's name.

Word that the gated, four-bedroom hacienda at the end of a cul-de-sac was slated to be torn town sparked expressions of outrage on social media, the Times reported. Park, whose council district includes Brentwood, said her office had received hundreds of calls urging her to take action to spare the house.

"For people all over the world, Marilyn Monroe was more than just a movie icon," Park said at a news conference, calling the performer "a shining example of what it means to overcome adversity.

The actress named the home Cursum Perficio, a Latin phrase meaning "My journey ends here," which adorned tiles on the home's front porch.



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
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‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.